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Creative Writing Exercises - Leicestershire County Council

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This exercise:<br />

is a form of sound poetry, and reveals how artworks and objects can be interpreted through<br />

verbal musicality and rhythms.<br />

Encourage participants to not be overly concerned with making sense, but rather making<br />

sound. This exercise could go well with the ‘Sound Links’ exercise (see Warm-up <strong>Exercises</strong><br />

section).<br />

The final exercise sometimes produces sentences that make syntactical sense, but more often<br />

the effect is predominantly musical.<br />

Hints and tips:<br />

The ‘Poetry-Percussion’ game can also be<br />

a good warm-up for this exercise.<br />

Some participants may feel somewhat<br />

bamboozled by the lack of referential<br />

meaning in what they are being asked<br />

to produce – so do stress the sound and<br />

musical qualities of this game.<br />

You could perhaps play John Cage’s 4<br />

Minutes and 30 Seconds (of silence!)<br />

after the Schoenberg game. See what<br />

comes out of framing the silence.<br />

Who?<br />

This would work very well as a part<br />

of a cross-curricular collaboration<br />

between music and poetry.<br />

Kitchen Sink, Lucy Casson<br />

Section C<br />

130<br />

WORDS<br />

THINGS&<br />

workshops

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