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The peat-fire flame : folk-tales and traditions of the Highlands & Islands

The peat-fire flame : folk-tales and traditions of the Highlands & Islands

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THE PEAT-FIRE FLAME<br />

to examine a snare <strong>the</strong>y had laid <strong>the</strong>re. <strong>The</strong>y had not<br />

reached <strong>the</strong>ir destination when, in picking <strong>the</strong> best route<br />

through <strong>the</strong> snows lying in a hollow, <strong>the</strong>y heard <strong>the</strong> most<br />

wonderful music issuing from underground. But fear soon<br />

overtook <strong>the</strong>m; <strong>and</strong> <strong>the</strong>y fled home with all speed.<br />

Many years afterwards, when <strong>the</strong> sister was an old<br />

woman, she used to tell <strong>the</strong> natives <strong>of</strong> Tiree that she had<br />

never forgotten <strong>the</strong> fear that took possession <strong>of</strong> her when<br />

she heard in her childhood <strong>the</strong> wild strains <strong>of</strong> faery music<br />

among <strong>the</strong> moonlit snows on Kennavarra.<br />

Tee Silver Chanter <strong>of</strong> <strong>the</strong> MacCrimmons.<br />

It was a faery who bequea<strong>the</strong>d to one <strong>of</strong> <strong>the</strong> first <strong>of</strong> <strong>the</strong><br />

MacCrimmons <strong>of</strong> Skye <strong>the</strong> Silver Chanter that afterwards<br />

led to <strong>the</strong>ir pr<strong>of</strong>iciency as pipers, <strong>and</strong> to <strong>the</strong>ir appointment<br />

as hereditary pipers to MacLeod <strong>of</strong> MacLeod, at Dunvegan<br />

Castle. A faery chanced to find Iain Og MacCrimmon<br />

seated on a mound near his home at Borreraig, in <strong>the</strong> west<br />

<strong>of</strong> Skye, <strong>and</strong> he disconsolate that his playing had not been<br />

adjudged meritorious enough to warrant his attending at<br />

Dunvegan a competition promoted by MacLeod. So <strong>the</strong><br />

faery addressed Iain Og thus :<br />

" Thy manly beauty <strong>and</strong> <strong>the</strong> sweetness <strong>of</strong> thy music<br />

Have brought <strong>the</strong>e a faery swee<strong>the</strong>art<br />

Now I bequeath to <strong>the</strong>e this Silver Chanter,<br />

Which, at <strong>the</strong> touch <strong>of</strong> thy fingers, will ever bring<br />

forth <strong>the</strong> sweetest music."<br />

<strong>The</strong>reupon <strong>the</strong> faery gave Iain Og MacCrimmon not only<br />

<strong>the</strong> Silver Chanter for his pipes, but also <strong>the</strong> art <strong>of</strong> <strong>the</strong><br />

pibroch. Off to Dunvegan hastened Iain Og with his Silver<br />

Chanter, to vie with o<strong>the</strong>r pipers from all over <strong>the</strong> Highl<strong>and</strong>s<br />

as to which <strong>of</strong> <strong>the</strong>m would become hereditary piper<br />

to MacLeod <strong>of</strong> MacLeod. <strong>The</strong> judges agreed that Iain<br />

Og's piping was <strong>the</strong> best. <strong>The</strong>y readily recognised that it<br />

exhibited qualities possessed only by one who had <strong>the</strong><br />

gift <strong>of</strong> faery fingers on <strong>the</strong> chanter. Thus he became<br />

hereditary piper at Dunvegan ; <strong>and</strong> from that day <strong>the</strong><br />

MacCrimmons <strong>of</strong> Skye produced many generations <strong>of</strong><br />

34<br />

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