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Sri Aurobindo - Karuna Yoga

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Note on the Text 735<br />

somewhat different form. The dictated version was extensively<br />

revised before a typed copy was made.<br />

The Book of <strong>Yoga</strong> had four cantos at first. But the second,<br />

“The Parable of the Finding of the Soul”, grew to an inordinate<br />

length. When the typescript was revised, it was broken up into<br />

Cantos 2-5, from “The Parable of the Search for the Soul” to<br />

“The Finding of the Soul”. Revision of the typed copy was so<br />

elaborate in places (as elsewhere, especially in Book Six, Canto<br />

Two and in Book Eleven) that sometimes there was not enough<br />

room on the page. The scribe would then write on separate slips<br />

of paper, attaching as many as ten of these to a single page of<br />

the typescript.<br />

Canto One of Book Seven has a different background. Early<br />

in the evolution of Savitri, the third canto of the poem (later, the<br />

third book) was called “Death”. It described the year leading<br />

up to Satyavan’s death as well as the fatal day itself. The latest<br />

version, with the heading “Book III”, is incomplete and stops<br />

before the last day. <strong>Sri</strong> <strong>Aurobindo</strong> used this manuscript as far<br />

as it goes when he put Book Seven, Canto One into its present<br />

form.<br />

The second half of an earlier “Canto III” had to be used as<br />

the manuscript for Book Eight. It was revised slightly near the<br />

beginning and a substantial passage was dictated at the end. <strong>Sri</strong><br />

<strong>Aurobindo</strong> apparently intended to return to the Book of Death,<br />

but this was not to be.<br />

On 20 July 1948 he was compelled to admit, “even Savitri<br />

has very much slowed down and I am only making the last<br />

revisions of the First Part already completed; the other two parts<br />

are just now in cold storage.” When the later parts were taken<br />

up again, the most important task remaining was evidently to<br />

bring the almost untouched eleventh book up to the level of<br />

what preceded it. The old “Book VII / Day” on which it would<br />

be based was among the best-developed portions of the early<br />

poem. But after thirty years, <strong>Sri</strong> <strong>Aurobindo</strong> had more to say at<br />

the climax of Savitri.<br />

There was also the Epilogue; but the contemplated revision<br />

of this must have seemed less essential to the total design.

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