2012 ICTOP CONFERENCE Programme - ICOM
2012 ICTOP CONFERENCE Programme - ICOM 2012 ICTOP CONFERENCE Programme - ICOM
Photo Courtesy of Amsterdam Tourism & Convention Board Bridges & Boundaries: Reframing Professional Education For Museums + Heritage? 2012 ICTOP Conference Sept 13-15 Amsterdam PROGRAMME
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Photo Courtesy of Amsterdam Tourism & Convention Board<br />
Bridges &<br />
Boundaries:<br />
Reframing<br />
Professional<br />
Education For<br />
Museums +<br />
Heritage?<br />
<strong>2012</strong><br />
<strong>ICTOP</strong> Conference<br />
Sept 13-15<br />
Amsterdam<br />
PROGRAMME
<strong>CONFERENCE</strong><br />
conference THEME<br />
<strong>ICTOP</strong>, the <strong>ICOM</strong> International Committee<br />
for the Training of Personnel, annual<br />
conference will be held in Amsterdam Sept.<br />
13-15 <strong>2012</strong>. Our meeting this year will be<br />
hosted by the Reinwardt Academy for<br />
Cultural Heritage, Amsterdam, School of<br />
the Arts.<br />
This international meeting will focus on the<br />
theme of!“Bridges and Boundaries:<br />
Reframing Professional Education for<br />
Museums + Heritage?” A mixture of short<br />
and long paper presentations, virtual<br />
papers by video and other multi-media,<br />
posters, panels and workshops will explore<br />
current and emerging issues in the field of<br />
museum professional development.<br />
Themes will examine how professional<br />
development education is or is not shifting<br />
from a variety of global perspectives and<br />
the implications for the conceptualization of<br />
our museums/heritage sector and<br />
professional preparation.<br />
•Is there a genuine shift in concepts and the profession<br />
or a pragmatic move that responds to governmental<br />
policy and job opportunities?<br />
•What are the challenges for museology programmes,<br />
or other developers, in adopting wider definitions<br />
such as that of heritage?<br />
•Are there other tendencies in our pedagogy<br />
representing either the voices of traditional or new<br />
disciplines !"such as cultural studies, management,<br />
curatorial studies, gallery studies, informatics !"or<br />
emerging topics or issues !"such as development,<br />
sustainability, inclusion, career planning and<br />
employability !"that are compelling changes?<br />
•Where is the profession in this discussion?<br />
•What guidelines or competencies might be needed in<br />
this complex situation?<br />
Keynote Presentations By,<br />
Dr. Mary Bouquet<br />
Lecturer at University College Utrecht<br />
Flying Buttresses: An Educational Round Trip -<br />
13 September, Thursday 11am<br />
Dr. Bouquet’s teaching and research focus, among other things,<br />
is on the contemporary uses of historical collections, and<br />
processes of museum renovation. She established and<br />
coordinates the Cultural Heritage Internship <strong>Programme</strong> (CHIP)<br />
as part of the Liberal Arts and Sciences curriculum at University<br />
College. She is co-editor, with Howard Morphy (ANU), of the<br />
Berghahn series Museums and Collections. She is on the<br />
Advisory Board of Center for Museum Studies, University of<br />
Oslo and on the Editorial Board of Museum Worlds: Advances<br />
in Research, a new journal to be launched by Berghahn Books<br />
in 2013.<br />
Photo: Liesbeth Dingeman<br />
Dr. Peter van Mensch<br />
Mensch Museological Consulting<br />
"For whose benefit?"-<br />
14 September, Friday 9am<br />
Peter van Mensch was professor of cultural heritage at the<br />
Reinwardt Academie (Amsterdam) before he retired in August<br />
2011. He served several (international) museum organizations<br />
as board member. At present, he is member of the <strong>ICOM</strong> Ethics<br />
Committee. He is a regular guest lecturer at universities<br />
worldwide and is frequently invited as speaker at international<br />
conferences. As researcher Peter van Mensch has made a<br />
remarkable contribution to the development of museology as a<br />
field of study; his current work now focuses on developing an<br />
integral and integrated approach to heritage.<br />
2
Photo: Kathleen O'Brien<br />
<strong>CONFERENCE</strong><br />
conference WELCOME<br />
To all Participants in the<br />
<strong>2012</strong> Annual Conference<br />
of <strong>ICTOP</strong>-<strong>ICOM</strong>,<br />
Amsterdam.<br />
It is with the greatest pleasure that I<br />
welcome you to Amsterdam for the <strong>2012</strong><br />
Annual Meeting of <strong>ICTOP</strong>. One of my<br />
dreams as Chair has been to hold a<br />
meeting in Amsterdam at the Reinwardt<br />
Academy, given the strong role of the<br />
institution in building museum and heritage<br />
studies. Also, I want to honor their<br />
commitment to <strong>ICTOP</strong> and for providing<br />
such strong support for the International<br />
Committee through the years. It is in<br />
Amsterdam at the Reinwardt that we find<br />
the crucible of museology and heritage<br />
ideas and praxis. I know that our <strong>2012</strong><br />
meeting will prove my assumption.<br />
Most of all though, the conference could<br />
not occur without the participation of our<br />
members and colleagues - this year<br />
representing nearly 50 participants from<br />
20 different countries. The work of<br />
diversifying <strong>ICTOP</strong>’s membership and work<br />
is our number one responsibility, though<br />
we must also, as the museums and<br />
heritage locations, build our membership<br />
and prove relevance. As a volunteer<br />
organization our challenges are many.<br />
And so we hope to invite you to<br />
Amsterdam to meet up with <strong>ICTOP</strong><br />
colleagues or to build new and lasting<br />
relationships. I know that the program is<br />
strong and I welcome you to our<br />
conversations both at the conference and<br />
after.<br />
Another one of my objectives has been to explore<br />
the notions of `profession` and `professional<br />
development` as a framework for the work of<br />
<strong>ICTOP</strong> and what strategies might follow. In this we<br />
would embrace the complexity of educational<br />
work that spans degree programs to association<br />
workshops, from doctoral programs to individual<br />
career development.<br />
With this conference`s rich array of presentations<br />
representing a stellar line up of professionals, our<br />
meeting will be memorable for <strong>ICTOP</strong> in the rich<br />
heritage landscape of Amsterdam and the<br />
Netherlands. We hope we can entice you into<br />
being an active member of <strong>ICTOP</strong>, spreading the<br />
word and engaging in our strategic plan and<br />
operations over the next years and help build our<br />
relevancy to the International museum field.<br />
My special thanks go out to Scott Pollock who has<br />
been assisting in the conference organization, as<br />
well as our program and organizing group.<br />
Finally, then, I wish all the best dialogues and<br />
deliberations as we build community and our<br />
profession in Amsterdam.<br />
Sincerely,<br />
Lynne Teather, D. Phil. (Leicester Museum Studies),<br />
Professor Emeritus,<br />
Masters of Museum Studies,<br />
University of Toronto, Faculty of Information<br />
lynne.teather@utoronto.ca<br />
102 Larratt Lane,<br />
Richmond Hill, Ontario,<br />
Canada L4C 0E3<br />
Chair (2010-2013)<br />
International Committee for the Training of Personnel (<strong>ICTOP</strong>)-<br />
International Council of Museums (<strong>ICOM</strong>)<br />
Co-editor Museum History Journal<br />
3
<strong>CONFERENCE</strong><br />
thank YOU<br />
WITH SPECIAL THANKS<br />
Program and Organizing Committee<br />
Lynne Teather, Chair of <strong>ICTOP</strong>, Assoc. Professor, Museum Studies, University of Toronto<br />
Phaedra Livingstone, Secretary of <strong>ICTOP</strong> and Assistant Professor, Museum Studies, Arts and<br />
Administration Program (AAD), University of Oregon<br />
Darko Babic, <strong>ICTOP</strong> Board, Lecturer in Museology, University of Zagreb, Croatia<br />
Hester Dibbits, Professor, Reinwardt Academy and Director of Masters in Museology <strong>Programme</strong><br />
Paula Assuncao dos Santos, <strong>ICTOP</strong> Board, Lecturer, Reinwardt Academy<br />
Susan van 't Slot-Koolman, Reinwardt Academy<br />
We are very grateful to the Reinwardt Academy for hosting the conference.<br />
Reinwardt Academy of Cultural Heritage (Amsterdam School of the Arts)<br />
Dapperstraat 315<br />
1093 BS Amsterdam<br />
The Netherlands<br />
Tel. +31 (0)20 527 7100<br />
Email:<br />
Our special thanks to Peter van Mensch for his guide duties in Haarlem!<br />
4
<strong>CONFERENCE</strong><br />
conference SCHEDULE<br />
13 September, Thursday - Morning<br />
8:00-9:30 Check-In and Registration<br />
9:00-9:30 Welcome - President of <strong>ICTOP</strong> – Dr. Lynne Teather<br />
Introductions<br />
Greetings - President of <strong>ICOM</strong> – Dr. Hans Martin-Hinz<br />
Representative of Netherlands Museums Association - Joke Bosch<br />
President of <strong>ICOM</strong>, Netherlands - Dr.!Janrense Boonstra<br />
Reinwardt Academy of Cultural Heritage - Professor Hester Dibbits<br />
9:30-10:30 Opening Deliberations<br />
Voices- Reframing Professional Education for Museums + Heritage?<br />
Moderator: Hans Martin-Hinz, President, International Council of Museums (France)<br />
Brief Presentations From: Peter van Mensch, Co-director of Mensch Museological Consulting and<br />
former Professor of Cultural Heritage, Reinwardt Academie (Netherlands); Martin Segger, Adjunct<br />
Professor of Canadian Art and Architecture, University of Victoria (Canada); Lynne Teather, Chair,<br />
<strong>ICTOP</strong> (Canada)<br />
Description: To begin our deliberations, we invite several noteworthy museum teachers and professional leaders to attempt,<br />
not only to set the scene of our conference, but also to reflect on the challenge of regional differences in languages and<br />
concepts, context and pressures and their implications for the work of <strong>ICOM</strong> and <strong>ICTOP</strong>. We will open the floor for<br />
discussion to gather the perspective of participants as we start our deliberations.<br />
10:30-11:00 Break<br />
11:00-12:30 Keynote Talk and Discussion<br />
Dr. Mary Bouquet, University College Utrecht (Netherlands)<br />
Corridors and Flying Buttresses: An Educational Round Trip<br />
Abstract: This paper is in two parts: the first discusses my interpretation of how things become heritage and how museums<br />
are implicated in the process; the second considers the implications for professional education – and what that might mean in<br />
different contexts.<br />
12:30-1:30 Lunch<br />
5
<strong>CONFERENCE</strong><br />
conference SCHEDULE<br />
13 September, Thursday - Afternoon<br />
1:30-3:00 Stream I. Progressive Pedagogy in Four Voices: Educators and Students<br />
4 Presentations – 15 min presentations, 5 min q&a<br />
Hester Dibbits, Course Director, Reinwardt Academy of Cultural Heritage (Netherlands)<br />
Cultural Heritage & Museology at the Reinwardt Academy<br />
Abstract: The Reinwardt Academy!approaches!cultural heritage from a museological perspective. What are the implications<br />
of this approach for the curriculum at Reinwardt? How do Reinwardt lecturers, coming from different disciplines, different<br />
professional fields, work on this together? And how have new lecturers, coming from outside the world of museums,<br />
contributed to the curriculum? In what way did they / do they / will they change the Reinwardt-curriculum?<br />
Martha Mahard, Graduate School of Library & Information Science Simmons College (United States)<br />
Framing a Cultural Heritage Informatics Track in Archives, Library and Information Science<br />
Abstract: This paper explores an interdisciplinary approach to the theory and practice of museology, archives, and<br />
librarianship: the new Cultural Heritage Informatics Track at Simmons College. Faculty from art, archives, and library<br />
science explored the theoretical frameworks of a cultural heritage curriculum. With an underlying focus on stewardship, this<br />
program addresses concepts in organization, preservation, access, and use of collections, and how technology has evolved,<br />
to meet the increasingly more sophisticated needs of users who demand more services and less mediation. These frames<br />
invite us to re-consider our disciplines—and their influence on practice—as we prepare graduate students to work in a variety<br />
of heritage institutions. The program is complemented by our Digital Curriculum Lab which is being used by university<br />
partners internationally. The paper concludes with consideration of the case studies developed in conjunction with our initial<br />
field studies. These studies suggest that achieving convergence in practice is more complex than earlier research suggests.<br />
Lisa Truong, PhD Student, Carleton University (Canada)<br />
Practicing Collaborative Museology<br />
Abstract: This session examines the challenges of learning to apply theories and practices of collaborative museology while<br />
training to be a museum professional through a post-mortem exploration of my Master’s final exhibition project, Sanaugaq:<br />
Things Made by Hand mounted at the University of Toronto Art Centre in 2010. While our attempt to build meaningful<br />
relationships with Inuit communities in the North was limited by the short timeframe of the project and lack of travel funds, we<br />
were able to seek alternative partnerships with northern communities in Toronto. Our exhibition highlights the tensions that<br />
can occur when applying best practices in a student-training programme.<br />
Margaret A. Lindauer, PhD, Associate Professor & Museum Studies Coordinator, Department of Art History,<br />
Virginia Commonwealth University (United States)<br />
It’s Complicated: Teaching Second-Wave, New Museological Praxis<br />
Abstract: This paper offers critical reflection of the assignment presented to students enrolled in the Spring <strong>2012</strong> graduatelevel<br />
course “Museums & Communities” at Virginia Commonwealth University. Students were asked to conceptualize a tour<br />
for the Wickham House, a historic house museum in Richmond, Virginia (USA), completed in 1812 for John Wickham, a<br />
prominent attorney and British Loyalist. Students were asked to develop tours that focus on displayed material objects or<br />
selected architectural features in the house; incorporate factual information about Wickham and/or the socio-political historic<br />
context in which the house was built; and address a socio-political issue relevant to both early nineteenth-century and early<br />
twenty-first-century Richmond residents. Course readings introduced students to issues associated with second-wave new<br />
museology and historic house museums. This paper offers a synopsis of those issues; describes the creative range of ideas<br />
that students presented; and identifies pedagogical challenges—discerned from students’ projects—that must be addressed in<br />
order for second-wave new museological theory to be effectively translated into practice.<br />
6
<strong>CONFERENCE</strong><br />
conference SCHEDULE<br />
13 September, Thursday - Afternoon<br />
1:30-3:00 Stream II. Professional/Career Perspectives<br />
4 Presentations – 15 min presentations, 5 min q&a<br />
Anna Maria Visser, Lecturer, University of Ferrara (Italy)<br />
Museum and Cultural Heritage in Italy - Education and Training of Professionals.<br />
Abstract: This paper addresses the relationship between museums and cultural heritage, in light of the Italian scene, where<br />
landscape together with museums represent the main features of the country. Recent work reveals the perception of<br />
professionals that stand between the formation of museums’ theory, the management of heritage matters and the everyday<br />
need for administrative action. What do they<br />
think!about!their!position?!Do!they!lean!towards!a!firmly!defined!museological!character!or!do!they!understand!themselves!a<br />
s!heritage!professionals? What do their colleagues<br />
think!about!these!concepts!and!how!they!understand!this!cooperation.<br />
Rita Capurro, Researcher, Politecnico di Milano (Italy)<br />
Museum Professions in Italy: Reinventing Training, Waiting for Job Opportunities in the Age of the<br />
Crisis<br />
Abstract: This research analyzes the situation of the main museums of the city of Milan to highlight significant features of the<br />
scenario of museum professions in Italy, with the aim to define new strategies for the enhancement of professionalism in the<br />
museums.<br />
Nayra Llonch, PhD, University of Barcelona (Spain)<br />
Department Specific Didactics at the University of Lleida: Is It Necessary To Educate Educators?<br />
Abstract: It is well-known that the importance of museums and of a great part of heritage lies in the objects that form it.<br />
Museum objects do not have one only reading, on the contrary, they may have multiple interpretations and these will<br />
depend on the depth of the analysis they are subjected to, the diversity of interests and variety of subjects. From all this<br />
arises the need of intermediation mechanisms to show and teach how to read the different messages contained in the<br />
heritage objects. In this sense, the instruments of museum intermediation can be highly effective, however they have<br />
important limitations as very often they do not go beyond teaching or informing and rarely succeed in stirring the visitor’s<br />
mind, evoking or suggesting and besides, they cannot be adapted to the needs and capacities of the huge variety of<br />
publics.Considering the limitations existing in the museum elements, human intermediation has, on the other hand, the ability<br />
to adapt to the visitors’ subjectivity, to encourage dialogue, change the attitude and “view” of the public. In order to achieve<br />
this, it is essential to foster a specific education for educators and the paper we propose here suggests some tools and<br />
didactic methods!for educators to deal with this.<br />
Hilde Neus, Surinam Museum Foundation (Netherlands)<br />
'Designing,Dumbing,Distancing’<br />
Abstract: For the last two years we have been working on a new exhibition and web site of a history of Suriname. In my<br />
presentation I would like to elaborate on the making of this exhibition and why it is a history, and not the history.<br />
Furthermore I would like to focus on the question how we have tried to reach the audiences: the already existing (school<br />
children and tourists) and the new (Suriname people with no tradition of visiting museums).<br />
3:00-3:30 Break<br />
7
<strong>CONFERENCE</strong><br />
conference SCHEDULE<br />
13 September, Thursday - Afternoon<br />
3:30-5:00 Stream I. Issues of Pedagogy and Subject Emphases<br />
4 Presentations – 15 min presentations, 5 min q&a<br />
Christine Braunersreuther, Museologist, Lecturer, FH Joanneum (Austria)<br />
Applied Theory in 4-D. Teaching of Visitor-Oriented Museology for Design Students<br />
Abstract: Exhibition designers seldom hold permanent positions at museums, they rather work as freelanced contributors and<br />
mostly, they get hired for just one exhibition or a similar project. To grant a good, successful communication between them<br />
and academics and scientists in museums, it is all the more important to give them insights into the way museums are<br />
structured. as well as to convey solid basics in museological theory.<br />
Marcin Szel"g, PhD, Assistant Professor Adam Mickiewicz University in Poznan and Head of<br />
Department of Education, National Museum in Poznan (Poland)<br />
Education in Art Museums. Critical Remarks on Practical Dimension of the Educational Role of<br />
Museums in Poland.<br />
Abstract: In the light of the historical conditions, author will declare that Poland is very much in need of a new formula of<br />
museum and education. Both can offer an opportunity to free museum from the overbearing burden of the past, which<br />
includes the discreditable tradition of the nonchalant treatment of the museum by the state, wartime devastations and Stalinist<br />
ideologisation during communism period.<br />
Chiaro Mauro. PhD Candidate, University of Padova (Italy)<br />
Young Visitors In Science Museums. What Competencies Do Museum Educators Need in their<br />
Professional Preparation?<br />
Abstract: The success of science museums lies in its appeal to children of different ages, even to pre-schoo children (3-6<br />
years). This paper sets out to examine types of settings, strategies and tools that museums can arrange for young visitors in<br />
order to achieve educational goals; and the necessary competencies required for a museum educator to work effectively<br />
with pre-school children. Activities carried out with young children at science museums in the Veneto Region of Northeas<br />
Italy were observed. Educators were interviewed and museum directors filled a questionnaire concerning museum<br />
educational services. The aims were to recognize the authentic regional framework, to learn from museum practices, and to<br />
identify the training needs of novice and expert professionals. The results represent the basis for programming a curriculum<br />
tailored to museum educators who are beginning to work with early-childhood, and who need to improve their skills<br />
and performance to boost the learning experience.<br />
Trilce Navarrete Hernández, PhD Researcher and Lecturer University of Amsterdam, Digital<br />
Heritage, (Netherlands)<br />
Cultural Information Science at the University of Amsterdam: A Cross-Sector Approach<br />
Abstract: In the digital world, the user is less interested in the source of information accessed than in the ways the information<br />
can be used. Heritage content from museums published on the Internet including object images, registration, documentation<br />
and contextualization, will be favored when content is of quality while free of access. The more ease to access it the more it<br />
is used and reused. In that respect, future museum professionals must be aware of the issues related to managing the<br />
information side of the museum.<br />
8
<strong>CONFERENCE</strong><br />
conference SCHEDULE<br />
13 September, Thursday - Afternoon<br />
3:30-5:00 Stream II. Pedagogy and Education: Reflections<br />
3 Presentations – 15 min presentations, 5 min q&a<br />
Leena Tokila - Education Manager, Finnish Museums Association (Finland)<br />
Finnish Museums Association Pedagogical Approach to Learning at the Workplace<br />
Abstract: The environment of museums is changing and the role, value and impact of museums is!negotiated over and over<br />
again in the society. Museums face new expectations from the community and funding authorities. Under these<br />
circumstances, the expertise of museum staff is a success factor. Relevant questions are: what competencies are needed<br />
in!and how to arrange in service!training in order to help museums gain these competencies? In this presentation, I will<br />
discuss how institutions providing training should study and develop their pedagogical models and methods in order to meet<br />
new challenges of!learning. Research on learning at the workplace has expanded since the beginning of the 1990s and is<br />
currently wide-ranging and interdisciplinary. Some theoretical ideas about workplace learning will be shortly reviewed. The<br />
presentation will include a case study as well: Finnish Museums Association is the coordinator in The Open museum -<br />
A!Developing Learning Environment for Adults project which was launched in the beginning of 2010. During the project,<br />
several special meetings were arranged for museum staff members to study museum pedagogy in their own or nearby<br />
museum, in other words, in an actual workplace and a museum environment.<br />
Lynne Teather, Professor Emeritus, University of Toronto and Chair <strong>ICTOP</strong> (Canada)<br />
Future Directions for Professional Pedagogy and Education<br />
Abstract: In this session Lynne will share some of the results of the 2011 <strong>ICTOP</strong> research project (Teather and Livingstone,<br />
June <strong>2012</strong>). Although there is more work to do, <strong>ICTOP</strong> hopes to involve more providers in the database as well as the<br />
further development of the needed models, cases, articles, reports and all things to support our colleagues in the offering of<br />
relevant, high-level museum/heritage studies and applied competencies.<br />
Charlotte Holmes, United Kingdom Museums Association<br />
Update: UK Status<br />
Abstract: This informal and discursive session will provide delegates with a brief overview of challenges and issues affecting<br />
the museum and heritage workforce in the UK along with an opportunity to reflect on and share their own experiences and<br />
practice.<br />
5:00-8:00 Reception At Reinwardt Academy<br />
Join us for a social evening and wonderful opportunity to informally catch- up with your international colleagues and friends.<br />
Everyone welcome. Your conference fee covers light fare and refreshments.<br />
9
<strong>CONFERENCE</strong><br />
conference SCHEDULE<br />
14 September, Friday - Morning<br />
9:00-10:15 Keynote Talk and Discussion<br />
Dr. Peter van Mensch, Mensch Museological Consulting<br />
"For whose benefit?"<br />
Abstract: In a provocative paper presented at a conference held in Brno (Czech Republic) in 1996, the late Kenneth Hudson<br />
questioned the relevancy of museology as academic discipline and the usefulness of people that call themselves museologist.<br />
Peter van Mensch, last year retired as Professor of Cultural Heritage at the Reinwardt Academy, will reflect on the questions<br />
raised by Hudson. He will use his own professional biography as museologist to show that museology is perhaps more than<br />
just an "agreeable form of self-indulgence" as Hudson suggested.<br />
10:15-10:45 Break<br />
10
<strong>CONFERENCE</strong><br />
conference SCHEDULE<br />
14 September, Friday - Morning<br />
10:45-12:30 Stream I. Continuation: Issue of Pedagogy and Subject Emphases<br />
4 Presentations – 15 min presentations, 5 min q&a<br />
Nick Crofts, Chair <strong>ICOM</strong> International Committee for Documentation (Switzerland) and Maija<br />
Ekosaari, Project Manager, Museum Center Vapriikki (Finland)<br />
Evolving to Meet Evolving Needs – The CIDOC Summer School Training Program<br />
Abstract: Recognizing the pressing need to provide basic and advanced level professional training in documentation theory<br />
and practice, CIDOC, <strong>ICOM</strong>’S International Committee of Documentation, in collaboration with an academic partner, the<br />
Museum of Texas Tech University, has established a modular training program – the CIDOC Summer School. <strong>ICOM</strong> has<br />
provided support for the program in the hope that it might be used as a model for training programs organized by other<br />
International Committees. This paper takes the CIDOC Summer School as a case study, highlighting the opportunities and<br />
constraints, both organizational and pedagogical, that confront <strong>ICOM</strong> International Committees setting up training<br />
programs, and outlining the problems and difficulties that have yet to be solved. Finally, we hope to engage in a discussion<br />
on the future development and evolution of the program.<br />
Tanushree Gupta, Junior Research Fellow, Department of Conservation, National Museum Institute<br />
(India)<br />
Bridging the Gap Between Conservation and The World<br />
Abstract: Interdisciplinary approach is essential in the world of conservation and it needs to be upgraded. Proper<br />
understanding of the gaps would help to device a better strategy to connect. It is a gradual process but in the end, this<br />
would become reality and the field of conservation would come at par with others.<br />
Annette Gallman, Chair of LCM (Netherlands National Foundation of Museum Advisors)<br />
Collections as the Focal Point of Training Museum Volunteers<br />
Abstract: The Netherlands National Foundation of Museum Advisors (Landelijk Contact van Museumconsulenten (LCM)) is<br />
the network organization of the museum advisory bodies of the twelve Dutch provinces. From the early 1980s we work<br />
together in developing quality standards and promoting professional expertise, especially focused on voluntary staff of<br />
museums who have no professional museum backgrounds. A national program of training courses and workshops,<br />
accompanied by instruction books, is the backbone of this work. We like to share our experiences in this work with the<br />
participants of <strong>ICTOP</strong>.<br />
Reimer Knoop, Professor, Reinwardt Academy of Cultural Heritage (Netherlands)<br />
Opportunism or Paradigm Shift?<br />
Abstract: The question whether broadening the museum field to include heritage and its implications for the challenges to<br />
vocational training, can be dealt with in two ways. On the one hand, museums have had a long life and they will doubtless<br />
remain on the agenda for some time to come. There will remain, therefore, a certain demand for qualified, non-disciplinary<br />
professionals: the museologist staff. On the other hand, museums can be seen to also gradually shift towards a new point of<br />
gravity. During both the Inaugural Conference of the Association of Critical Heritage Studies this spring in Göteborg and the<br />
UNESCO expert meeting on museums and collections this summer in Rio de Janeiro, it became increasingly clear that in<br />
many parts of the world museums are being expected to increasingly and significantly contribute to social change and<br />
societal innovation. The main set of opposing poles in this regard seems to be collection driven institutions vs. process driven<br />
ones. This being what it is, vocation-training institutions should be aware of the need to respond to changing perspectives.<br />
One way to do so is by actively engaging in these very discussions, but at the same time to not lose sight of the importance<br />
of continuity and of the crafts that come with it. The proper functioning of museum and heritage institutions and initiatives is<br />
threatened, I think, whenever this balance is disturbed for too long. Museum and heritage professionals should be able to<br />
deal with this.<br />
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<strong>CONFERENCE</strong><br />
conference SCHEDULE<br />
14 September, Friday - Morning<br />
10:45-12:30 Stream II. Pedagogy, Profession and Futures in Museums and Heritage<br />
4 Presentations – 15 min presentations, 5 min q&a; 2 Updates – 10 min, 5 min q&a<br />
Clara Arokiasamy, OBE , KALAI, Organisation Development and Intangible Heritage (England) &<br />
The University of Oslo/Museum of Cultural History (Norway)<br />
Embedding Black and Ethnic and National Minority Europeans’ Cultural Rights into the Education<br />
and Training of Museum Professionals: London and Oslo's Experience<br />
Abstract: This paper will focus on the pilot course - “An Introduction to Embedding Cultural Diversity in Museums” -<br />
incorporated into the brand new Masters in Museum Studies, launched by the University of Oslo in October 2010. It was<br />
designed as a Cultural Diversity component aimed at incorporating the embedding of minorities’ cultural rights into the<br />
training and education of museum professionals, which is lacking in many European states.<br />
Wendy Molnar, Cultural Visions Consulting (Canada)<br />
Professional Education North of 50<br />
Abstract: The session explores how professional education in Canada’s North has shifted to accommodate the culture and<br />
heritage of those who work in museums, heritage and visitor centres. Key issues central to this approach include physical<br />
isolation, transient and under educated staff, as well as a strong desire to preserve a culture in danger of being eliminated.<br />
Andreja Rihter, Museum Councillor, Museum of Recent History (Slovenia) and Tijana Palkovljevi#,<br />
Director, Gallery of Matica Srpska (Serbia).<br />
One Possible Model of Education in Museums<br />
Abstract: The protection of heritage, whether tangible or intangible, in all its limits and scopes, is the main concern of<br />
museums as institutions. Due to rapid changes during the last decade, museums have to satisfy primary needs of the society.<br />
Within the project called Transition to the New Museum, the International Foundation - Forum of Slavic Cultures, as an<br />
institution, strives to implement a series of workshops, which would contribute to professional specialization of museums as<br />
heritage institutions and change their system of operation.<br />
Jacqueline van Leeuwen. Stafmedewerker, FARO, Flemish Interface Centre for Cultural Heritage<br />
(Belgium)<br />
Desperately Seeking New Skills? A Co-creative Approach To The Professionalization of Museum<br />
Staff<br />
Abstract: A few years ago <strong>ICTOP</strong> developed Curricula Guidelines for Museum Professional Development. This model defines<br />
five broad areas of competencies- needed to work effectively in today's museums. Even though this is quite a long list of<br />
competencies, recent evolutions, both within the heritage field and abroad necessitate that new competences should be<br />
added. Such as competences of innovation, social and brokerage skills, more entrepreneurial competences, more<br />
specialized digital competences and social media, a better understanding of the heritage-concepts….and very soon new<br />
challenges will be added. If we compare this list to existing educational programs for museum professionals, we see that they<br />
tend to focus on (traditional) skills considering the acquisition, selection, preservation, research and communication of<br />
heritage collections. On the other hand, the profiles of competencies for museum professionals formulated within the work<br />
field are mainly aimed at securing the traditional roles of heritage conservation. Thus both educational programs and profiles<br />
of competencies do not pay explicit attention to all the new competencies we need. How to develop them? This paper argues<br />
that broad general “heritage programs” are not a good solution to meet these challenges and to develop all the new<br />
competencies we need. There is no such thing as “one program that fits all”. Rather than employing generalists (who know a<br />
little about a lot of things) museums should elaborate multidisciplinary teams with various specialist profiles at various levels.<br />
At the work floor, these (future) museum professionals can develop their skills in co-creative and informal learning<br />
programmes in which they are confronted with other perspectives.<br />
12:30-1:30 Lunch<br />
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<strong>CONFERENCE</strong><br />
conference SCHEDULE<br />
14 September, Friday - Afternoon and Evening<br />
1:30-3:00 Workshop<br />
<strong>ICTOP</strong> Futures<br />
Lynne Teather, PhD, <strong>ICTOP</strong> Chair (Canada)<br />
A workshop to touch base with participants on existing/emerging fields, questions, issues and concerns, all of which inform<br />
<strong>ICTOP</strong> strategic directions and action plans. Themes to be covered include: (1) Defining our field; (2) Subject Emphases; (3)<br />
Pedagogy Futures (4) Modes of Teaching; (5) Relation to Profession and Work; (6) Strategic Planning and Action Plan<br />
3:00-3:30 Break<br />
3:30 Annual General Meeting<br />
Voting by members only. All welcome to attend.<br />
7:00 <strong>ICTOP</strong> Dinner - Brasserie Harkema<br />
Everyone is invited to an evening dinner at Brasserie Harkema, a contemporary version of the classic Parisian brasserie<br />
located in the centre of Amsterdam. Brasserie Harkema is a pleasant and stylish meeting place where we plan to enjoy a<br />
wonderful meal together. If you are planning to attend this event, please let <strong>ICTOP</strong> Chair, Lynne Teather know so she can<br />
make appropriate reservations. The cost of the meal is estimated at 29.50 euros and individuals are responsible for<br />
covering their own costs. Conference fees do not cover this event.<br />
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<strong>CONFERENCE</strong><br />
conference SCHEDULE<br />
15 September, Saturday - Excursion to Haarlem<br />
8:45 Train Travel to Haarlem, Amsterdam<br />
(Covered by Conference Fees - Please Bring Your <strong>ICOM</strong> Card)<br />
9:45-11:30 Walk To Teylers Museum: MuseumTour With Special Guide (Museum Director)<br />
The oldest museum in the Netherlands, Teylers was founded in the eighteenth century. The Museum building dates from 1784<br />
and houses exhibits (arts and science) legated by Pieter Teyler, a wealthy banker and merchant. Pieter Teyler van der Hulst<br />
stipulated in his will that his capital (comparable to 80 million euros nowadays) should be placed in a foundation under the<br />
management of five Directors, and that it should be used to stimulate, amongst other things, the arts and sciences.<br />
11:30-12:30 Walk Through Haarlem<br />
12:30 Lunch At Dolhuys Museum, Followed By Tour of Dolhuys Museum<br />
Het Dolhuys is a national museum for psychiatry in Haarlem, the Netherlands founded in 2005 in the newly renovated<br />
former old age home known as Schoterburcht but for centuries was a hospital. It is an interactive museum. The visitor is<br />
encouraged to think about the contrasts between sanity and insanity, between visitors and inmates, and between participants<br />
and observers. On display are the various personal effects of famous inmates of psychiatric hospitals, as well as old<br />
treatment methods and tools used by the hospitals themselves. In 2005 the museum won the Dutch Design Prize in the<br />
category ‘Exhibition & Experience Design’. In 2007 the museum received an honorable mention for The European Museum<br />
of the Year Award.<br />
2:30-3:00 Break<br />
3:00-4:00 Workshop - Discussion of Implications for Professional Education<br />
4:00 Return Walk To Train Station<br />
5:00 Back In Amsterdam<br />
Au revoir, a la prochaine.<br />
23rd General Conference will be held from 10 to 17 August, 2013 in Rio de Janeiro, Brazil.<br />
Come and join <strong>ICTOP</strong> at <strong>ICOM</strong>’s 2013 Conference.<br />
14
egistration FORM<br />
Yes, I would like to register for the <strong>ICTOP</strong>, the <strong>ICOM</strong> International Committee for the Training of<br />
Personnel, Annual Conference to be held in Amsterdam September 13-15, <strong>2012</strong>, hosted by the<br />
Reinwardt Academy for Cultural Heritage, Amsterdam, School of the Arts.<br />
Today’s Date<br />
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Tentative Arrival Date<br />
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A. Please register me for:<br />
FULL <strong>CONFERENCE</strong><br />
(Sept 13-15, Thurs-Sat)<br />
SINGLE DAY<br />
(Sept 13, Thurs)<br />
SINGLE DAY<br />
(Sept 14, Fri)<br />
SINGLE DAY<br />
(Sept 15, Sat)<br />
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B. Two easy payment options have been set up for<br />
you. Please indicate your preference:<br />
ON-LINE With Credit Card in CAD Funds<br />
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(see next page for international bank transfer details)<br />
C. Send this completed registration form or<br />
email the required fields to:<br />
Scott Pollock, Conference Assistant<br />
spollock.u.toronto@gmail.com<br />
15
fee SCHEDULE<br />
FULL <strong>CONFERENCE</strong><br />
(Sept 13-15, Thurs-Sat)<br />
Registration Notes<br />
Early Bird Rate Regular Rate Late or On-Site Rate<br />
(Before July 10) (July 10-Sept 5) (Sept 6-Sept 15)<br />
<strong>ICOM</strong> - <strong>ICTOP</strong> - <strong>ICOM</strong> Partner Member $300 / $394 CAD $330 / $434 CAD $360 / $473 CAD<br />
Non-Member $400 / $526 CAD $430 / $565 CAD $460 / $604 CAD<br />
Student $50 / $66 CAD $50 / $66 CAD $50 / $66 CAD<br />
Spouse / Partner $60 / $79 CAD $90 / $105 CAD $90 / $105 CAD<br />
SINGLE DAY<br />
<strong>ICOM</strong> - <strong>ICTOP</strong> - <strong>ICOM</strong> Partner Member $110 / $145 CAD $125 / $164 CAD $140 / $184 CAD<br />
Non-Member $150 / $197 CAD $170 / $223 CAD $190 / $250 CAD<br />
Student $20 / $26 CAD $20 / $26 CAD $ 20 / $26 CAD<br />
Payment, in full, must be received by the deadlines listed above to be eligible for the discounted rates.<br />
On-site registration will be available at the Late-Registration/On-Site Rate.! Please bring cash, travellers cheques or pay online<br />
at UofTix Box Office.<br />
Your registration fee includes admission to paper sessions and talks, the conference packet, lunch each day, refreshment<br />
breaks, admission to evening reception, and travel fare for September 15 excursion to Haarlam.<br />
Travel to and from the conference and lodging are to be arranged and paid for separately – details available from the<br />
<strong>ICTOP</strong> Conference website. Some rooms may be available at the Hotel Rembrandt and NHTropen Hotel.<br />
Membership in <strong>ICOM</strong> (International Council of Museums) is available by visiting <strong>ICOM</strong> Membership online. Select <strong>ICTOP</strong><br />
as your committee to join the International Committee for the Training of Personnel.<br />
Financial assistance is available through <strong>ICTOP</strong> Fellows Program.<br />
The following cancellation policies apply to your registration:<br />
Until August 11 - No Charge<br />
Between August! 12-27 - 25% of full amount<br />
After August 28 - 50% of full amount<br />
After September 1 - No Refund<br />
INTERNATIONAL BANK TRANSFER INFO*<br />
Receiver : HCBC FRANCE (PARIS CBC 511)<br />
Bank Address : <strong>ICOM</strong> <strong>ICTOP</strong> UNESCO HOUSE<br />
1R MIOLLIS<br />
75732 PARIS CEDEX 15<br />
Account number : 05110015767 07<br />
Bank Number : 30056 0511 05110015767 07<br />
BIC-Swift : CCFRFRPP<br />
IBAN : FR76 3005 6005 1105 1100 1576 707<br />
* For all bank transfers, you must include:<br />
<strong>ICOM</strong>/<strong>ICTOP</strong>/<strong>2012</strong> Amsterdam – The Name of participant(s)<br />
16