2012 ICTOP CONFERENCE Programme - ICOM

2012 ICTOP CONFERENCE Programme - ICOM 2012 ICTOP CONFERENCE Programme - ICOM

26.03.2013 Views

Photo Courtesy of Amsterdam Tourism & Convention Board Bridges & Boundaries: Reframing Professional Education For Museums + Heritage? 2012 ICTOP Conference Sept 13-15 Amsterdam PROGRAMME

Photo Courtesy of Amsterdam Tourism & Convention Board<br />

Bridges &<br />

Boundaries:<br />

Reframing<br />

Professional<br />

Education For<br />

Museums +<br />

Heritage?<br />

<strong>2012</strong><br />

<strong>ICTOP</strong> Conference<br />

Sept 13-15<br />

Amsterdam<br />

PROGRAMME


<strong>CONFERENCE</strong><br />

conference THEME<br />

<strong>ICTOP</strong>, the <strong>ICOM</strong> International Committee<br />

for the Training of Personnel, annual<br />

conference will be held in Amsterdam Sept.<br />

13-15 <strong>2012</strong>. Our meeting this year will be<br />

hosted by the Reinwardt Academy for<br />

Cultural Heritage, Amsterdam, School of<br />

the Arts.<br />

This international meeting will focus on the<br />

theme of!“Bridges and Boundaries:<br />

Reframing Professional Education for<br />

Museums + Heritage?” A mixture of short<br />

and long paper presentations, virtual<br />

papers by video and other multi-media,<br />

posters, panels and workshops will explore<br />

current and emerging issues in the field of<br />

museum professional development.<br />

Themes will examine how professional<br />

development education is or is not shifting<br />

from a variety of global perspectives and<br />

the implications for the conceptualization of<br />

our museums/heritage sector and<br />

professional preparation.<br />

•Is there a genuine shift in concepts and the profession<br />

or a pragmatic move that responds to governmental<br />

policy and job opportunities?<br />

•What are the challenges for museology programmes,<br />

or other developers, in adopting wider definitions<br />

such as that of heritage?<br />

•Are there other tendencies in our pedagogy<br />

representing either the voices of traditional or new<br />

disciplines !"such as cultural studies, management,<br />

curatorial studies, gallery studies, informatics !"or<br />

emerging topics or issues !"such as development,<br />

sustainability, inclusion, career planning and<br />

employability !"that are compelling changes?<br />

•Where is the profession in this discussion?<br />

•What guidelines or competencies might be needed in<br />

this complex situation?<br />

Keynote Presentations By,<br />

Dr. Mary Bouquet<br />

Lecturer at University College Utrecht<br />

Flying Buttresses: An Educational Round Trip -<br />

13 September, Thursday 11am<br />

Dr. Bouquet’s teaching and research focus, among other things,<br />

is on the contemporary uses of historical collections, and<br />

processes of museum renovation. She established and<br />

coordinates the Cultural Heritage Internship <strong>Programme</strong> (CHIP)<br />

as part of the Liberal Arts and Sciences curriculum at University<br />

College. She is co-editor, with Howard Morphy (ANU), of the<br />

Berghahn series Museums and Collections. She is on the<br />

Advisory Board of Center for Museum Studies, University of<br />

Oslo and on the Editorial Board of Museum Worlds: Advances<br />

in Research, a new journal to be launched by Berghahn Books<br />

in 2013.<br />

Photo: Liesbeth Dingeman<br />

Dr. Peter van Mensch<br />

Mensch Museological Consulting<br />

"For whose benefit?"-<br />

14 September, Friday 9am<br />

Peter van Mensch was professor of cultural heritage at the<br />

Reinwardt Academie (Amsterdam) before he retired in August<br />

2011. He served several (international) museum organizations<br />

as board member. At present, he is member of the <strong>ICOM</strong> Ethics<br />

Committee. He is a regular guest lecturer at universities<br />

worldwide and is frequently invited as speaker at international<br />

conferences. As researcher Peter van Mensch has made a<br />

remarkable contribution to the development of museology as a<br />

field of study; his current work now focuses on developing an<br />

integral and integrated approach to heritage.<br />

2


Photo: Kathleen O'Brien<br />

<strong>CONFERENCE</strong><br />

conference WELCOME<br />

To all Participants in the<br />

<strong>2012</strong> Annual Conference<br />

of <strong>ICTOP</strong>-<strong>ICOM</strong>,<br />

Amsterdam.<br />

It is with the greatest pleasure that I<br />

welcome you to Amsterdam for the <strong>2012</strong><br />

Annual Meeting of <strong>ICTOP</strong>. One of my<br />

dreams as Chair has been to hold a<br />

meeting in Amsterdam at the Reinwardt<br />

Academy, given the strong role of the<br />

institution in building museum and heritage<br />

studies. Also, I want to honor their<br />

commitment to <strong>ICTOP</strong> and for providing<br />

such strong support for the International<br />

Committee through the years. It is in<br />

Amsterdam at the Reinwardt that we find<br />

the crucible of museology and heritage<br />

ideas and praxis. I know that our <strong>2012</strong><br />

meeting will prove my assumption.<br />

Most of all though, the conference could<br />

not occur without the participation of our<br />

members and colleagues - this year<br />

representing nearly 50 participants from<br />

20 different countries. The work of<br />

diversifying <strong>ICTOP</strong>’s membership and work<br />

is our number one responsibility, though<br />

we must also, as the museums and<br />

heritage locations, build our membership<br />

and prove relevance. As a volunteer<br />

organization our challenges are many.<br />

And so we hope to invite you to<br />

Amsterdam to meet up with <strong>ICTOP</strong><br />

colleagues or to build new and lasting<br />

relationships. I know that the program is<br />

strong and I welcome you to our<br />

conversations both at the conference and<br />

after.<br />

Another one of my objectives has been to explore<br />

the notions of `profession` and `professional<br />

development` as a framework for the work of<br />

<strong>ICTOP</strong> and what strategies might follow. In this we<br />

would embrace the complexity of educational<br />

work that spans degree programs to association<br />

workshops, from doctoral programs to individual<br />

career development.<br />

With this conference`s rich array of presentations<br />

representing a stellar line up of professionals, our<br />

meeting will be memorable for <strong>ICTOP</strong> in the rich<br />

heritage landscape of Amsterdam and the<br />

Netherlands. We hope we can entice you into<br />

being an active member of <strong>ICTOP</strong>, spreading the<br />

word and engaging in our strategic plan and<br />

operations over the next years and help build our<br />

relevancy to the International museum field.<br />

My special thanks go out to Scott Pollock who has<br />

been assisting in the conference organization, as<br />

well as our program and organizing group.<br />

Finally, then, I wish all the best dialogues and<br />

deliberations as we build community and our<br />

profession in Amsterdam.<br />

Sincerely,<br />

Lynne Teather, D. Phil. (Leicester Museum Studies),<br />

Professor Emeritus,<br />

Masters of Museum Studies,<br />

University of Toronto, Faculty of Information<br />

lynne.teather@utoronto.ca<br />

102 Larratt Lane,<br />

Richmond Hill, Ontario,<br />

Canada L4C 0E3<br />

Chair (2010-2013)<br />

International Committee for the Training of Personnel (<strong>ICTOP</strong>)-<br />

International Council of Museums (<strong>ICOM</strong>)<br />

Co-editor Museum History Journal<br />

3


<strong>CONFERENCE</strong><br />

thank YOU<br />

WITH SPECIAL THANKS<br />

Program and Organizing Committee<br />

Lynne Teather, Chair of <strong>ICTOP</strong>, Assoc. Professor, Museum Studies, University of Toronto<br />

Phaedra Livingstone, Secretary of <strong>ICTOP</strong> and Assistant Professor, Museum Studies, Arts and<br />

Administration Program (AAD), University of Oregon<br />

Darko Babic, <strong>ICTOP</strong> Board, Lecturer in Museology, University of Zagreb, Croatia<br />

Hester Dibbits, Professor, Reinwardt Academy and Director of Masters in Museology <strong>Programme</strong><br />

Paula Assuncao dos Santos, <strong>ICTOP</strong> Board, Lecturer, Reinwardt Academy<br />

Susan van 't Slot-Koolman, Reinwardt Academy<br />

We are very grateful to the Reinwardt Academy for hosting the conference.<br />

Reinwardt Academy of Cultural Heritage (Amsterdam School of the Arts)<br />

Dapperstraat 315<br />

1093 BS Amsterdam<br />

The Netherlands<br />

Tel. +31 (0)20 527 7100<br />

Email:<br />

Our special thanks to Peter van Mensch for his guide duties in Haarlem!<br />

4


<strong>CONFERENCE</strong><br />

conference SCHEDULE<br />

13 September, Thursday - Morning<br />

8:00-9:30 Check-In and Registration<br />

9:00-9:30 Welcome - President of <strong>ICTOP</strong> – Dr. Lynne Teather<br />

Introductions<br />

Greetings - President of <strong>ICOM</strong> – Dr. Hans Martin-Hinz<br />

Representative of Netherlands Museums Association - Joke Bosch<br />

President of <strong>ICOM</strong>, Netherlands - Dr.!Janrense Boonstra<br />

Reinwardt Academy of Cultural Heritage - Professor Hester Dibbits<br />

9:30-10:30 Opening Deliberations<br />

Voices- Reframing Professional Education for Museums + Heritage?<br />

Moderator: Hans Martin-Hinz, President, International Council of Museums (France)<br />

Brief Presentations From: Peter van Mensch, Co-director of Mensch Museological Consulting and<br />

former Professor of Cultural Heritage, Reinwardt Academie (Netherlands); Martin Segger, Adjunct<br />

Professor of Canadian Art and Architecture, University of Victoria (Canada); Lynne Teather, Chair,<br />

<strong>ICTOP</strong> (Canada)<br />

Description: To begin our deliberations, we invite several noteworthy museum teachers and professional leaders to attempt,<br />

not only to set the scene of our conference, but also to reflect on the challenge of regional differences in languages and<br />

concepts, context and pressures and their implications for the work of <strong>ICOM</strong> and <strong>ICTOP</strong>. We will open the floor for<br />

discussion to gather the perspective of participants as we start our deliberations.<br />

10:30-11:00 Break<br />

11:00-12:30 Keynote Talk and Discussion<br />

Dr. Mary Bouquet, University College Utrecht (Netherlands)<br />

Corridors and Flying Buttresses: An Educational Round Trip<br />

Abstract: This paper is in two parts: the first discusses my interpretation of how things become heritage and how museums<br />

are implicated in the process; the second considers the implications for professional education – and what that might mean in<br />

different contexts.<br />

12:30-1:30 Lunch<br />

5


<strong>CONFERENCE</strong><br />

conference SCHEDULE<br />

13 September, Thursday - Afternoon<br />

1:30-3:00 Stream I. Progressive Pedagogy in Four Voices: Educators and Students<br />

4 Presentations – 15 min presentations, 5 min q&a<br />

Hester Dibbits, Course Director, Reinwardt Academy of Cultural Heritage (Netherlands)<br />

Cultural Heritage & Museology at the Reinwardt Academy<br />

Abstract: The Reinwardt Academy!approaches!cultural heritage from a museological perspective. What are the implications<br />

of this approach for the curriculum at Reinwardt? How do Reinwardt lecturers, coming from different disciplines, different<br />

professional fields, work on this together? And how have new lecturers, coming from outside the world of museums,<br />

contributed to the curriculum? In what way did they / do they / will they change the Reinwardt-curriculum?<br />

Martha Mahard, Graduate School of Library & Information Science Simmons College (United States)<br />

Framing a Cultural Heritage Informatics Track in Archives, Library and Information Science<br />

Abstract: This paper explores an interdisciplinary approach to the theory and practice of museology, archives, and<br />

librarianship: the new Cultural Heritage Informatics Track at Simmons College. Faculty from art, archives, and library<br />

science explored the theoretical frameworks of a cultural heritage curriculum. With an underlying focus on stewardship, this<br />

program addresses concepts in organization, preservation, access, and use of collections, and how technology has evolved,<br />

to meet the increasingly more sophisticated needs of users who demand more services and less mediation. These frames<br />

invite us to re-consider our disciplines—and their influence on practice—as we prepare graduate students to work in a variety<br />

of heritage institutions. The program is complemented by our Digital Curriculum Lab which is being used by university<br />

partners internationally. The paper concludes with consideration of the case studies developed in conjunction with our initial<br />

field studies. These studies suggest that achieving convergence in practice is more complex than earlier research suggests.<br />

Lisa Truong, PhD Student, Carleton University (Canada)<br />

Practicing Collaborative Museology<br />

Abstract: This session examines the challenges of learning to apply theories and practices of collaborative museology while<br />

training to be a museum professional through a post-mortem exploration of my Master’s final exhibition project, Sanaugaq:<br />

Things Made by Hand mounted at the University of Toronto Art Centre in 2010. While our attempt to build meaningful<br />

relationships with Inuit communities in the North was limited by the short timeframe of the project and lack of travel funds, we<br />

were able to seek alternative partnerships with northern communities in Toronto. Our exhibition highlights the tensions that<br />

can occur when applying best practices in a student-training programme.<br />

Margaret A. Lindauer, PhD, Associate Professor & Museum Studies Coordinator, Department of Art History,<br />

Virginia Commonwealth University (United States)<br />

It’s Complicated: Teaching Second-Wave, New Museological Praxis<br />

Abstract: This paper offers critical reflection of the assignment presented to students enrolled in the Spring <strong>2012</strong> graduatelevel<br />

course “Museums & Communities” at Virginia Commonwealth University. Students were asked to conceptualize a tour<br />

for the Wickham House, a historic house museum in Richmond, Virginia (USA), completed in 1812 for John Wickham, a<br />

prominent attorney and British Loyalist. Students were asked to develop tours that focus on displayed material objects or<br />

selected architectural features in the house; incorporate factual information about Wickham and/or the socio-political historic<br />

context in which the house was built; and address a socio-political issue relevant to both early nineteenth-century and early<br />

twenty-first-century Richmond residents. Course readings introduced students to issues associated with second-wave new<br />

museology and historic house museums. This paper offers a synopsis of those issues; describes the creative range of ideas<br />

that students presented; and identifies pedagogical challenges—discerned from students’ projects—that must be addressed in<br />

order for second-wave new museological theory to be effectively translated into practice.<br />

6


<strong>CONFERENCE</strong><br />

conference SCHEDULE<br />

13 September, Thursday - Afternoon<br />

1:30-3:00 Stream II. Professional/Career Perspectives<br />

4 Presentations – 15 min presentations, 5 min q&a<br />

Anna Maria Visser, Lecturer, University of Ferrara (Italy)<br />

Museum and Cultural Heritage in Italy - Education and Training of Professionals.<br />

Abstract: This paper addresses the relationship between museums and cultural heritage, in light of the Italian scene, where<br />

landscape together with museums represent the main features of the country. Recent work reveals the perception of<br />

professionals that stand between the formation of museums’ theory, the management of heritage matters and the everyday<br />

need for administrative action. What do they<br />

think!about!their!position?!Do!they!lean!towards!a!firmly!defined!museological!character!or!do!they!understand!themselves!a<br />

s!heritage!professionals? What do their colleagues<br />

think!about!these!concepts!and!how!they!understand!this!cooperation.<br />

Rita Capurro, Researcher, Politecnico di Milano (Italy)<br />

Museum Professions in Italy: Reinventing Training, Waiting for Job Opportunities in the Age of the<br />

Crisis<br />

Abstract: This research analyzes the situation of the main museums of the city of Milan to highlight significant features of the<br />

scenario of museum professions in Italy, with the aim to define new strategies for the enhancement of professionalism in the<br />

museums.<br />

Nayra Llonch, PhD, University of Barcelona (Spain)<br />

Department Specific Didactics at the University of Lleida: Is It Necessary To Educate Educators?<br />

Abstract: It is well-known that the importance of museums and of a great part of heritage lies in the objects that form it.<br />

Museum objects do not have one only reading, on the contrary, they may have multiple interpretations and these will<br />

depend on the depth of the analysis they are subjected to, the diversity of interests and variety of subjects. From all this<br />

arises the need of intermediation mechanisms to show and teach how to read the different messages contained in the<br />

heritage objects. In this sense, the instruments of museum intermediation can be highly effective, however they have<br />

important limitations as very often they do not go beyond teaching or informing and rarely succeed in stirring the visitor’s<br />

mind, evoking or suggesting and besides, they cannot be adapted to the needs and capacities of the huge variety of<br />

publics.Considering the limitations existing in the museum elements, human intermediation has, on the other hand, the ability<br />

to adapt to the visitors’ subjectivity, to encourage dialogue, change the attitude and “view” of the public. In order to achieve<br />

this, it is essential to foster a specific education for educators and the paper we propose here suggests some tools and<br />

didactic methods!for educators to deal with this.<br />

Hilde Neus, Surinam Museum Foundation (Netherlands)<br />

'Designing,Dumbing,Distancing’<br />

Abstract: For the last two years we have been working on a new exhibition and web site of a history of Suriname. In my<br />

presentation I would like to elaborate on the making of this exhibition and why it is a history, and not the history.<br />

Furthermore I would like to focus on the question how we have tried to reach the audiences: the already existing (school<br />

children and tourists) and the new (Suriname people with no tradition of visiting museums).<br />

3:00-3:30 Break<br />

7


<strong>CONFERENCE</strong><br />

conference SCHEDULE<br />

13 September, Thursday - Afternoon<br />

3:30-5:00 Stream I. Issues of Pedagogy and Subject Emphases<br />

4 Presentations – 15 min presentations, 5 min q&a<br />

Christine Braunersreuther, Museologist, Lecturer, FH Joanneum (Austria)<br />

Applied Theory in 4-D. Teaching of Visitor-Oriented Museology for Design Students<br />

Abstract: Exhibition designers seldom hold permanent positions at museums, they rather work as freelanced contributors and<br />

mostly, they get hired for just one exhibition or a similar project. To grant a good, successful communication between them<br />

and academics and scientists in museums, it is all the more important to give them insights into the way museums are<br />

structured. as well as to convey solid basics in museological theory.<br />

Marcin Szel"g, PhD, Assistant Professor Adam Mickiewicz University in Poznan and Head of<br />

Department of Education, National Museum in Poznan (Poland)<br />

Education in Art Museums. Critical Remarks on Practical Dimension of the Educational Role of<br />

Museums in Poland.<br />

Abstract: In the light of the historical conditions, author will declare that Poland is very much in need of a new formula of<br />

museum and education. Both can offer an opportunity to free museum from the overbearing burden of the past, which<br />

includes the discreditable tradition of the nonchalant treatment of the museum by the state, wartime devastations and Stalinist<br />

ideologisation during communism period.<br />

Chiaro Mauro. PhD Candidate, University of Padova (Italy)<br />

Young Visitors In Science Museums. What Competencies Do Museum Educators Need in their<br />

Professional Preparation?<br />

Abstract: The success of science museums lies in its appeal to children of different ages, even to pre-schoo children (3-6<br />

years). This paper sets out to examine types of settings, strategies and tools that museums can arrange for young visitors in<br />

order to achieve educational goals; and the necessary competencies required for a museum educator to work effectively<br />

with pre-school children. Activities carried out with young children at science museums in the Veneto Region of Northeas<br />

Italy were observed. Educators were interviewed and museum directors filled a questionnaire concerning museum<br />

educational services. The aims were to recognize the authentic regional framework, to learn from museum practices, and to<br />

identify the training needs of novice and expert professionals. The results represent the basis for programming a curriculum<br />

tailored to museum educators who are beginning to work with early-childhood, and who need to improve their skills<br />

and performance to boost the learning experience.<br />

Trilce Navarrete Hernández, PhD Researcher and Lecturer University of Amsterdam, Digital<br />

Heritage, (Netherlands)<br />

Cultural Information Science at the University of Amsterdam: A Cross-Sector Approach<br />

Abstract: In the digital world, the user is less interested in the source of information accessed than in the ways the information<br />

can be used. Heritage content from museums published on the Internet including object images, registration, documentation<br />

and contextualization, will be favored when content is of quality while free of access. The more ease to access it the more it<br />

is used and reused. In that respect, future museum professionals must be aware of the issues related to managing the<br />

information side of the museum.<br />

8


<strong>CONFERENCE</strong><br />

conference SCHEDULE<br />

13 September, Thursday - Afternoon<br />

3:30-5:00 Stream II. Pedagogy and Education: Reflections<br />

3 Presentations – 15 min presentations, 5 min q&a<br />

Leena Tokila - Education Manager, Finnish Museums Association (Finland)<br />

Finnish Museums Association Pedagogical Approach to Learning at the Workplace<br />

Abstract: The environment of museums is changing and the role, value and impact of museums is!negotiated over and over<br />

again in the society. Museums face new expectations from the community and funding authorities. Under these<br />

circumstances, the expertise of museum staff is a success factor. Relevant questions are: what competencies are needed<br />

in!and how to arrange in service!training in order to help museums gain these competencies? In this presentation, I will<br />

discuss how institutions providing training should study and develop their pedagogical models and methods in order to meet<br />

new challenges of!learning. Research on learning at the workplace has expanded since the beginning of the 1990s and is<br />

currently wide-ranging and interdisciplinary. Some theoretical ideas about workplace learning will be shortly reviewed. The<br />

presentation will include a case study as well: Finnish Museums Association is the coordinator in The Open museum -<br />

A!Developing Learning Environment for Adults project which was launched in the beginning of 2010. During the project,<br />

several special meetings were arranged for museum staff members to study museum pedagogy in their own or nearby<br />

museum, in other words, in an actual workplace and a museum environment.<br />

Lynne Teather, Professor Emeritus, University of Toronto and Chair <strong>ICTOP</strong> (Canada)<br />

Future Directions for Professional Pedagogy and Education<br />

Abstract: In this session Lynne will share some of the results of the 2011 <strong>ICTOP</strong> research project (Teather and Livingstone,<br />

June <strong>2012</strong>). Although there is more work to do, <strong>ICTOP</strong> hopes to involve more providers in the database as well as the<br />

further development of the needed models, cases, articles, reports and all things to support our colleagues in the offering of<br />

relevant, high-level museum/heritage studies and applied competencies.<br />

Charlotte Holmes, United Kingdom Museums Association<br />

Update: UK Status<br />

Abstract: This informal and discursive session will provide delegates with a brief overview of challenges and issues affecting<br />

the museum and heritage workforce in the UK along with an opportunity to reflect on and share their own experiences and<br />

practice.<br />

5:00-8:00 Reception At Reinwardt Academy<br />

Join us for a social evening and wonderful opportunity to informally catch- up with your international colleagues and friends.<br />

Everyone welcome. Your conference fee covers light fare and refreshments.<br />

9


<strong>CONFERENCE</strong><br />

conference SCHEDULE<br />

14 September, Friday - Morning<br />

9:00-10:15 Keynote Talk and Discussion<br />

Dr. Peter van Mensch, Mensch Museological Consulting<br />

"For whose benefit?"<br />

Abstract: In a provocative paper presented at a conference held in Brno (Czech Republic) in 1996, the late Kenneth Hudson<br />

questioned the relevancy of museology as academic discipline and the usefulness of people that call themselves museologist.<br />

Peter van Mensch, last year retired as Professor of Cultural Heritage at the Reinwardt Academy, will reflect on the questions<br />

raised by Hudson. He will use his own professional biography as museologist to show that museology is perhaps more than<br />

just an "agreeable form of self-indulgence" as Hudson suggested.<br />

10:15-10:45 Break<br />

10


<strong>CONFERENCE</strong><br />

conference SCHEDULE<br />

14 September, Friday - Morning<br />

10:45-12:30 Stream I. Continuation: Issue of Pedagogy and Subject Emphases<br />

4 Presentations – 15 min presentations, 5 min q&a<br />

Nick Crofts, Chair <strong>ICOM</strong> International Committee for Documentation (Switzerland) and Maija<br />

Ekosaari, Project Manager, Museum Center Vapriikki (Finland)<br />

Evolving to Meet Evolving Needs – The CIDOC Summer School Training Program<br />

Abstract: Recognizing the pressing need to provide basic and advanced level professional training in documentation theory<br />

and practice, CIDOC, <strong>ICOM</strong>’S International Committee of Documentation, in collaboration with an academic partner, the<br />

Museum of Texas Tech University, has established a modular training program – the CIDOC Summer School. <strong>ICOM</strong> has<br />

provided support for the program in the hope that it might be used as a model for training programs organized by other<br />

International Committees. This paper takes the CIDOC Summer School as a case study, highlighting the opportunities and<br />

constraints, both organizational and pedagogical, that confront <strong>ICOM</strong> International Committees setting up training<br />

programs, and outlining the problems and difficulties that have yet to be solved. Finally, we hope to engage in a discussion<br />

on the future development and evolution of the program.<br />

Tanushree Gupta, Junior Research Fellow, Department of Conservation, National Museum Institute<br />

(India)<br />

Bridging the Gap Between Conservation and The World<br />

Abstract: Interdisciplinary approach is essential in the world of conservation and it needs to be upgraded. Proper<br />

understanding of the gaps would help to device a better strategy to connect. It is a gradual process but in the end, this<br />

would become reality and the field of conservation would come at par with others.<br />

Annette Gallman, Chair of LCM (Netherlands National Foundation of Museum Advisors)<br />

Collections as the Focal Point of Training Museum Volunteers<br />

Abstract: The Netherlands National Foundation of Museum Advisors (Landelijk Contact van Museumconsulenten (LCM)) is<br />

the network organization of the museum advisory bodies of the twelve Dutch provinces. From the early 1980s we work<br />

together in developing quality standards and promoting professional expertise, especially focused on voluntary staff of<br />

museums who have no professional museum backgrounds. A national program of training courses and workshops,<br />

accompanied by instruction books, is the backbone of this work. We like to share our experiences in this work with the<br />

participants of <strong>ICTOP</strong>.<br />

Reimer Knoop, Professor, Reinwardt Academy of Cultural Heritage (Netherlands)<br />

Opportunism or Paradigm Shift?<br />

Abstract: The question whether broadening the museum field to include heritage and its implications for the challenges to<br />

vocational training, can be dealt with in two ways. On the one hand, museums have had a long life and they will doubtless<br />

remain on the agenda for some time to come. There will remain, therefore, a certain demand for qualified, non-disciplinary<br />

professionals: the museologist staff. On the other hand, museums can be seen to also gradually shift towards a new point of<br />

gravity. During both the Inaugural Conference of the Association of Critical Heritage Studies this spring in Göteborg and the<br />

UNESCO expert meeting on museums and collections this summer in Rio de Janeiro, it became increasingly clear that in<br />

many parts of the world museums are being expected to increasingly and significantly contribute to social change and<br />

societal innovation. The main set of opposing poles in this regard seems to be collection driven institutions vs. process driven<br />

ones. This being what it is, vocation-training institutions should be aware of the need to respond to changing perspectives.<br />

One way to do so is by actively engaging in these very discussions, but at the same time to not lose sight of the importance<br />

of continuity and of the crafts that come with it. The proper functioning of museum and heritage institutions and initiatives is<br />

threatened, I think, whenever this balance is disturbed for too long. Museum and heritage professionals should be able to<br />

deal with this.<br />

11


<strong>CONFERENCE</strong><br />

conference SCHEDULE<br />

14 September, Friday - Morning<br />

10:45-12:30 Stream II. Pedagogy, Profession and Futures in Museums and Heritage<br />

4 Presentations – 15 min presentations, 5 min q&a; 2 Updates – 10 min, 5 min q&a<br />

Clara Arokiasamy, OBE , KALAI, Organisation Development and Intangible Heritage (England) &<br />

The University of Oslo/Museum of Cultural History (Norway)<br />

Embedding Black and Ethnic and National Minority Europeans’ Cultural Rights into the Education<br />

and Training of Museum Professionals: London and Oslo's Experience<br />

Abstract: This paper will focus on the pilot course - “An Introduction to Embedding Cultural Diversity in Museums” -<br />

incorporated into the brand new Masters in Museum Studies, launched by the University of Oslo in October 2010. It was<br />

designed as a Cultural Diversity component aimed at incorporating the embedding of minorities’ cultural rights into the<br />

training and education of museum professionals, which is lacking in many European states.<br />

Wendy Molnar, Cultural Visions Consulting (Canada)<br />

Professional Education North of 50<br />

Abstract: The session explores how professional education in Canada’s North has shifted to accommodate the culture and<br />

heritage of those who work in museums, heritage and visitor centres. Key issues central to this approach include physical<br />

isolation, transient and under educated staff, as well as a strong desire to preserve a culture in danger of being eliminated.<br />

Andreja Rihter, Museum Councillor, Museum of Recent History (Slovenia) and Tijana Palkovljevi#,<br />

Director, Gallery of Matica Srpska (Serbia).<br />

One Possible Model of Education in Museums<br />

Abstract: The protection of heritage, whether tangible or intangible, in all its limits and scopes, is the main concern of<br />

museums as institutions. Due to rapid changes during the last decade, museums have to satisfy primary needs of the society.<br />

Within the project called Transition to the New Museum, the International Foundation - Forum of Slavic Cultures, as an<br />

institution, strives to implement a series of workshops, which would contribute to professional specialization of museums as<br />

heritage institutions and change their system of operation.<br />

Jacqueline van Leeuwen. Stafmedewerker, FARO, Flemish Interface Centre for Cultural Heritage<br />

(Belgium)<br />

Desperately Seeking New Skills? A Co-creative Approach To The Professionalization of Museum<br />

Staff<br />

Abstract: A few years ago <strong>ICTOP</strong> developed Curricula Guidelines for Museum Professional Development. This model defines<br />

five broad areas of competencies- needed to work effectively in today's museums. Even though this is quite a long list of<br />

competencies, recent evolutions, both within the heritage field and abroad necessitate that new competences should be<br />

added. Such as competences of innovation, social and brokerage skills, more entrepreneurial competences, more<br />

specialized digital competences and social media, a better understanding of the heritage-concepts….and very soon new<br />

challenges will be added. If we compare this list to existing educational programs for museum professionals, we see that they<br />

tend to focus on (traditional) skills considering the acquisition, selection, preservation, research and communication of<br />

heritage collections. On the other hand, the profiles of competencies for museum professionals formulated within the work<br />

field are mainly aimed at securing the traditional roles of heritage conservation. Thus both educational programs and profiles<br />

of competencies do not pay explicit attention to all the new competencies we need. How to develop them? This paper argues<br />

that broad general “heritage programs” are not a good solution to meet these challenges and to develop all the new<br />

competencies we need. There is no such thing as “one program that fits all”. Rather than employing generalists (who know a<br />

little about a lot of things) museums should elaborate multidisciplinary teams with various specialist profiles at various levels.<br />

At the work floor, these (future) museum professionals can develop their skills in co-creative and informal learning<br />

programmes in which they are confronted with other perspectives.<br />

12:30-1:30 Lunch<br />

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<strong>CONFERENCE</strong><br />

conference SCHEDULE<br />

14 September, Friday - Afternoon and Evening<br />

1:30-3:00 Workshop<br />

<strong>ICTOP</strong> Futures<br />

Lynne Teather, PhD, <strong>ICTOP</strong> Chair (Canada)<br />

A workshop to touch base with participants on existing/emerging fields, questions, issues and concerns, all of which inform<br />

<strong>ICTOP</strong> strategic directions and action plans. Themes to be covered include: (1) Defining our field; (2) Subject Emphases; (3)<br />

Pedagogy Futures (4) Modes of Teaching; (5) Relation to Profession and Work; (6) Strategic Planning and Action Plan<br />

3:00-3:30 Break<br />

3:30 Annual General Meeting<br />

Voting by members only. All welcome to attend.<br />

7:00 <strong>ICTOP</strong> Dinner - Brasserie Harkema<br />

Everyone is invited to an evening dinner at Brasserie Harkema, a contemporary version of the classic Parisian brasserie<br />

located in the centre of Amsterdam. Brasserie Harkema is a pleasant and stylish meeting place where we plan to enjoy a<br />

wonderful meal together. If you are planning to attend this event, please let <strong>ICTOP</strong> Chair, Lynne Teather know so she can<br />

make appropriate reservations. The cost of the meal is estimated at 29.50 euros and individuals are responsible for<br />

covering their own costs. Conference fees do not cover this event.<br />

13


<strong>CONFERENCE</strong><br />

conference SCHEDULE<br />

15 September, Saturday - Excursion to Haarlem<br />

8:45 Train Travel to Haarlem, Amsterdam<br />

(Covered by Conference Fees - Please Bring Your <strong>ICOM</strong> Card)<br />

9:45-11:30 Walk To Teylers Museum: MuseumTour With Special Guide (Museum Director)<br />

The oldest museum in the Netherlands, Teylers was founded in the eighteenth century. The Museum building dates from 1784<br />

and houses exhibits (arts and science) legated by Pieter Teyler, a wealthy banker and merchant. Pieter Teyler van der Hulst<br />

stipulated in his will that his capital (comparable to 80 million euros nowadays) should be placed in a foundation under the<br />

management of five Directors, and that it should be used to stimulate, amongst other things, the arts and sciences.<br />

11:30-12:30 Walk Through Haarlem<br />

12:30 Lunch At Dolhuys Museum, Followed By Tour of Dolhuys Museum<br />

Het Dolhuys is a national museum for psychiatry in Haarlem, the Netherlands founded in 2005 in the newly renovated<br />

former old age home known as Schoterburcht but for centuries was a hospital. It is an interactive museum. The visitor is<br />

encouraged to think about the contrasts between sanity and insanity, between visitors and inmates, and between participants<br />

and observers. On display are the various personal effects of famous inmates of psychiatric hospitals, as well as old<br />

treatment methods and tools used by the hospitals themselves. In 2005 the museum won the Dutch Design Prize in the<br />

category ‘Exhibition & Experience Design’. In 2007 the museum received an honorable mention for The European Museum<br />

of the Year Award.<br />

2:30-3:00 Break<br />

3:00-4:00 Workshop - Discussion of Implications for Professional Education<br />

4:00 Return Walk To Train Station<br />

5:00 Back In Amsterdam<br />

Au revoir, a la prochaine.<br />

23rd General Conference will be held from 10 to 17 August, 2013 in Rio de Janeiro, Brazil.<br />

Come and join <strong>ICTOP</strong> at <strong>ICOM</strong>’s 2013 Conference.<br />

14


egistration FORM<br />

Yes, I would like to register for the <strong>ICTOP</strong>, the <strong>ICOM</strong> International Committee for the Training of<br />

Personnel, Annual Conference to be held in Amsterdam September 13-15, <strong>2012</strong>, hosted by the<br />

Reinwardt Academy for Cultural Heritage, Amsterdam, School of the Arts.<br />

Today’s Date<br />

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A. Please register me for:<br />

FULL <strong>CONFERENCE</strong><br />

(Sept 13-15, Thurs-Sat)<br />

SINGLE DAY<br />

(Sept 13, Thurs)<br />

SINGLE DAY<br />

(Sept 14, Fri)<br />

SINGLE DAY<br />

(Sept 15, Sat)<br />

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B. Two easy payment options have been set up for<br />

you. Please indicate your preference:<br />

ON-LINE With Credit Card in CAD Funds<br />

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INTERNATIONAL BANK TRANSFER in Euros<br />

(see next page for international bank transfer details)<br />

C. Send this completed registration form or<br />

email the required fields to:<br />

Scott Pollock, Conference Assistant<br />

spollock.u.toronto@gmail.com<br />

15


fee SCHEDULE<br />

FULL <strong>CONFERENCE</strong><br />

(Sept 13-15, Thurs-Sat)<br />

Registration Notes<br />

Early Bird Rate Regular Rate Late or On-Site Rate<br />

(Before July 10) (July 10-Sept 5) (Sept 6-Sept 15)<br />

<strong>ICOM</strong> - <strong>ICTOP</strong> - <strong>ICOM</strong> Partner Member $300 / $394 CAD $330 / $434 CAD $360 / $473 CAD<br />

Non-Member $400 / $526 CAD $430 / $565 CAD $460 / $604 CAD<br />

Student $50 / $66 CAD $50 / $66 CAD $50 / $66 CAD<br />

Spouse / Partner $60 / $79 CAD $90 / $105 CAD $90 / $105 CAD<br />

SINGLE DAY<br />

<strong>ICOM</strong> - <strong>ICTOP</strong> - <strong>ICOM</strong> Partner Member $110 / $145 CAD $125 / $164 CAD $140 / $184 CAD<br />

Non-Member $150 / $197 CAD $170 / $223 CAD $190 / $250 CAD<br />

Student $20 / $26 CAD $20 / $26 CAD $ 20 / $26 CAD<br />

Payment, in full, must be received by the deadlines listed above to be eligible for the discounted rates.<br />

On-site registration will be available at the Late-Registration/On-Site Rate.! Please bring cash, travellers cheques or pay online<br />

at UofTix Box Office.<br />

Your registration fee includes admission to paper sessions and talks, the conference packet, lunch each day, refreshment<br />

breaks, admission to evening reception, and travel fare for September 15 excursion to Haarlam.<br />

Travel to and from the conference and lodging are to be arranged and paid for separately – details available from the<br />

<strong>ICTOP</strong> Conference website. Some rooms may be available at the Hotel Rembrandt and NHTropen Hotel.<br />

Membership in <strong>ICOM</strong> (International Council of Museums) is available by visiting <strong>ICOM</strong> Membership online. Select <strong>ICTOP</strong><br />

as your committee to join the International Committee for the Training of Personnel.<br />

Financial assistance is available through <strong>ICTOP</strong> Fellows Program.<br />

The following cancellation policies apply to your registration:<br />

Until August 11 - No Charge<br />

Between August! 12-27 - 25% of full amount<br />

After August 28 - 50% of full amount<br />

After September 1 - No Refund<br />

INTERNATIONAL BANK TRANSFER INFO*<br />

Receiver : HCBC FRANCE (PARIS CBC 511)<br />

Bank Address : <strong>ICOM</strong> <strong>ICTOP</strong> UNESCO HOUSE<br />

1R MIOLLIS<br />

75732 PARIS CEDEX 15<br />

Account number : 05110015767 07<br />

Bank Number : 30056 0511 05110015767 07<br />

BIC-Swift : CCFRFRPP<br />

IBAN : FR76 3005 6005 1105 1100 1576 707<br />

* For all bank transfers, you must include:<br />

<strong>ICOM</strong>/<strong>ICTOP</strong>/<strong>2012</strong> Amsterdam – The Name of participant(s)<br />

16

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