The Boy Next Door - Weebly
The Boy Next Door - Weebly The Boy Next Door - Weebly
To: Mel Fuller From: Nadine Wilcock Subject: No flowers came from John today. Remember? You called the florist he uses and told them you were going to sue for harassment if they didn't stop. Mel, why don't you just call him? Don't you think this has gone on long enough? I mean, the guy's obviously crazy about you--or at least he was, until that whole millionaire stunt. I really think the two of you make a cute couple. Can't you give it another try? To: Nadine Wilcock From: Mel Fuller Subject: Wait a minute YOU were the one who said you suspected all along there was something that wasn't right about him. And now you want me to CALL him? You want ME to call HIM??? After what he did???? NO WAY!!!! My God, Nadine: I was writing Mrs. Max Friedlander all over everything, thinking he and I were going to spend the rest of our lives together. And then I find out that isn't even his real name, and you want me to CALL HIM???? What is wrong with you? PMS, or something? Well, snap out of it. I am NEVER calling him. NEVER NEVER NEVER NEVER NEVER NEVER NEVER NEVER NEVER NEVER NEVER NEVER NEVER To: Mel Fuller From: Nadine Wilcock Subject: All right already. I get the message. Geesh. Forgive me for even suggesting it. To: Tony Salerno From: Nadine Wilcock Subject: My maid of honor
is a basket case. What am I going to do? To: Nadine Wilcock From: Tony Salerno Subject: Obviously you invite John to the wedding. Seriously. The minute she sees him, she'll melt. At least, that's what always happens in the movies. Tone To: Mel Fuller From: Max Friedlander Subject: Keys Yes, it's me. The real Max Friedlander, this time. I am coming back to New York, and I need the keys to my aunt's place. I understand that you had the locks changed, and are holding all the keys. Can you please give one to the doorman so he can let me in tomorrow? Sincerely, Max Friedlander To: Max Friedlander From: Mel Fuller Subject: Keys How do I know this is the REAL Max Friedlander? How do I know you aren't an impostor, like the last Max Friedlander I met?
- Page 133 and 134: Anyway, she's wracked all my credit
- Page 135 and 136: was just lovely, and Donny looked s
- Page 137 and 138: ight? Did you tell her it was too l
- Page 139 and 140: To: Dolly Vargas From: Mel Fuller
- Page 141 and 142: To: Nadine Wilcock From: Mel Fulle
- Page 143 and 144: To: Sebastian Leandro From: Max Fr
- Page 145 and 146: To: Mel Fuller From: Nadine Wilcoc
- Page 147 and 148: To: Mel Fuller From: jerrylives@fr
- Page 149 and 150: Subject: Well, this is it We're lea
- Page 151: that means it’s time for WORKING?
- Page 154 and 155: To: Mel Fuller From: jerrylives@fr
- Page 156 and 157: To: John Trent From: Stacy Trent
- Page 158 and 159: To: jerrylives@freemail.com From:Me
- Page 160 and 161: stalls.... Go in there and tell her
- Page 162 and 163: security desk, trying to get signed
- Page 164 and 165: To: Mel Fuller From: Dolly Vargas
- Page 166 and 167: pursue a restraining order against
- Page 168 and 169: Something has got to be done about
- Page 170 and 171: could do for all the advice she's g
- Page 172 and 173: think we should just print a big bl
- Page 174 and 175: To: John Trent From: Michael Evere
- Page 176 and 177: If Trent doesn't sue the pants off
- Page 178 and 179: From: Sergeant Paul Reese Subject:
- Page 180 and 181: To: John Trent From: Mel Fuller S
- Page 182 and 183: To: Nadine Wilcock From: Mel Fulle
- Page 186 and 187: To: Mel Fuller From: Max Friedland
- Page 188 and 189: To: John Trent From: Mel Fuller S
- Page 190 and 191: To: Max Friedlander From: Sebastia
- Page 192 and 193: anyway. And what do you think happe
- Page 194 and 195: I would be honored to go to lunch w
- Page 196 and 197: I just spoke with John. He is so do
- Page 198 and 199: whole thing with John has sent you
- Page 200 and 201: Geez, calm down, will you? Max isn'
- Page 202 and 203: To: Tony Salerno From: Nadine Wilc
- Page 204 and 205: Tim Grabowski ; George Sanchez Fro
- Page 206 and 207: From: Mel Fuller Subject: Lunch Oh
- Page 208 and 209: To: George Sanchez From: Mel Fulle
- Page 210 and 211: To: Mel Fuller From: Nadine Wilcoc
- Page 212 and 213: From: Genevieve Randolph Trent Sub
- Page 214 and 215: But Nadine, I do now, I really beli
- Page 216 and 217: To: Mel Fuller From: Max Friedland
- Page 218 and 219: Don't try to tell me she won't, eit
- Page 220 and 221: Um, I think she had to do some rese
- Page 222 and 223: Max: Don't you know it. Then she ha
- Page 224 and 225: "The perpetrator wished to throw in
- Page 226 and 227: To: Mel Fuller From: Vivica@sophis
- Page 228: To: Mel Fuller From: John Trent S
is a basket case. What am I going to do?<br />
To: Nadine Wilcock <br />
From: Tony Salerno <br />
Subject: Obviously<br />
you invite John to the wedding. Seriously. <strong>The</strong> minute she sees him, she'll melt.<br />
At least, that's what always happens in the movies.<br />
Tone<br />
To: Mel Fuller <br />
From: Max Friedlander <br />
Subject: Keys<br />
Yes, it's me. <strong>The</strong> real Max Friedlander, this time. I am coming back to New York, and I<br />
need the keys to my aunt's place. I understand that you had the locks changed, and are<br />
holding all the keys. Can you please give one to the doorman so he can let me in tomorrow?<br />
Sincerely,<br />
Max Friedlander<br />
To: Max Friedlander <br />
From: Mel Fuller <br />
Subject: Keys<br />
How do I know this is the REAL Max Friedlander? How do I know you aren't an<br />
impostor, like the last Max Friedlander I met?
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