26.03.2013 Views

Catalogue - Metropolitan Museum of Art

Catalogue - Metropolitan Museum of Art

Catalogue - Metropolitan Museum of Art

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

98<br />

This handle is in the shape <strong>of</strong> an exquisitely<br />

and naturalistically modeled fallow deer.<br />

Although found in Siberia, it is <strong>of</strong> Iranian<br />

manufacture. The spots on the body and<br />

the horns (now missing) were gilded. The<br />

bent knees would originally have rested<br />

on the vessel's rim.<br />

Leaping fallow deer, handle from a silver<br />

vase. Silver gilt, height 16 cm. (614 in.).<br />

Iranian, 4th-3rd century B.C. South Altai,<br />

near Bukhtarma. Acquired from G. F. Miller,<br />

1735. Hermitage, S 273.<br />

<strong>Art</strong>amonov, Sokrovishcha sakov, p. 216.<br />

99 (Color plate 22)<br />

This plaque depicts a fantastic creature-an<br />

eagle or griffin-clutching a contorted<br />

goat in its talons. Note the explicit and<br />

different ways the texture <strong>of</strong> the creature's<br />

body is delineated: parts are covered with<br />

cloisons that originally contained colored<br />

insets to simulate scales. The captured<br />

animal also has numerous areas for inlay,<br />

with a surviving bit <strong>of</strong> black glass in his<br />

eye. Remnants <strong>of</strong> light blue and cherry red<br />

enamel are reminders <strong>of</strong> the magnificent<br />

colors with which this dazzling ornament<br />

once glowed. Power and vitality radiate<br />

from this work <strong>of</strong> art: imagine it<br />

bedecking a warrior's headdress, with<br />

real plumes flying atop the griffin's tail,<br />

and the polychrome inlays and cloisonne<br />

glittering against the shining gold.<br />

Eagle or griffin holding a goat, possibly a<br />

headband ornament. Gold, height 15.4 cm.<br />

(61/6 in.), width 16 cm. (65/6 in.), weight<br />

209.78 gr.<br />

Eastern Iran or Central Asia, 4th-3rd century<br />

B.C. Siberian collection <strong>of</strong> Peter I. Acquired<br />

from M. P. Gagarin, 1716. Hermitage, Si<br />

1727, 1/31.<br />

<strong>Art</strong>amonov, Sokrovishcha sakov, pp. 189-<br />

190, fig. 241.<br />

98<br />

Altai culture<br />

6th-3rd centuries B.C.<br />

The northern nomads' textiles and<br />

woodcarvings are as strikingly<br />

characteristic a part <strong>of</strong> their art as the<br />

famous Siberian gold treasure <strong>of</strong> Peter the<br />

Great (see nos. 93-99). More perishable<br />

than the metal objects, which were found<br />

in many places, these have not been known<br />

to any extent in the modern world until<br />

five kurgans (the Russian term for a burial<br />

mound) near the hamlet <strong>of</strong> Pazyryk in the<br />

central Altai Mountains <strong>of</strong> Siberia were<br />

opened by Soviet scientists in the second<br />

quarter <strong>of</strong> this century. Here-and in similar<br />

burials nearby-frozen in the ice resulting<br />

from a combination <strong>of</strong> long, cold winters,<br />

the deep frost level <strong>of</strong> this mountainous<br />

terrain, and the fortuitous (for us) hacking<br />

open <strong>of</strong> the burial chambers by early grave<br />

robbers (which permitted the entry <strong>of</strong> a<br />

great deal <strong>of</strong> quickly frozen moisture), was<br />

preserved a record <strong>of</strong> the life <strong>of</strong> a tribe <strong>of</strong><br />

highly civilized nomads <strong>of</strong> the 5th to 4th<br />

century B.C., who were in touch with<br />

Achaemenid Persia on the west and feudal<br />

China (Chou period, about 1027-256 B.C.)<br />

on the east.<br />

Wood rarely survives in the climates <strong>of</strong><br />

Near Eastern and Central Asian countries,<br />

therefore the examples from the Altai<br />

are particularly valuable. The beveled<br />

carving <strong>of</strong> the surface is distinctive, and<br />

this treatment was deliberately reproduced<br />

by the goldworkers who made some <strong>of</strong><br />

the large animal figures found in the<br />

Scythian tombs in the Black Sea region<br />

(see nos. 18, 28, 77). Many <strong>of</strong> the wooden<br />

pieces were covered with gold leaf in<br />

order to give the appearance <strong>of</strong> that<br />

precious metal.

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!