Catalogue - Metropolitan Museum of Art
Catalogue - Metropolitan Museum of Art
Catalogue - Metropolitan Museum of Art
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72<br />
These five gold plaques come from the<br />
second tomb at Solokha, the burial <strong>of</strong> a<br />
man. They were found near the legs <strong>of</strong><br />
the skeleton and are thought to have been<br />
sewn on his trousers. The scene <strong>of</strong> two<br />
Scythians drinking from the same horn in<br />
a ritual described by Herodotus is also<br />
shown on a plaque made some fifty years<br />
later (no. 76).<br />
Lion, two Scythians sharing a drinking<br />
horn, stag, reclining goat, and lion attacking<br />
a stag, clothing ornament plaques. Gold,<br />
lengths 3.2-2.3 cm. (1y/-7/8 in.).<br />
Scythian, beginning <strong>of</strong> the 4th century B.C.<br />
Ukrainian SSR, Melitopol region, Solokha<br />
kurgan. Excavations <strong>of</strong> N. I. Veselovsky,<br />
1913. Hermitage, Dn 1913, 1/42, 14,15,45,16.<br />
<strong>Art</strong>amonov, Splendor, figs. 77-81.<br />
72<br />
73 (Color plate 14)<br />
This torque was made in a region and<br />
workshop where Greek influence was not<br />
very strong. The native element in the<br />
decoration is the form <strong>of</strong> the finials,<br />
showing lions attacking boars; in Near<br />
Eastern and Greek art, such finials<br />
would normally be limited to the head or<br />
protome (foreparts) <strong>of</strong> an animal.<br />
Torque with lions attacking boars at the<br />
ends. Gold, diameter 19 cm. (7/2 in.).<br />
4th century B.C. Kuban region, near<br />
Krymskaya village, Karagodeuashkh kurgan.<br />
Excavations <strong>of</strong> E. D. Felitsin, 1888.<br />
Hermitage, Ku 1888, 1/38.<br />
A. Lappo-Danilevsky, V. Malmberg,<br />
"Kurgan Karagodeuashkh," MAR 1894,<br />
pl. II, 7,8,9.<br />
74<br />
Like the gold torque (no. 73), this gold<br />
plaque was made in a native workshop, and<br />
the subject matter is taken from local<br />
cults. Vases found in this kurgan allow us<br />
to date it in the third quarter <strong>of</strong> the<br />
fourth century B.C., before the beginning<br />
<strong>of</strong> the Hellenistic period. The plaque's<br />
tapering shape is awkward, but the artist<br />
has grouped his composition along a<br />
central axis, and has insisted on strict<br />
frontality for all his human figures.<br />
Triangular plaque with three bands <strong>of</strong><br />
figures: a woman, a woman or man driving<br />
a chariot, and a queen or goddess and<br />
attendants. Gold, length 21 cm. (715l6 in.).<br />
End <strong>of</strong> the 4th century B.C. Kuban region,<br />
near Krymskaya village, Karagodeuashkh<br />
kurgan. Excavations <strong>of</strong> E. D. Felitsin, 1888.<br />
Hermitage, Ku 1888, 1/7.<br />
<strong>Art</strong>amonov, Splendor, pl. 318.<br />
75 (Color plate 14)<br />
The ketos was a fierce sea monster with<br />
a wolf-like head, the body <strong>of</strong> a fish, wings,<br />
and a serrated mane. Andromeda and<br />
Hesione were exposed to such monsters<br />
but were rescued by Perseus and Heracles.<br />
Ketos, clothing ornament plaque. Gold,<br />
height 4.7 cm. (17/s in.).<br />
Greek workmanship, 4th century B.C.<br />
Crimea, near Kerch, Kul Oba kurgan.<br />
Excavations, 1830. Hermitage, KO 63.<br />
<strong>Art</strong>amonov, Splendor, pi. 256.<br />
76 (Color plate 14)<br />
Two Scythians are sharing the same<br />
drinking horn in a ritual described by<br />
Herodotus. They are shown with their<br />
foreheads and noses pressed together,<br />
creating the illusion <strong>of</strong> a single frontal<br />
face and two bodies. The conceit <strong>of</strong><br />
two creatures with their heads conjoined<br />
is common in ancient art in the depiction<br />
<strong>of</strong> animals, but is here applied to human<br />
beings. This plaque is about fifty years later<br />
than the similar one from Solokha<br />
(no. 72).<br />
Two Scythians sharing a drinking<br />
horn, clothing ornament plaque. Gold, height<br />
4.9 cm. (l1516 in.).<br />
4th century B.C. Crimea, near Kerch, Kul<br />
Oba kurgan. Excavations, 1830. Hermitage,<br />
KO 41.<br />
<strong>Art</strong>amonov, Splendor, pl. 203.