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Catalogue - Metropolitan Museum of Art

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72<br />

These five gold plaques come from the<br />

second tomb at Solokha, the burial <strong>of</strong> a<br />

man. They were found near the legs <strong>of</strong><br />

the skeleton and are thought to have been<br />

sewn on his trousers. The scene <strong>of</strong> two<br />

Scythians drinking from the same horn in<br />

a ritual described by Herodotus is also<br />

shown on a plaque made some fifty years<br />

later (no. 76).<br />

Lion, two Scythians sharing a drinking<br />

horn, stag, reclining goat, and lion attacking<br />

a stag, clothing ornament plaques. Gold,<br />

lengths 3.2-2.3 cm. (1y/-7/8 in.).<br />

Scythian, beginning <strong>of</strong> the 4th century B.C.<br />

Ukrainian SSR, Melitopol region, Solokha<br />

kurgan. Excavations <strong>of</strong> N. I. Veselovsky,<br />

1913. Hermitage, Dn 1913, 1/42, 14,15,45,16.<br />

<strong>Art</strong>amonov, Splendor, figs. 77-81.<br />

72<br />

73 (Color plate 14)<br />

This torque was made in a region and<br />

workshop where Greek influence was not<br />

very strong. The native element in the<br />

decoration is the form <strong>of</strong> the finials,<br />

showing lions attacking boars; in Near<br />

Eastern and Greek art, such finials<br />

would normally be limited to the head or<br />

protome (foreparts) <strong>of</strong> an animal.<br />

Torque with lions attacking boars at the<br />

ends. Gold, diameter 19 cm. (7/2 in.).<br />

4th century B.C. Kuban region, near<br />

Krymskaya village, Karagodeuashkh kurgan.<br />

Excavations <strong>of</strong> E. D. Felitsin, 1888.<br />

Hermitage, Ku 1888, 1/38.<br />

A. Lappo-Danilevsky, V. Malmberg,<br />

"Kurgan Karagodeuashkh," MAR 1894,<br />

pl. II, 7,8,9.<br />

74<br />

Like the gold torque (no. 73), this gold<br />

plaque was made in a native workshop, and<br />

the subject matter is taken from local<br />

cults. Vases found in this kurgan allow us<br />

to date it in the third quarter <strong>of</strong> the<br />

fourth century B.C., before the beginning<br />

<strong>of</strong> the Hellenistic period. The plaque's<br />

tapering shape is awkward, but the artist<br />

has grouped his composition along a<br />

central axis, and has insisted on strict<br />

frontality for all his human figures.<br />

Triangular plaque with three bands <strong>of</strong><br />

figures: a woman, a woman or man driving<br />

a chariot, and a queen or goddess and<br />

attendants. Gold, length 21 cm. (715l6 in.).<br />

End <strong>of</strong> the 4th century B.C. Kuban region,<br />

near Krymskaya village, Karagodeuashkh<br />

kurgan. Excavations <strong>of</strong> E. D. Felitsin, 1888.<br />

Hermitage, Ku 1888, 1/7.<br />

<strong>Art</strong>amonov, Splendor, pl. 318.<br />

75 (Color plate 14)<br />

The ketos was a fierce sea monster with<br />

a wolf-like head, the body <strong>of</strong> a fish, wings,<br />

and a serrated mane. Andromeda and<br />

Hesione were exposed to such monsters<br />

but were rescued by Perseus and Heracles.<br />

Ketos, clothing ornament plaque. Gold,<br />

height 4.7 cm. (17/s in.).<br />

Greek workmanship, 4th century B.C.<br />

Crimea, near Kerch, Kul Oba kurgan.<br />

Excavations, 1830. Hermitage, KO 63.<br />

<strong>Art</strong>amonov, Splendor, pi. 256.<br />

76 (Color plate 14)<br />

Two Scythians are sharing the same<br />

drinking horn in a ritual described by<br />

Herodotus. They are shown with their<br />

foreheads and noses pressed together,<br />

creating the illusion <strong>of</strong> a single frontal<br />

face and two bodies. The conceit <strong>of</strong><br />

two creatures with their heads conjoined<br />

is common in ancient art in the depiction<br />

<strong>of</strong> animals, but is here applied to human<br />

beings. This plaque is about fifty years later<br />

than the similar one from Solokha<br />

(no. 72).<br />

Two Scythians sharing a drinking<br />

horn, clothing ornament plaque. Gold, height<br />

4.9 cm. (l1516 in.).<br />

4th century B.C. Crimea, near Kerch, Kul<br />

Oba kurgan. Excavations, 1830. Hermitage,<br />

KO 41.<br />

<strong>Art</strong>amonov, Splendor, pl. 203.

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