Catalogue - Metropolitan Museum of Art

Catalogue - Metropolitan Museum of Art Catalogue - Metropolitan Museum of Art

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63 A hero in Persian dress holds a short sword with which he will stab the rearing lion. Above is an identifying sign. The seal is probably a century earlier than the 4th-century tomb in which it was found. It may have been made in Anatolia, a western province of the Achaemenid empire, rather than in Iran. Finger ring with octagonal seal of a king confronting a lion. Chalcedony and gold, length of seal 2.3 cm. (7/8 in.). Achaemenid, 5th-4th century B.C. (Mounting, 4th century B.C.). Taman peninsula, Great Bliznitsa kurgan, burial 4. Excavations of A. E. Lyutsenko, 1868. Hermitage, BB 123. OAK 1869, p. 140, pl. I, 18. 64 The motif of Aphrodite leaning on a pillar while Eros ties the straps of her sandals enters Greek art in the late 5th century B.C., but the representation of Aphrodite with her body bared does not occur before the 4th century. This ring is unusual in that the decoration on the bezel is not engraved but in low relief, indicating that it would not have been used for sealing. Finger ring, scarab bezel with Aphrodite and Eros on the reverse. Gold, length of scarab 2.5 cm. (1 in.). Greek, 4th century B.C. Taman peninsula, Great Bliznitsa kurgan, burial 1. Excavations of I. E. Zabelin and A. E. Lyutsenko, 1864. Hermitage, BB 40. Artamonov, Splendor, fig. 144, pl. 280. 65 (Color plate 9) The dancer at the left performs the oklasma, a Persian dance described by Xenophon in which the arms are held above the head with the hands clasped. The others wear a special headdress called a kalathos and dance on tiptoe. These gold plaques (dating from the second and third quarters of the 4th century B.C.) were found in the tomb of a priestess of Demeter, and the dances may have been performed at a festival of Demeter. Dancers, clothing ornament plaques. Gold, heights 4.8, 5.1, 3.6 cm. (17/, 2, 13/ in.). 4th century B.C. Taman peninsula, Great Bliznitsa kurgan, burial 1. Excavations of I. E. Zabelin and A. E. Lyutsenko, 1864. Hermitage, BB 50, 51, 52. Artamonov, Splendor, pls. 266,267. 63 66 Cheekpiece composed of a stag's head in a frame and a horse's foreleg. Bronze, length 13.5 cm. (514 in.). Taman peninsula, Great Bliznitsa kurgan. Hermitage, BB 77. Artamonov, Splendor, fig. 151. 67 (Color plate 10) The back-to-back calf heads on the hilt and the palmette between them are distinctly Iranian in style, although similar conventions are also known from East Greek art in Anatolia. The repetitious hunters on horseback evoke the style of Persepolis. The sword was buried with the scabbard, no. 68. Sword hilt decorated with a scene of horsemen hunting goats and rams, and sculptured calves' heads. Gold and iron, length of hilt 15 cm. (5% in.). Iranian, 5th-4th century B.C. Ukrainian SSR. Dnepropetrovsk region, Chertomlyk kurgan. Excavations of I. E. Zabelin, 1863. Hermitage, Dn 1863, 1/448. Artamonov, Splendor, pls. 183,184.

68 (Color plate 10) This scabbard combines a Scythian shape, proper for the Scythian sword, with a scheme of decoration devised by a Greek (see also no. 170). It is divided into three parts: a top band into which the kidney-shaped guard of the hilt fitted; a triangular extension that represents the leather flap by means of which the scabbard was attached to the belt; and the sheath proper. The artist has respected these divisions. On top he has put 2 heraldic griffins, which are thus parallel to the animals on the sword's pommel. In the triangular "flap" he has put a very large griffin attacking a stag, and on the long, tapering sheath he has depicted a battle of Greeks and Persians. The composition recalls certain Greek architectural friezes of the late 5th-early 4th century B.C. (temple of Athena Nike in Athens, Bassae, Trysa), which in turn may echo the picture of the battle of Marathon in the Painted Porch at Athens. Scabbard decorated with fighting beasts, and Greeks battling Persians. Gold, length 54.4 cm. (21% in.). Greek workmanship, 4th century B.C. Ukrainian SSR, Dnepropetrovsk region, Chertomlyk kurgan. Excavations of I. E. Zabelin, 1863. Hermitage, Dn 1863, 1/447. Artamonov, Splendor, pls. 183,185. 69 (Color plate 11) The decoration, pure Greek in style, shows a woman whose lower extremities terminate symmetrically in lion-griffins, eagle-griffins, and, finally, two snakes that issue from an acanthus flower. Bridle frontlet, plaque with a representation of a woman with snake legs, possibly the snake-legged Scythian goddess referred to by Herodotus. Gold, height 41.4 cm. (165/6 in.). Greek workmanship, 4th century B.C. Ukrainian SSR, Melitopol region, Tsimbalka kurgan. Excavations of I. E. Zabelin, 1868. Hermitage, Dn 1868, 1/8. Artamonov, Splendor, pl. 186; D. S. Raevsky;'Skifsky mifologichesky suzhet," SA (1970), no. 3, p. 90. 70 (Color plate 11) The shape of this libation bowl is thoroughly Greek, as is perhaps the execution, but the scheme of decorationa fluid profusion that covers most of the surface-betrays a non-Greek taste and is closer to the Scythian preference that rejected rigid organization. There are 56 animals in 3 zones or 7 sectors; the lions predominate, and it is significant that most of the victims are horses. Libation bowl (phiale) decorated with lions and panthers attacking stags and horses. Gold, diameter 21.8 cm. (8% in.), weight 865 gr. Greek workmanship, beginning of the 4th century B.C. Ukrainian SSR, Melitopol region, Solokha kurgan. Excavations of N. I. Veselovsky, 1913. Hermitage, Dn 1913, 1/48. A. P. Mantsevich, "Greben i fiala iz kurgana Solokha," SA (1950), no. 13, pp. 217-238; Artamonov, Splendor, pls. 157-159. 71 (Color plates 12, 13) The group is worked in relief on both sides, giving the illusion of being sculptured in the round. In Western art, the direction of the victor is usually from left to right, so the side of the comb giving the horseman and his squire the left half of the scene is probably the principal one. Their opponent has been thrown off his mount, which lies helplessly on its back. Dress and armor combine local costume with such Greek elements as the Corinthian helmet on the rider and the metal cuirasses. The workmanship is purely Greek and may go back to the last quarter of the 5th century B.C., though some scholars have connected the rider with the Attic tomb relief of Dexileos, which is dated 394 B.C. Comb ornamented with three warriors in combat, and five crouching lions below. Gold, height 12.6 cm. (4:3/16 in.), width 10.2 cm. (41546 in.). Greek workmanship, beginning of the 4th century B.C. Ukrainian SSR, Melitopol region, Solokha kurgan. Excavations of N. I. Veselovsky, 1913. Hermitage, Dn 1913, 1/1. Mantsevich, "Greben i fiala iz kurgana Solokha," pp. 217-238; Artamonov, Splendor, pls. 147,148,150. 109

63<br />

A hero in Persian dress holds a short<br />

sword with which he will stab the rearing<br />

lion. Above is an identifying sign. The<br />

seal is probably a century earlier than the<br />

4th-century tomb in which it was found.<br />

It may have been made in Anatolia, a<br />

western province <strong>of</strong> the Achaemenid<br />

empire, rather than in Iran.<br />

Finger ring with octagonal seal <strong>of</strong> a king<br />

confronting a lion. Chalcedony and gold,<br />

length <strong>of</strong> seal 2.3 cm. (7/8 in.).<br />

Achaemenid, 5th-4th century B.C.<br />

(Mounting, 4th century B.C.). Taman<br />

peninsula, Great Bliznitsa kurgan, burial 4.<br />

Excavations <strong>of</strong> A. E. Lyutsenko, 1868.<br />

Hermitage, BB 123.<br />

OAK 1869, p. 140, pl. I, 18.<br />

64<br />

The motif <strong>of</strong> Aphrodite leaning on a pillar<br />

while Eros ties the straps <strong>of</strong> her sandals<br />

enters Greek art in the late 5th century<br />

B.C., but the representation <strong>of</strong> Aphrodite<br />

with her body bared does not occur before<br />

the 4th century. This ring is unusual in<br />

that the decoration on the bezel is not<br />

engraved but in low relief, indicating that<br />

it would not have been used for sealing.<br />

Finger ring, scarab bezel with Aphrodite and<br />

Eros on the reverse. Gold, length <strong>of</strong> scarab<br />

2.5 cm. (1 in.).<br />

Greek, 4th century B.C. Taman peninsula,<br />

Great Bliznitsa kurgan, burial 1.<br />

Excavations <strong>of</strong> I. E. Zabelin and A. E.<br />

Lyutsenko, 1864. Hermitage, BB 40.<br />

<strong>Art</strong>amonov, Splendor, fig. 144, pl. 280.<br />

65 (Color plate 9)<br />

The dancer at the left performs the<br />

oklasma, a Persian dance described by<br />

Xenophon in which the arms are held<br />

above the head with the hands clasped.<br />

The others wear a special headdress called<br />

a kalathos and dance on tiptoe. These<br />

gold plaques (dating from the second and<br />

third quarters <strong>of</strong> the 4th century B.C.)<br />

were found in the tomb <strong>of</strong> a priestess <strong>of</strong><br />

Demeter, and the dances may have been<br />

performed at a festival <strong>of</strong> Demeter.<br />

Dancers, clothing ornament plaques. Gold,<br />

heights 4.8, 5.1, 3.6 cm. (17/, 2, 13/ in.).<br />

4th century B.C. Taman peninsula, Great<br />

Bliznitsa kurgan, burial 1. Excavations<br />

<strong>of</strong> I. E. Zabelin and A. E. Lyutsenko, 1864.<br />

Hermitage, BB 50, 51, 52.<br />

<strong>Art</strong>amonov, Splendor, pls. 266,267.<br />

63<br />

66<br />

Cheekpiece composed <strong>of</strong> a stag's head in a<br />

frame and a horse's foreleg. Bronze, length<br />

13.5 cm. (514 in.).<br />

Taman peninsula, Great Bliznitsa kurgan.<br />

Hermitage, BB 77.<br />

<strong>Art</strong>amonov, Splendor, fig. 151.<br />

67 (Color plate 10)<br />

The back-to-back calf heads on the hilt and<br />

the palmette between them are distinctly<br />

Iranian in style, although similar<br />

conventions are also known from East<br />

Greek art in Anatolia. The repetitious<br />

hunters on horseback evoke the style <strong>of</strong><br />

Persepolis.<br />

The sword was buried with the<br />

scabbard, no. 68.<br />

Sword hilt decorated with a scene <strong>of</strong><br />

horsemen hunting goats and rams, and<br />

sculptured calves' heads. Gold and iron,<br />

length <strong>of</strong> hilt 15 cm. (5% in.).<br />

Iranian, 5th-4th century B.C. Ukrainian<br />

SSR. Dnepropetrovsk region, Chertomlyk<br />

kurgan. Excavations <strong>of</strong> I. E. Zabelin, 1863.<br />

Hermitage, Dn 1863, 1/448.<br />

<strong>Art</strong>amonov, Splendor, pls. 183,184.

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