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The Great Path - Oshorajneesh.com

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CHAPTER 6. THE MAD PROJECTIONIST<br />

<strong>The</strong>se sutras are very valuable in this context.<br />

<strong>The</strong> first sutra is: THE SOUL IS A DANCER. Your actions and your being are not two different<br />

things. Your actions <strong>com</strong>e out of your own being, just as the dance <strong>com</strong>es out of the dancer. And<br />

if the dancer starts <strong>com</strong>plaining, ”I am tired of this dance. I don’t want to do it !” what would you<br />

say? You would say, ”Stop! Don’t dance then. Who is asking you to dance? You are the one who is<br />

dancing. Stop! if it is all useless and you find no pleasure in it. If you find it painful then stop! <strong>The</strong><br />

dance will disappear”<br />

THE SOUL IS THE DANCER. This means that whatever you do, it is you who is doing it. It has<br />

<strong>com</strong>e out of your own self. Just as leaves <strong>com</strong>e out of the tree, your actions <strong>com</strong>e out of your being.<br />

Stop! And the actions are no more!<br />

Another thing to understand about this sutra - soul is the dancer - is: if you stop your dance of<br />

suffering, if you bring a halt to your life of misery and pain, the dance will not stop- it will change its<br />

form. <strong>The</strong> dance cannot stop; it is a part of your existence. It is your very nature. You will go on<br />

dancing; but then there will be no tears only laughter. <strong>The</strong>n your dance will have a rhythm, a melody.<br />

It will be pulsation of joy, of intense pleasure, an intoxication. Right now your dance is the dance of<br />

hell, then it will be a divine dance.<br />

<strong>The</strong>re has been a Mohammedan fakir - Ibrahim. He was a king who later became a fakir. He came<br />

to India during his travels. He saw a sadhu looking sad and depressed. Sadhus are often sad and<br />

depressed because their life was full of pleasure when they were in the family life. <strong>The</strong>y don’t know<br />

any pleasure other than that. <strong>The</strong>y renounce the world and the family life and all pleasure is lost.<br />

<strong>The</strong>y might not be suffering but they are sad and joyless.<br />

<strong>The</strong>re is a slight difference between sorrow and sadness. Sorrow means that there is a sharpness,<br />

a tang, in the sadness. Sadness also has an ardor, a passion. <strong>The</strong>re are two types of ardors: one<br />

is of sorrow, one is of happiness. One, when you are so filled with sadness that tears begin to flow<br />

and one, when you are so filled with happiness that tears begin to flow - both are a kind of flood.<br />

When a man runs away from the world because it is full of sorrow, he also leaves the joys behind.<br />

<strong>The</strong>n he is filled with sadness; there is no flood, neither of joy nor of sorrow.<br />

Look at your sadhus and sannyasins. <strong>The</strong>y are dead; as if they are ghosts, as if the dance has<br />

stopped. <strong>The</strong>y ran away from sorrow, but the joys were also lost. <strong>The</strong>ir idea was that if they left<br />

sorrow behind there would be only joy left. This was their mistake.<br />

In this world, where there is joy, there is sorrow too. You desire to keep the joys and get rid of the<br />

sorrows. So you run away from sorrow; but in the process the joys are also lost.<br />

<strong>The</strong> sadhu was sad. He must have been an ordinary sadhu. A true sadhu lets go of both happiness<br />

and unhappiness. He does not want to keep happiness, he simply drops both of them. And the<br />

moment he drops them, all sadness disappears, for sadness is the mid-point between the two.<br />

When you drop both of them, the mid-point also gets lost. <strong>The</strong>n an entirely new dimensional journey<br />

begins, you may call it bliss, tranquility, nirvana- whatever you please.<br />

<strong>The</strong> <strong>Great</strong> <strong>Path</strong> 106 Osho

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