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Chapter 6 - Ethical Culture Fieldston School

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“Mr. Sinatra Gets Rejected”<br />

outlook. But I suspect that the series of thoughts and experiences that led him to<br />

wield a sledgehammer that March day originated in a relatively unprepossessing<br />

house in Hoboken. The real ground‐breaking took place there.<br />

“He didn’t dream. He said, ‘I’m gonna do it. I’m gonna get across this river.<br />

I’m gonna go there [New York City] and make a name for myself.’”<br />

‐‐Tina Sinatra on her father’s youth in Hoboken 10<br />

“As I left the theater, with the shriek of young lungs still ringing in my ears, I was bothered by a<br />

strange discovery – that you could become a public idol simply by looking young, sad, and<br />

undernourished, then by skimming off a certain amount of your misery and pouring it into a<br />

microphone.”<br />

‐‐journalist Jack Long after a Sinatra performance, 1943 11<br />

It may be a perverse tribute to the elasticity of the American Dream that<br />

by the early twentieth century Martin Sinatra would adopt an Irish name –<br />

O’Brien – as a means of upward mobility. Of course, he probably didn’t think<br />

about his situation exactly this way. For the young Sicilian immigrant, it was<br />

probably more a matter of common sense: there was no way an aspiring boxer<br />

was ever going to get into a gym, nevermind a ring, with a name like Sinatra.<br />

Perhaps he was aware that there was a time when people with names like<br />

“Kennedy” had been viewed with the same degree of disdain and dismay that<br />

the Italians like him were. Perhaps he could anticipate a time when there would<br />

be those (Puerto Ricans? Koreans?) who would take their place at the bottom of<br />

the pecking order along with a fixed underclass of Negroes. But he probably<br />

didn’t spend a lot of time thinking about it.<br />

9 As noted elsewhere, Sinatra held a fund-raiser for Martin Luther King in the early sixties; his ties to<br />

Monaco stem from his friendship with (future princess) Grace Kelly, which took root during their work<br />

together in the 1956 film High Society.<br />

10 John Lahr, Sinatra: The Artist and the Man (New York: Random House, 1997), p. 4.<br />

11 Jack Long, “Sweet Dreams and Dynamite,” The American, September 1943 (included in Legend: Frank<br />

Sinatra and the American Dream, edited by Ethlie Ann Vare (New York: Boulevard Books, 1995), p. 9.<br />

American History for Cynical Beginners<br />

6

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