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Chapter 6 - Ethical Culture Fieldston School

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“Mr. Sinatra Gets Rejected”<br />

There was absolute silence – stunning, absolute silence.” Sinatra looked at pianist<br />

Skitch Henderson, whose face was white with fear. “Finally I turned to the<br />

audience and whispered into the microphone ‘Good night,’ and walked off the<br />

floor.” 27 The problem was attributed to bleeding in Sinatra’s vocal chords. He<br />

canceled the rest of the engagement to regain his voice, and did. But there was a<br />

serious question about how much that mattered. For in the eyes of many<br />

observers – and even Sinatra himself – his career was finished.<br />

The stages of Sinatra’s fall from commercial grace seem to have occurred<br />

as imperceptibly as his meteoric rise. To all outward appearances, he was still at<br />

his peak in 1945, when The House I Live In was released and he was the lead star<br />

(with higher billing than Gene Kelly) in Anchors Aweigh. In addition to his<br />

Academy Award for House in 1946, he enjoyed a string of top ten hits that year,<br />

and was named “America’s Favorite Male Singer” in Downbeat magazine.<br />

Still, there were signs of slippage. In 1945 Sinatra was dropped from Your<br />

Hit Parade; although he had come to hate the drudgery of hosting the radio<br />

program, he found it doubly irritating to be replaced by opera star Lawrence<br />

Tribbett. 28 He returned to the show in 1947, but by that point his output of hit<br />

singles had noticeably declined to one that year (“Mam’selle”) and none in 1948.<br />

Meanwhile, a new group of singers like Frankie Laine and Johnny Ray were<br />

attracting attention that had generally been Sinatra’s five years before. And while<br />

some of his movies – notably Take Me Out to the Ball Game (1949), another musical<br />

with Kelly – continued to perform at the box office, most of his films in the<br />

second half of the decade were regarded as middling at best by critics and<br />

moviegoers. By the time of his Copacabana engagement in 1950, there was an<br />

27 Nancy Sinatra, My Father, p. 73. “I thought for a fleeting moment that the unexpected pantomime was a<br />

joke,” Henderson is quoted by Kitty Kelly as saying without attributing a source. “But then he caught my<br />

eye. I guess the color drained out of my face when I saw the panic in his.” (His Way, pp. 165-166).<br />

American History for Cynical Beginners<br />

24

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