the Equinox - The Hermetic Library

the Equinox - The Hermetic Library the Equinox - The Hermetic Library

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94 THE EQUINOX with a concentrated mind and stop the upward and downward course of the Prânâ by Jalandhara Bandha. Resting his body upon his palms placed upon the ground, he should strike the ground softly with his posteriors. By this the Prânâ, leaving Ida and Pingala, goes through the Sushumnâ. . . . The body assumes a death-like aspect. Then he should breathe out.* 5. Khechari Mudra. The Yogi sitting in the Vajrâsana (Siddhâsana) posture, should firmly fix his gaze upon Ajna, and reversing the tongue backwards, fix it in the hollow under the epiglottis, placing it with great care on the mouth of the well of nectar.† 6. Uddiyana Mudra. The drawing up of the intestines above and below the navel (so that they rest against the back of the body high up the thorax) is called Uddiyana Bandha, and is the lion that kills the elephant Death.‡ 7. Mula Mudra. Pressing the Yoni with the ankle, contract the anus and draw the Ap?naupwards. This is Mula Bandha.§ 8. Jalandhara Mudra. Contract the throat and press the chin firmly against the breast (four inches from the heart). This is Jalandhara Bandha. . . .ƒƒ 9. Viparitakarani Mudra. This consists in making the Sun and Moon assume exactly reverse positions. The Sun which is below the navel and the Moon which is above the palate change places. This Mudra * “Hatha-Yoga Pradipika,” p. 48; “Shiva Sanhita,” vol. iv, 23-30. † “Shiva Sanhita,” chap iv, 31. This is perhaps the most important of the Mudras. The “Hatha Yoga Pradipika” gives a long description of how the fraenum linguae is cut. See pp. 49-56. ‡ “Hatha Yoga Pradipika,” p. 57; "Shiva Sanhita," chap. iv, 48-52. § “Hatha Yoga Pradipika,” p. 58; "Shiva Sanhita," chap. iv, 41-44. ƒƒ “Hatha Yoga Pradipika,” p. 60; "Shiva Sanhita," chap. iv, 38-40.

THE TEMPLE OF SOLOMON THE KING must be learnt from the Guru himself, and though, as we are told in the “Pradipika,” a theoretical study of crores of Shastras cannot throw any light upon it, yet nevertheless in the “Shiva Sanhita” the difficulty seems to be solved by standing on one's head.* 10. Shakti Chalana Mudra. Let the wise Yogi forcibly and firmly draw up the goddess Kundalini sleeping in the Adhar lotus, by means of the Apana-Vâyu. This is Shakti- Chalan Mudra. . . .† The “Hatha Yoga Pradipika” is very obscure on this Mudra, it says: As one forces open a door with a key, so the Yogi should force open the door of Moksha (Deliverance) by the Kundalini. Between the Ganges and the Jamuna there sits the young widow inspiring pity. He should despoil her forcibly, for it leads one to the supreme seat of Vishnu. You should awake the sleeping serpent (Kundalini) by taking hold of its tail. . . .‡ As a special form of Kumbhaka is mentioned, most probably this Mudra is but one of the numerous Prânâyâma practices, which we shall deal with shortly. 11. The Vajroli-Mudra. In the “Shiva Sanhita”§ there is a long account of this Mudra in which the God says: “It is the most secret of all * “Hatha Yoga Pradipika,” p. 62; “Shiva Sanhita,” chap. iv, 45-47. Again this is the union of Shiva and Shakti, and that of the solar and lunar Pingala and Ida by means of the Sushumnâ—the path of the gods. † “Shiva Sanhita,” chap. iv, 76-81. ‡ “Hatha Yoga Pradipika,” pp. 63, 69. § “Shiva Sanhita,” chap. iv, 53-75. 95

94<br />

THE EQUINOX<br />

with a concentrated mind and stop <strong>the</strong> upward and downward course of <strong>the</strong><br />

Prânâ by Jalandhara Bandha. Resting his body upon his palms placed upon <strong>the</strong><br />

ground, he should strike <strong>the</strong> ground softly with his posteriors. By this <strong>the</strong> Prânâ,<br />

leaving Ida and Pingala, goes through <strong>the</strong> Sushumnâ. . . . <strong>The</strong> body assumes a<br />

death-like aspect. <strong>The</strong>n he should brea<strong>the</strong> out.*<br />

5. Khechari Mudra.<br />

<strong>The</strong> Yogi sitting in <strong>the</strong> Vajrâsana (Siddhâsana) posture, should firmly fix his gaze<br />

upon Ajna, and reversing <strong>the</strong> tongue backwards, fix it in <strong>the</strong> hollow under <strong>the</strong><br />

epiglottis, placing it with great care on <strong>the</strong> mouth of <strong>the</strong> well of nectar.†<br />

6. Uddiyana Mudra.<br />

<strong>The</strong> drawing up of <strong>the</strong> intestines above and below <strong>the</strong> navel (so that <strong>the</strong>y rest<br />

against <strong>the</strong> back of <strong>the</strong> body high up <strong>the</strong> thorax) is called Uddiyana Bandha, and is<br />

<strong>the</strong> lion that kills <strong>the</strong> elephant Death.‡<br />

7. Mula Mudra.<br />

Pressing <strong>the</strong> Yoni with <strong>the</strong> ankle, contract <strong>the</strong> anus and draw <strong>the</strong> Ap?naupwards.<br />

This is Mula Bandha.§<br />

8. Jalandhara Mudra.<br />

Contract <strong>the</strong> throat and press <strong>the</strong> chin firmly against <strong>the</strong> breast (four inches<br />

from <strong>the</strong> heart). This is Jalandhara Bandha. . . .ƒƒ<br />

9. Viparitakarani Mudra.<br />

This consists in making <strong>the</strong> Sun and Moon assume exactly<br />

reverse positions. <strong>The</strong> Sun which is below <strong>the</strong> navel and <strong>the</strong><br />

Moon which is above <strong>the</strong> palate change places. This Mudra<br />

* “Hatha-Yoga Pradipika,” p. 48; “Shiva Sanhita,” vol. iv, 23-30.<br />

† “Shiva Sanhita,” chap iv, 31. This is perhaps <strong>the</strong> most important of <strong>the</strong><br />

Mudras. <strong>The</strong> “Hatha Yoga Pradipika” gives a long description of how <strong>the</strong><br />

fraenum linguae is cut. See pp. 49-56.<br />

‡ “Hatha Yoga Pradipika,” p. 57; "Shiva Sanhita," chap. iv, 48-52.<br />

§ “Hatha Yoga Pradipika,” p. 58; "Shiva Sanhita," chap. iv, 41-44.<br />

ƒƒ “Hatha Yoga Pradipika,” p. 60; "Shiva Sanhita," chap. iv, 38-40.

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