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Martial Arts Of The World - Webs

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A crowd watches as<br />

a couple stages a<br />

martial arts<br />

demonstration on<br />

a sidewalk in<br />

Shanghai, October<br />

1983. (KellyMooney<br />

Photography/Corbis)<br />

70 China<br />

branches. <strong>The</strong> Wudang branch included only instruction in taijiquan,<br />

xingyiquan, and baguazhang, while the Shaolin branch arbitrarily comprised<br />

all other martial arts styles. This arrangement was based on the<br />

popular belief that Chinese boxing consisted of an External or Shaolin<br />

School (Buddhist), which emphasized strength and speed, versus an Internal<br />

or Wudang School (Daoist), which emphasized use of an opponent’s<br />

strength and speed against him. This simplistic view originated with a<br />

1669 piece titled Epitaph for Wang Zhengnan, written by the Ming patriot<br />

and historian Huang Zongxi. At the time, however, it was probably meant<br />

as a veiled political jab at the foreign Manchu regime rather than as a serious<br />

discussion of boxing theory. In any case, division of the institute into<br />

these two branches resulted in infighting, so the branches were quietly<br />

phased out.<br />

After 1949, traditional sports, including the martial arts, were placed<br />

under a government Physical Culture and Sports Commission. <strong>Martial</strong> arts<br />

for nationwide competition were standardized into three major categories<br />

of boxing (changquan, nanquan, and taijiquan), while weapons were limited<br />

to four basic types with standardized routines (broad sword, straight<br />

sword, staff, and spear). Changquan (long boxing) routines have combined<br />

techniques from the more acrobatic so-called northern styles of boxing,<br />

while nanquan, or “southern boxing,” has combined the “short hitting”<br />

emphasis on arm movements prominent in most styles of boxing found in<br />

South China (especially in Fujian and Guangdong provinces).<br />

Standardized taijiquan, including a shortened routine of twenty-four<br />

forms, was based on the widely practiced Yang style of taijiquan. Many of<br />

the traditional styles continued to be practiced individually, and more lib-

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