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Martial Arts Of The World - Webs

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Contemporary literature provides a peek at martial arts activities in<br />

and around the Southern Song capital, Hangzhou (1127–1279). <strong>The</strong> military<br />

forces scheduled training exercises every spring and autumn at designated<br />

locations, where, amid the crash of cymbals and beating of drums,<br />

they practiced combat formations and held archery competitions, polo<br />

matches, and numerous other martial arts demonstrations, such as spear<br />

and sword fighting.<br />

Associations were organized among the citizenry by those interested<br />

in wrestling, archery, staff fighting, football, polo, and many nonmartial<br />

activities. Also, outdoor entertainment at certain locations in the city included<br />

wrestling matches (both men’s and women’s), martial arts demonstrations,<br />

acrobatics, and other physical displays.<br />

Some of these activities (considered secular folk entertainment, not religious<br />

activities) could still be seen at the temple festivals (which were<br />

combination county fairs and swap meets) and other festive occasions well<br />

into the twentieth century.<br />

Japanese swords were popular during the Ming, and both General Qi<br />

Jiguang’s New Book of Effective Discipline (Jixiao Xinshu) (ca. 1561) and<br />

Mr. Cheng’s Three Kinds of Insightful Techniques (Chengshi Xinfa<br />

Sanzhong) (ca. 1621) include illustrated Japanese sword routines to emulate.<br />

Japanese swords had begun to enter China during the Song period,<br />

when their fine quality was even described in a poem by the famed literary<br />

figure Ouyang Xiu (1007–1072). Records show that Japanese swords and<br />

poled weapons (naginata, weapons similar to the European halberd) were<br />

presented as tribute to a number of Ming-period rulers. Ming military leaders<br />

were able to observe firsthand the effectiveness of Japanese weapons<br />

and fighting techniques during the large-scale Japanese pirate activities in<br />

the Chinese coastal provinces during the mid-sixteenth century. <strong>The</strong> Chinese<br />

were suitably impressed, and the experience resulted in Chinese use of<br />

Japanese weapons as well as indigenous production of Japanese-style<br />

swords and the adoption of Japanese sword techniques.<br />

By the Qing period (1644–1911), the Comprehensive Study of Documents<br />

(Wenxian Tongkao) reveals that, among the types of individual<br />

weapons officially produced for military use in 1756, special emphasis was<br />

placed on as many as nineteen varieties of broad swords and sixteen types<br />

of poled weapons categorized as spears—a bewildering mix facing military<br />

martial arts drill instructors.<br />

When the Nationalist government–sponsored Central <strong>Martial</strong> <strong>Arts</strong><br />

Institute was established in Nanjing in 1927, its founders were faced with<br />

the daunting task of attempting to satisfy the sensitivities of numerous<br />

martial arts factions within a single national program. <strong>The</strong>y got off to a<br />

troublesome start by dividing the institute into Shaolin and Wudang<br />

China 69

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