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Martial Arts Of The World - Webs

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778 Xingyiquan (Hsing I Ch’uan)<br />

broadsword, needles, and the halberd. In addition, a Hebei stylist will also<br />

learn the basics of bagua, including forms called “walking the circle” and<br />

the “Eight Palms Form.”<br />

Training normally starts by learning the basic standing exercises,<br />

starting with the fundamental stance, called san ti (three essentials). This<br />

develops posture and alignment. <strong>The</strong> basic exercises (dragon turns head,<br />

looking at moon in sea, boa waves head, lion plays with ball, and the turning<br />

exercise) are taught next to introduce the student to proper body<br />

movement. <strong>The</strong> five fists are then taught, introducing the student to the<br />

concepts of generating power in various directions. After that, the student<br />

is introduced to other exercises and the forms. Three one-man forms are<br />

taught: the Five Element Linking Form, the Twelve Animal Form, and the<br />

assorted form. Several two-man forms also exist and may be part of the<br />

training: <strong>The</strong>se include Two Hand Cannon, the Conquering Cycle Form,<br />

and others.<br />

Many exercises and drills exist to help the student learn these techniques<br />

and applications involving striking; throwing and grappling are also<br />

learned from the forms. Shifu Kenny Gong of the Hebei style asserts that<br />

xingyiquan has three special attributes: the ability to sense and take an opponent’s<br />

root, or balance (“cut the root”), to act and strike instantly<br />

(“baby catches butterfly”), and to stun an opponent with a shout (“thunder<br />

voice”). <strong>The</strong> first two are said to give the xingyi practitioner the look<br />

of not fighting when he fights. <strong>The</strong> third ability is reputedly lost to the current<br />

generation.<br />

Kevin Menard<br />

See also Baguazhang (Pa Kua Ch’uan); Boxing, Chinese; External vs.<br />

Internal Chinese <strong>Martial</strong> <strong>Arts</strong>; Ki/Qi; Taijiquan (Tai Chi Ch’uan)<br />

References<br />

Cunyi, Li. 1994. Xing Yi Lianhuan Quan. Pinole, CA: Smiling Tiger <strong>Martial</strong><br />

<strong>Arts</strong>.<br />

Frantzis, B. K. 1998. <strong>The</strong> Power of Internal <strong>Martial</strong> <strong>Arts</strong>. Berkeley, CA:<br />

North Atlantic Books.<br />

Hsieh, Douglas. 1983. Hsing-I Chuan. Beijing: Unitrade Publishers.<br />

Jianhua, Lin. 1995. Form and Will Boxing. Tokyo: Japan Publications.<br />

McNeil, James. 1990. Hsing-I. Burbank, CA: Unique Publications.<br />

Miller, Dan, and Tim Cartmell. 1994. Xing Yi Nei Gong. Pacific Grove, CA:<br />

High View Publications.<br />

Patterson, Michael, ed. 1994–1997. <strong>The</strong> Hsing I Journal. La Mesa, CA.<br />

Sawai, Kenichi. 1976. Taiki-Ken, the Essence of Kung Fu. Tokyo: Japan<br />

Publications.<br />

Shou-Yu, Liang, and Jwing-Ming Yang. 1990. Hsing Yi Chuan: <strong>The</strong>ory and<br />

Applications. Jamaica Plain, MA: Yang’s <strong>Martial</strong> <strong>Arts</strong> Association.<br />

Smith, Robert. 1981. Hsing I: Chinese Mind-Body Boxing. Tokyo:<br />

Kodansha International.<br />

Smith, Robert, and Alan Pittman. 1989. Hsing I: Chinese Internal Boxing.<br />

Rutland, VT: Tuttle.

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