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Martial Arts Of The World - Webs

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764 Written Texts: Japan<br />

of them have been published (see reprints in Imamura 1982, etc.; Sasamori<br />

1965). <strong>The</strong>se documents provide the most detailed and the most difficult to<br />

understand accounts of traditional Japanese martial arts.<br />

<strong>Martial</strong> art initiation documents vary greatly from style to style, from<br />

generation to generation within the same style, and sometimes even from<br />

student to student within the same generation. <strong>The</strong>y were composed in<br />

every format: single sheets of paper (kirikami [40]), scrolls (makimono<br />

[41]), and bound volumes (sasshi [42]). <strong>The</strong>re were no standards. Nonetheless,<br />

certain patterns reappear. Students usually began their training by<br />

signing pledges (kishômon [43]) of obedience, secrecy, and good behavior.<br />

Extant martial art pledges, such as the ones signed by Shôgun Tokugawa<br />

Ieyasu [44] (1542–1616), provide invaluable historical data about the relationships<br />

between martial art styles and political alliances. As students proceeded<br />

through their course of training they received a series of written initiations.<br />

<strong>The</strong>se writings might have consisted of curriculums (mokuroku<br />

[45]), genealogies (keifu [46]), songs and poetry of the way (dôka [47]),<br />

teachings adapted from other styles (to no mono [48]), lists of moral axioms<br />

and daily cautions (kokoroe [49]), diplomas (menjô [50]), and treatises.<br />

In many styles the documents were awarded in a predetermined sequence,<br />

such as initial, middle, deep, and full initiation (shoden [51],<br />

chûden [52], okuden [53], and kaiden [54]).<br />

A key characteristic of initiation documents, regardless of style, is that<br />

they were bestowed only on advanced students who had already mastered<br />

the techniques, vocabulary, and concepts mentioned therein. For this reason<br />

they typically recorded reminders rather than instructions. Sometimes<br />

they contained little more than a list of terms, without any commentary<br />

whatsoever. Or, perhaps the only comment was the word kuden [55] (oral<br />

initiation), which meant that the student must learn this teaching directly<br />

from the teacher. Many initiation documents use vocabulary borrowed<br />

from Buddhism but with denotations completely unrelated to any Buddhist<br />

doctrines or practices. Moreover, initiation documents from different styles<br />

sometimes used identical terminology to convey unrelated meanings or to<br />

refer to dissimilar technical applications. For this reason, initiation documents<br />

cannot be understood by anyone who has not been trained by a living<br />

teacher of that same style. Recently, however, it has been demonstrated<br />

that the comparative study of initiation documents from a variety of styles<br />

can reveal previously unsuspected relationships among geographically and<br />

historically separated traditions.<br />

<strong>Martial</strong> Art Treatises<br />

Systematic expositions of a particular style’s curriculum or of the general<br />

principles of martial performance also were produced in great numbers.

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