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Martial Arts Of The World - Webs

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756 Written Texts: India<br />

skritized texts, like Marmmayogam, that are the kalarippayattu practitioner’s<br />

handbook of empty-hand practical fighting applications and emergency<br />

revivals for the sixty-four “most vital” of the spots (kulabhysamarmmam)<br />

As detailed in Zarrilli (1998, 1992), kalarippayattu texts focusing on<br />

the vital spots are rather straightforward descriptive reference manuals cataloguing<br />

practical information. In contrast to the straightforward descriptive<br />

nature of these texts are the varma ati master’s highly poetic Tamil<br />

texts, which were traditionally sung and taught verse by verse. Some texts,<br />

such as Varma Cuttiram, located at the University of Madras manuscript<br />

library (#2429), are relatively short (146 sloka [verses]) and focus on one<br />

aspect of practice. Longer texts like Varma ati Morivu Cara Cuttiram<br />

(Songs [concerning] the Breaking and Wounding of the Vital Spots) include<br />

more than 1,000 verses and provide the name and location of each vital<br />

spot, whether it is a single or a double spot, symptoms of injury, methods<br />

of emergency revival, and techniques and recipes for treatments of injuries<br />

not only to the vital spots but also to bones, muscles, and similar tissue.<br />

<strong>The</strong> text admonishes the student to<br />

12.1 Proceed by giving massage with the hands, legs, and bundles of medicinal<br />

herbs,<br />

12.2 with confidence set fractures. I am explaining all this carefully, so listen<br />

and follow what I say.<br />

12.3 With piety take your guru and god in mind, and treat other lives as<br />

your own.<br />

12.4 With thinking and doing together as one, search out the vital spots,<br />

fractures, and wounds. (Selvaraj 1984)<br />

<strong>The</strong>se texts reveal that the varma ati system was traditionally a highly esoteric<br />

and mystical one, since only someone who had attained accomplishment<br />

as a Siddha yogi (an actualized master of a specialized Tamil form of<br />

disciplined practice through which the individual gains enlightenment)<br />

could be considered a master of the vital spots. As anthropologist Margaret<br />

Trawick Egnor notes, “<strong>The</strong> language of Siddha poetry is notoriously esoteric;<br />

modern students of it say it was deliberately made so, so that the Siddha<br />

knowledge would not become public” (1983, 989).<br />

Although numerous palm-leaf and hand-copied manuscripts dealing<br />

with the vital spots have been collected in government manuscript libraries<br />

and some have even been published (see Nadar 1968; Nadar n.d.; Selvaraj<br />

1984; Nayar 1957), given variability of interpretation, individual masters<br />

differ in their interpretations. As Ananda Wood asserts, “the direct instruction<br />

of an experienced teacher is necessary to interpret such theoretical<br />

texts practically. A theoretical text is fairly meaningless without such a<br />

teacher who knows the practical skills and techniques himself. For example,<br />

a vital spot may be described in a text as located two named measures

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