Martial Arts Of The World - Webs
Martial Arts Of The World - Webs Martial Arts Of The World - Webs
54 Brazilian Jiu-Jitsu papers his willingness to take on all comers. In turn, Carlos’s younger brother, Hélio, challenged Joe Louis, while decades later Hélio’s son Royce challenged Mike Tyson. Of course nothing came of these challenges, as there simply was not enough money in such contests to interest the boxers. Maeda’s methods have been described as more rough-and-tumble than is normal in jûdô. However, some of this apparent roughness is owed to the venue—professional wrestling takes place in music halls, circus tents, and armories rather than high school gyms, and is performed for the amusement of a paying crowd rather than judged on points. There are differences in the accounts of how Maeda met the Gracies. In the accounts generally given by the Gracie family, Carlos Gracie, one of five sons of Gastão Gracie, began his training with Maeda in 1914 (or 1915). Other sources maintain that in 1915 Maeda was a member of a Japanese wrestling troupe known as “the Four Kings” and that he did not start working for the Queirollo Brothers’ American Circus until 1917. If so, then the circus was probably where he met the Gracie family, as in 1916 Gastão Gracie was reportedly managing an Italian boxer associated with the Queirollo circus. At any rate, during the mid to late 1910s Maeda began teaching the rudiments of jûdô to Carlos Gracie. Around 1922 Maeda left the circus to begin promoting Japanese immigration into Brazil. Three years later Gracie opened a wrestling gym in Rio de Janeiro, and this latter event marks the official birth of the system known today as Gracie Jiu-jitsu. After Gracie quit training with Maeda, the core art underwent a process of modification. Many articles state that Gracie Jiu-jitsu’s emphasis on groundwork is due to Maeda and Carlos Gracie not having tatami (mats) on which to practice falls. However, inasmuch as Japanese aikidô and Scandinavian Glima practitioners sometimes practice falls on wooden floors, it is likely that Gracie Jiu-jitsu’s emphasis on groundwork owes more to the innovations of Hélio Gracie than to any desire to avoid injury on the part of Carlos Gracie or Maeda. As a boy Hélio Gracie was the youngest and least robust of five brothers. Because of this, he soon learned to rely on technique rather than strength, and legs rather than arms. As an adult, he became a fairground wrestler, and when faced with larger opponents, he found it useful to go to the ground, where his greater skill at ground submission fighting served him well. So when the Japanese professional wrestler Masahiko Kimura wrestled Hélio Gracie in October 1951, “What he [Kimura] saw reminded him of the earlier jûdô methods that were rough and tumble. Prewar [prior to World War II] jûdô had body locks, leg locks, unusual choking techniques that were discarded because they were not legal in contest jûdô, which had evolved slowly over the years” (Wang).
During the 1980s, Hélio Gracie’s sons took the family art to California, and during the 1990s the victories of Rorion and Royce Gracie in pay-perview Ultimate Fighting Championship (UFC) events made Gracie Jiu-jitsu famous. In 1994, the U.S. Army also introduced Gracie Jiu-jitsu into its Ranger training programs at Fort Benning, though here the idea was more to teach self-confidence than to improve individual lethality in combat. Punches, kicks, and fighting from the standing position were added to the Brazilian jiu-jitsu curriculum during the 1990s. The reason was to keep its practitioners competitive during UFC matches. Nevertheless, the Gracies continued to emphasize maneuvering for opportunities in which to apply joint locks and chokes. The reason, they insisted, was that most oneon-one fights end up as grappling contests on the ground, and one might as well get there as quickly as possible. Toward this end, particular attention is paid to the ground positions labeled the “mount” and the “guard.” In the mounted position, the combatant straddles an opponent lying on his back, essentially sitting on the opponent’s abdomen. The goal is to set up a choke or a joint lock or to deliver strikes. A variation is the “side mount,” in which the practitioner is on top of an opponent, chest to chest at a 90-degree angle. Meanwhile, the “guard” refers to the opposite position, in which the opponent is attempting to get on top of the practitioner. The standard Brazilian jiu-jitsu guard places the opponent between one’s legs, which encircle the attacker just above the hips. If the encircling legs’ ankles are crossed, then it is a “closed guard”; if the legs are not crossed, then it is an “open guard.” An alternative is the “half-guard,” in which the defender uses the legs to trap one of the legs of the opponent attempting to mount. Although Rorion Gracie maintains that one can learn the techniques of Brazilian jiu-jitsu after just forty lessons, learning to apply these techniques against uncooperative opponents in combative contexts requires years of practice. So, toward showing relative standing, Brazilian jiu-jitsu utilizes a ranking system similar to that of Kôdôkan Jûdô. Rank is designated by a colored belt wrapped and tied at the waist of the uniform (which is also similar to the loose cotton trousers and jacket of jûdô). Belt ranks for children run from white (for beginners) to yellow, orange, green, brown, and black and for adults, white, blue, purple, brown, and black. As in the dan system of contemporary Japanese martial arts, the black belt progresses through various grades of ascending numbers (i.e., first degree, second degree, etc.). During the 1990s, various organizations arose both in Brazil and abroad espousing variations of the core teachings of Maeda as modified by Carlos and Hélio Gracie. Thus Gracie Jiu-jitsu has become a trademark used by various members of the Gracie family of Brazil whose schools are Brazilian Jiu-Jitsu 55
- Page 23 and 24: a range of up to 80 meters. The wou
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- Page 41: See also Kendô; Religion and Spiri
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During the 1980s, Hélio Gracie’s sons took the family art to California,<br />
and during the 1990s the victories of Rorion and Royce Gracie in pay-perview<br />
Ultimate Fighting Championship (UFC) events made Gracie Jiu-jitsu<br />
famous. In 1994, the U.S. Army also introduced Gracie Jiu-jitsu into its<br />
Ranger training programs at Fort Benning, though here the idea was more<br />
to teach self-confidence than to improve individual lethality in combat.<br />
Punches, kicks, and fighting from the standing position were added to<br />
the Brazilian jiu-jitsu curriculum during the 1990s. <strong>The</strong> reason was to keep<br />
its practitioners competitive during UFC matches. Nevertheless, the Gracies<br />
continued to emphasize maneuvering for opportunities in which to apply<br />
joint locks and chokes. <strong>The</strong> reason, they insisted, was that most oneon-one<br />
fights end up as grappling contests on the ground, and one might<br />
as well get there as quickly as possible.<br />
Toward this end, particular attention is paid to the ground positions<br />
labeled the “mount” and the “guard.” In the mounted position, the combatant<br />
straddles an opponent lying on his back, essentially sitting on the<br />
opponent’s abdomen. <strong>The</strong> goal is to set up a choke or a joint lock or to deliver<br />
strikes. A variation is the “side mount,” in which the practitioner is<br />
on top of an opponent, chest to chest at a 90-degree angle. Meanwhile, the<br />
“guard” refers to the opposite position, in which the opponent is attempting<br />
to get on top of the practitioner. <strong>The</strong> standard Brazilian jiu-jitsu guard<br />
places the opponent between one’s legs, which encircle the attacker just<br />
above the hips. If the encircling legs’ ankles are crossed, then it is a “closed<br />
guard”; if the legs are not crossed, then it is an “open guard.” An alternative<br />
is the “half-guard,” in which the defender uses the legs to trap one of<br />
the legs of the opponent attempting to mount.<br />
Although Rorion Gracie maintains that one can learn the techniques<br />
of Brazilian jiu-jitsu after just forty lessons, learning to apply these techniques<br />
against uncooperative opponents in combative contexts requires<br />
years of practice. So, toward showing relative standing, Brazilian jiu-jitsu<br />
utilizes a ranking system similar to that of Kôdôkan Jûdô. Rank is designated<br />
by a colored belt wrapped and tied at the waist of the uniform (which<br />
is also similar to the loose cotton trousers and jacket of jûdô). Belt ranks<br />
for children run from white (for beginners) to yellow, orange, green,<br />
brown, and black and for adults, white, blue, purple, brown, and black. As<br />
in the dan system of contemporary Japanese martial arts, the black belt<br />
progresses through various grades of ascending numbers (i.e., first degree,<br />
second degree, etc.).<br />
During the 1990s, various organizations arose both in Brazil and<br />
abroad espousing variations of the core teachings of Maeda as modified by<br />
Carlos and Hélio Gracie. Thus Gracie Jiu-jitsu has become a trademark<br />
used by various members of the Gracie family of Brazil whose schools are<br />
Brazilian Jiu-Jitsu 55