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Martial Arts Of The World - Webs

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it in 1279. <strong>The</strong> Song History records a number of heroic personages involved<br />

in the fighting against the invaders. Among these was the younger<br />

sister of one leader named Yang Aner. She was called Woman Number<br />

Four, and the history describes her as clever and fierce, and good at riding<br />

and archery. This period also spawned the legend of the woman warrior<br />

Hua Mulan, who was also said to have lived prior to the founding of the<br />

Tang, but about whom no firm historical record exists. <strong>The</strong> story of her<br />

substituting for her father by joining the military disguised as a man served<br />

as a dual symbol of patriotism and filial piety.<br />

Ever since the legendary Maiden of Yue, who supposedly lived around<br />

200 B.C., women martial artists have had roles in popular literature. <strong>Of</strong> the<br />

108 main characters in the Ming novel Outlaws of the Marsh (also known<br />

as All Men Are Brothers or Water Margin), three are women. Stories about<br />

women martial artists abounded during the Qing period (1644–1911).<br />

Some are about fictional characters, such as the skilled young Buddhist nun<br />

in Strange Tales from the Studio of Small Talk and others in various popular<br />

martial novels. <strong>The</strong>re are also numerous vignettes about real people in<br />

the Stone Studio Illustrated News of the 1880s and 1890s, the Qing Unofficial<br />

History Categorized Extracts (completed in 1917), and the official<br />

Yongchun County Gazetteer—home of yongchun (wing chun) boxing.<br />

Based on the record in the Yongchun County Gazetteer (Fujian<br />

province), one can at least tentatively assume that what is now known as<br />

yongchun boxing likely evolved from the skills introduced there by Woman<br />

Ding Number Seven between 1644 and 1722. She is said to have come to<br />

Yongchun with her father and taught some of the locals. One of these,<br />

Zheng Li, supposedly improved the art further with skills he learned from<br />

an itinerant Buddhist monk, who had picked up some Shaolin techniques.<br />

<strong>The</strong>se skills were then passed on in Yongchun to the twentieth century.<br />

<strong>The</strong> vignettes in the Categorized Extracts and Stone Studio Illustrated<br />

News reveal a variety of situations involving women martial artists, especially<br />

incidents in which they beat numbers of male ruffians. One of the<br />

most compelling stories is about a Widow Qi Number Two who, between<br />

1795 and 1820, rescued a wrongfully imprisoned old nun and then joined<br />

a group of White Lotus Sect rebels and became their leader. Women martial<br />

artists also served in the ranks of the Taiping rebels (1850–1863) and<br />

the Boxers in 1900. All this reflects a society in turmoil, where both men<br />

and women might be forced to defend themselves. Under these circumstances,<br />

the wealthy and well-placed depended on escort or protection<br />

agencies. Women served in some of these enterprises as well.<br />

After the Revolution of 1911, women continued to make their mark<br />

in the martial arts, and they were prominent in the team that performed at<br />

the 1936 Olympics in Berlin. <strong>The</strong>y continue to play an important part in<br />

Women in the <strong>Martial</strong> <strong>Arts</strong>: China 691

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