Martial Arts Of The World - Webs

Martial Arts Of The World - Webs Martial Arts Of The World - Webs

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A woman in Beijing performing a wushu form, November 1997. (Karen Su/Corbis) 690 Women in the Martial Arts: China that women in that region were reported to have carried halberds and bows and arrows, and practiced spear routines alongside the males. During the Tang dynasty (618–960), one of Chinese culture’s grandest periods, martial skills were valued alongside intellectual pursuits. The poet Du Fu immortalized the skill of a woman in his “On Watching a Sword Dance by Madam Gongsun’s Disciple.” In Chinese, sword dancing has always been synonymous with the practice of actual sword techniques. It was a favorite pastime of the female revolutionary Qiu Jin, who was executed on the eve of the Revolution of 1911, and whose memorial statues often depict her standing defiantly with a sword. Popular culture in the capital city (first Kaifeng and then Hangzhou) during the Song dynasty (960–1279) included both male and female wrestling matches in the marketplace. Women demonstrating martial arts routines to draw a crowd preceded these matches. The scholar-official, Sima Guang, derided the spectacle of scantily clad women wrestlers among the entertainers who gathered outside the Gate of Great Virtue during New Year celebrations in 1062. Noting the irony of these public displays in front of this symbol of national decorum, he petitioned the throne to prohibit women’s wrestling. Throughout the Song period, China was under threat of invasion from various northern nomadic groups, and the Mongols finally conquered

it in 1279. The Song History records a number of heroic personages involved in the fighting against the invaders. Among these was the younger sister of one leader named Yang Aner. She was called Woman Number Four, and the history describes her as clever and fierce, and good at riding and archery. This period also spawned the legend of the woman warrior Hua Mulan, who was also said to have lived prior to the founding of the Tang, but about whom no firm historical record exists. The story of her substituting for her father by joining the military disguised as a man served as a dual symbol of patriotism and filial piety. Ever since the legendary Maiden of Yue, who supposedly lived around 200 B.C., women martial artists have had roles in popular literature. Of the 108 main characters in the Ming novel Outlaws of the Marsh (also known as All Men Are Brothers or Water Margin), three are women. Stories about women martial artists abounded during the Qing period (1644–1911). Some are about fictional characters, such as the skilled young Buddhist nun in Strange Tales from the Studio of Small Talk and others in various popular martial novels. There are also numerous vignettes about real people in the Stone Studio Illustrated News of the 1880s and 1890s, the Qing Unofficial History Categorized Extracts (completed in 1917), and the official Yongchun County Gazetteer—home of yongchun (wing chun) boxing. Based on the record in the Yongchun County Gazetteer (Fujian province), one can at least tentatively assume that what is now known as yongchun boxing likely evolved from the skills introduced there by Woman Ding Number Seven between 1644 and 1722. She is said to have come to Yongchun with her father and taught some of the locals. One of these, Zheng Li, supposedly improved the art further with skills he learned from an itinerant Buddhist monk, who had picked up some Shaolin techniques. These skills were then passed on in Yongchun to the twentieth century. The vignettes in the Categorized Extracts and Stone Studio Illustrated News reveal a variety of situations involving women martial artists, especially incidents in which they beat numbers of male ruffians. One of the most compelling stories is about a Widow Qi Number Two who, between 1795 and 1820, rescued a wrongfully imprisoned old nun and then joined a group of White Lotus Sect rebels and became their leader. Women martial artists also served in the ranks of the Taiping rebels (1850–1863) and the Boxers in 1900. All this reflects a society in turmoil, where both men and women might be forced to defend themselves. Under these circumstances, the wealthy and well-placed depended on escort or protection agencies. Women served in some of these enterprises as well. After the Revolution of 1911, women continued to make their mark in the martial arts, and they were prominent in the team that performed at the 1936 Olympics in Berlin. They continue to play an important part in Women in the Martial Arts: China 691

A woman in Beijing performing a wushu form, November 1997. (Karen Su/Corbis)<br />

690 Women in the <strong>Martial</strong> <strong>Arts</strong>: China<br />

that women in that region were reported to have carried halberds and bows<br />

and arrows, and practiced spear routines alongside the males.<br />

During the Tang dynasty (618–960), one of Chinese culture’s grandest<br />

periods, martial skills were valued alongside intellectual pursuits. <strong>The</strong><br />

poet Du Fu immortalized the skill of a woman in his “On Watching a<br />

Sword Dance by Madam Gongsun’s Disciple.” In Chinese, sword dancing<br />

has always been synonymous with the practice of actual sword techniques.<br />

It was a favorite pastime of the female revolutionary Qiu Jin, who was executed<br />

on the eve of the Revolution of 1911, and whose memorial statues<br />

often depict her standing defiantly with a sword.<br />

Popular culture in the capital city (first Kaifeng and then Hangzhou)<br />

during the Song dynasty (960–1279) included both male and female<br />

wrestling matches in the marketplace. Women demonstrating martial arts<br />

routines to draw a crowd preceded these matches. <strong>The</strong> scholar-official,<br />

Sima Guang, derided the spectacle of scantily clad women wrestlers among<br />

the entertainers who gathered outside the Gate of Great Virtue during New<br />

Year celebrations in 1062. Noting the irony of these public displays in front<br />

of this symbol of national decorum, he petitioned the throne to prohibit<br />

women’s wrestling.<br />

Throughout the Song period, China was under threat of invasion<br />

from various northern nomadic groups, and the Mongols finally conquered

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