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Martial Arts Of The World - Webs

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Yip, Chun, with Danny Connor. 1993. Wing Chun <strong>Martial</strong> <strong>Arts</strong>: Principles<br />

and Techniques. York Beach, ME: Samuel Weiser.<br />

Women in the <strong>Martial</strong> <strong>Arts</strong>:<br />

Britain and North America<br />

During the early 1900s, feminists often regarded combative sports such as<br />

boxing, wrestling, fencing, and jûdô as tools of women’s liberation. Because<br />

these sports were historically associated with prizefighting (in Shakespeare’s<br />

time, prizefighters were fencers rather than pugilists) and saloons<br />

(the Police Gazette was holding “Female Championships of the <strong>World</strong>” in<br />

New York City saloons as early as 1884), the middle classes publicly despised<br />

such activities.<br />

Nevertheless, around 1900, combative sports started becoming more<br />

fashionable. Fencing was particularly popular with women, partly because<br />

of its exercise value, partly because it was said to build character, and<br />

mostly because it was not a contact sport.<br />

During the Russo-Japanese War of 1904–1905, jûdô classes became<br />

popular with upper-class women. Partly this was due to the Japanese army<br />

claiming that jûdô was the secret weapon that made its soldiers invincible<br />

in the trench fighting around Port Arthur, and partly it was due to the exaggerated<br />

claims of jûjutsu teachers and sportswriters. For example, in <strong>The</strong><br />

Cosmopolitan of May 1905, a Japanese visitor to New York named Katsukuma<br />

Higashi boasted that given six months, he could teach any 110pounder<br />

of good moral character to “meet a man of twice his weight and<br />

three times his muscular strength and overcome him under all circumstances.”<br />

This was hyperbole rather than fact—within the year the 120pound<br />

Higashi himself proved incapable of beating either a 140-pound<br />

professional wrestler, George Bothner, or a 105-pound jûdôka (jûdô<br />

player), Yukio Tani. Nevertheless the myth persists. Witness, for example,<br />

the enormous popularity of <strong>The</strong> Karate Kid, a Hollywood film that saw its<br />

youthful hero change from chump to champ during the seven weeks between<br />

Halloween and Christmas.<br />

Jûjutsu was first introduced to England in March 1892. <strong>The</strong> occasion<br />

was a lecture given by T. Shidachi, secretary of the Bank of Japan’s London<br />

branch, and his assistant Daigoro Goh (Smith 1958, 47–62). Seven years<br />

later, Yukio Tani introduced jûjutsu into British music halls, and by the<br />

time “<strong>The</strong> Adventure of the Empty House” appeared in Strand Magazine<br />

in October 1903, Sherlock Holmes was using a Japanese-based system of<br />

wrestling called baritsu to free himself from the clutches of Professor Moriarty.<br />

From the 1890s there were also jûdô and jûjutsu practitioners in the<br />

United States, several of whom, like Tani, worked as professional wrestlers.<br />

684 Women in the <strong>Martial</strong> <strong>Arts</strong>: Britain and North America

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