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Martial Arts Of The World - Webs

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46 Boxing, European<br />

marked the end of a “round.” <strong>The</strong> down man was given thirty seconds to<br />

get back up; it was illegal to hit a down man, and wrestling below the waist<br />

was not allowed. Broughton also advocated the use of gloves in training.<br />

As an innovator of technique, he is known for “milling on the retreat,” or<br />

blocking while moving back in order to draw an attacker into one’s<br />

punches, compounding their force. By the end of the century Daniel Mendoza,<br />

a British-Portuguese Jew, refined the art by incorporating footwork,<br />

choreographed combinations, lateral movement, and fighting from a<br />

crouch. At 5 feet, 7 inches, and scarcely over 160 pounds, Mendoza’s<br />

unique strategies enabled him to defeat much larger men and lay claim to<br />

the championship of England.<br />

“Broughton’s Rules” remained in effect until the Pugilists Protective<br />

Association, in an attempt to make boxing safer, issued the “London Prize<br />

Ring Rules” in 1838 after another death in the ring. Further revisions of<br />

these rules in 1853 and 1866 (by which time boxing was actively outlawed)<br />

banned choking and head butting, but still did not limit the number or<br />

length of rounds. In the interest of safety and fairness, weight classes were<br />

first introduced in the 1850s: heavy (over 156 pounds), middle (134–156<br />

pounds), and light (under 134 pounds).<br />

In 1866, a new set of rules was issued that completely revolutionized<br />

the art of boxing and that serves as the basis for the governance of the sport<br />

today. <strong>The</strong> “Queensbury Rules,” named for the marquis of Queensbury,<br />

consisted of twelve clauses, prohibiting wrestling altogether and mandating<br />

a 24-square-foot ring, three-minute rounds with a one-minute rest period<br />

after each round, and the use of gloves. Subsequent revisions limited the<br />

number of rounds to twenty, set the minimum glove weight at six ounces,<br />

and introduced a scoring system of points.<br />

<strong>The</strong> manifestation of the art of boxing in sport and spectacle has become<br />

a significant source of revenue and a nexus for social commentary.<br />

<strong>The</strong> martial art of boxing reaches its highest level in the professional athletes<br />

who perform in the prize ring. Boxing continues to be a primary self-defense<br />

technique employed by several military institutions and by law enforcement<br />

agencies such as the FBI. Boxing instruction remains widely disseminated at<br />

urban youth centers run by the Police Athletic League and YMCA. Bruce<br />

Lee’s Jeet Kune Do and Israeli krav maga borrow heavily from boxing’s arsenal.<br />

Boxing is also the striking art of choice of many martial artists, such<br />

as shootfighters (modern, professional no-holds-barred competitors) and<br />

grapplers, determined to augment their primary nonstriking skills.<br />

<strong>The</strong> philosophy of boxing is simple: “Hit and don’t get hit.” Despite<br />

the simplicity of this premise, over the centuries the art has been developed<br />

to such a degree that it is often referred to as a science—“the sweet science.”<br />

Boxing is both an art and a science, as boxers learn strategic moves

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