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Martial Arts Of The World - Webs

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new orientation for martial arts suitable to the new Communist China, a twofaceted<br />

program came into being: a standardized form of taijiquan and the<br />

concept of wushu. Taiji was promoted as a few simple and standardized routines,<br />

the Yang twenty-four-section form, and the five-section form. All instruction<br />

was geared toward improving and maintaining health, and practical<br />

application was discouraged. Wushu originally meant “martial,” or “military,”<br />

arts, and as such this is the proper term for those systems designated<br />

kung fu in contemporary popular culture. In the postmodern sense of the<br />

Communist Party, however, the term designated acrobatic martial gymnastics.<br />

This program gave the people what they wanted, but only in a form<br />

modified by the Communist Party. Many of the wushu forms seen today<br />

are replete with high leaping kicks and fast and furious punches. <strong>The</strong>re are<br />

also flips, somersaults, and other acrobatic maneuvers best performed by<br />

the young. Weapons forms have been developed as well, but only using<br />

what are called thunder blades, very light and very thin blades that fold and<br />

bend and make a loud noise, but that are far easier to handle than real<br />

combat-quality weapons. Wushu has its merits as a sport and art form, but<br />

the current system is not a traditional combat art.<br />

<strong>The</strong>re was a push in the last few years of the 1990s to promote what<br />

is called san da (loose hit) or san shou (loose hand). <strong>The</strong>se are martial<br />

sports reminiscent of kickboxing, which allow various throws, locks, and<br />

sweeping techniques. <strong>The</strong> bouts have been compared to the earlier Lei Tai<br />

form of contest in which combatants, sans protective gear, would fight on<br />

a raised platform to see who had the better skills. A contestant tossed off<br />

the platform would be declared the loser. <strong>The</strong> no-holds-barred spectacles<br />

popularized in North and South America, Europe, and Japan during the<br />

1990s undoubtedly gave impetus to san shou.<br />

<strong>The</strong> state-sanctioned forms of boxing developed within the People’s<br />

Republic of China may have eclipsed the traditional fighting arts, but they<br />

did not eradicate them. Even outside the mainland, practice of the traditional<br />

external (and internal) arts survives with refugees who fled after the<br />

Communist victory of 1949 to Hong Kong, Southeast Asia, the United<br />

States, Canada, Europe, and particularly Taiwan. Many external arts, in<br />

fact, have enjoyed a renaissance in new settings. Yongchun (more commonly<br />

known as wing chun), for example, can easily be found in most big<br />

cities in Europe and America, due probably to popularization by the late<br />

Hong Kong film actor Bruce Lee. <strong>The</strong> motion pictures of Jackie Chan<br />

(trained in Hong Kong opera), wushu great Pan Qingfu, wushu-trained actor<br />

Jet Li, and others from the 1990s through the turn of the twenty-first<br />

century have continued to popularize hard-style boxing and perpetuate the<br />

legendary connection of the Shaolin Temple to these styles.<br />

Richard M. Mooney<br />

Boxing, Chinese Shaolin Styles 43

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