Martial Arts Of The World - Webs

Martial Arts Of The World - Webs Martial Arts Of The World - Webs

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596 Swordsmanship, Japanese others. By attempting to perfect a predetermined set of movements, practitioners can focus on their own body movements and state of mind without being distracted by real opponents. Thus, the kata provides a vehicle for what many Japanese have always valued highly—self-improvement and character building. Even when the iaidô practitioner performed the kata with a practice partner, the emphasis remained on perfection of movements and attaining a spiritual connection between the practitioners. Nevertheless, the use of wooden or metal practice swords did allow for the preservation of the combative nature of swordsmanship in kata practice, and when iaidô was evaluated by the American occupation forces after World War II, it was indeed classified as a method of warfare. Under the American occupation following the Pacific war, Japan went through a social and cultural transformation that, in the decades that followed, popularized sports competition. The American command in Japan restricted any form of martial art practice, including kendô, in official educational institutions. In response to this policy, the Japanese made a radical change to the nature of kendô by placing strong emphasis on the use of bamboo swords, which were unlike weapons of war, and re-forming kendô as a competitive sport devoid of its martial essence. Permission to practice kendô in schools in its new form was granted only in the early 1950s. For almost a decade and a half of American occupation, teachers and students who were devoted to the preservation of martial traditions and who, in many cases, were also hard-line nationalists practiced swordsmanship behind closed doors. Shortly after the Occupation ended, the Japanese government lifted the restriction on kendô, and it quickly became part of schools’ curricula once again. Similarly, kendô practice in the police force was resumed, leading to the revival of what is commonly referred to as “police kendô.” Although post-Occupation kendô includes both sports competition and traditional forms, it is much more a sport than a practical martial art. Consequently, the increasing popularity of kendô as a competitive sport, together with diminishing interest in premodern martial traditions among younger Japanese, has made old-style swordsmanship anachronistic. Moreover, the concept of swordsmanship as a fighting skill of premodern warriors has lost its meaning for the common Japanese. Therefore, the image of kendô in contemporary Japan is that of bamboo swords, body protection, rules, umpires, and tournaments. Nevertheless, it is still viewed as a practical way for building stamina and perseverance, which are viewed by Japanese as the heart of true Japanese spirit. Currently, kendô is one of the most widely practiced forms of competitive martial sport. It remains part of school education, and is a popular choice of practice for Japanese policemen. Premodern forms of swordsmanship are gradually becoming a thing of the past, or a feature of enter-

tainment that belongs in samurai movies. At any rate, the remaining schools of swordsmanship that teach traditional kata, or those schools where the emphasis is on actual sword fighting and less on rigid forms, have been pushed aside under the pretext of not being practical in a modern lifestyle. However, in a society where traditions die hard, it is still possible to find old forms of swordsmanship living together with the new. Roy Ron See also Form/Xing/Kata/Pattern Practice; Japan; Koryû Bugei, Japanese; Samurai; Sword, Japanese References Berry, Elizabeth M. 1994. The Culture of Civil War in Kyoto. Berkeley: University of California Press. Friday, Karl. 1997. Legacies of the Sword. Honolulu: University of Hawai’i Press. Hurst, G. Cameron, III. 1998. Armed Martial Arts of Japan: Swordsmanship and Archery. New Haven: Yale University Press. Kondo, Yoshikazu. 1997. Yumiya to tôken. Tokyo: Yoshikawa Kobunkan. Varley, Paul. 1994. Warriors of Japan as Portrayed in the War Tales. Honolulu: University of Hawai’i Press. Warner, Gordon, and Donn Draeger. 1982. Japanese Swordsmanship: Technique and Practice. New York: Weatherhill. Swordsmanship, Korean/ Hankuk Haedong Kumdô Hankuk is the old name for the country of Korea. Haedong refers to the East Sea (Sea of Japan). Kumdô refers to the Way of the Sword. Hankuk Haedong Kumdô, therefore, explicitly denotes sword forms that are of Korean origin. Fantastic claims abound concerning the origins of many Korean arts, but more especially Haedong Kumdô. One reason for the confusion surrounding the origins of Haedong Kumdô is that the art remains obscure, even in Korea. Korean History On August 29, 1910, Emperor Sunjong abdicated the throne of Korea and officially relinquished control of the country to the Japanese. Japan immediately set about the systematic destruction of the Korean culture, including making it illegal to teach Korean history. A revisionist history, written by the Japanese, replaced the traditional subject matter in the public schools. Korean martial arts were banned, and eventually supplanted by Japanese forms. Ssirŭm, a form of wrestling that the Koreans probably learned from the Mongols, was replaced by sumô. T’aek’kyŏn, a form of unarmed self-defense that included extensive use of kicking techniques, was replaced by jûdô. And Korean (Hankuk) kumdô was replaced by Japanese Swordsmanship, Korean/Hankuk Haedong Kumdô 597

596 Swordsmanship, Japanese<br />

others. By attempting to perfect a predetermined set of movements, practitioners<br />

can focus on their own body movements and state of mind without<br />

being distracted by real opponents. Thus, the kata provides a vehicle for<br />

what many Japanese have always valued highly—self-improvement and<br />

character building. Even when the iaidô practitioner performed the kata<br />

with a practice partner, the emphasis remained on perfection of movements<br />

and attaining a spiritual connection between the practitioners. Nevertheless,<br />

the use of wooden or metal practice swords did allow for the preservation<br />

of the combative nature of swordsmanship in kata practice, and<br />

when iaidô was evaluated by the American occupation forces after <strong>World</strong><br />

War II, it was indeed classified as a method of warfare.<br />

Under the American occupation following the Pacific war, Japan went<br />

through a social and cultural transformation that, in the decades that followed,<br />

popularized sports competition. <strong>The</strong> American command in Japan<br />

restricted any form of martial art practice, including kendô, in official educational<br />

institutions. In response to this policy, the Japanese made a radical<br />

change to the nature of kendô by placing strong emphasis on the use of<br />

bamboo swords, which were unlike weapons of war, and re-forming kendô<br />

as a competitive sport devoid of its martial essence. Permission to practice<br />

kendô in schools in its new form was granted only in the early 1950s. For<br />

almost a decade and a half of American occupation, teachers and students<br />

who were devoted to the preservation of martial traditions and who, in<br />

many cases, were also hard-line nationalists practiced swordsmanship behind<br />

closed doors. Shortly after the Occupation ended, the Japanese government<br />

lifted the restriction on kendô, and it quickly became part of<br />

schools’ curricula once again. Similarly, kendô practice in the police force<br />

was resumed, leading to the revival of what is commonly referred to as<br />

“police kendô.” Although post-Occupation kendô includes both sports<br />

competition and traditional forms, it is much more a sport than a practical<br />

martial art. Consequently, the increasing popularity of kendô as a competitive<br />

sport, together with diminishing interest in premodern martial traditions<br />

among younger Japanese, has made old-style swordsmanship<br />

anachronistic. Moreover, the concept of swordsmanship as a fighting skill<br />

of premodern warriors has lost its meaning for the common Japanese.<br />

<strong>The</strong>refore, the image of kendô in contemporary Japan is that of bamboo<br />

swords, body protection, rules, umpires, and tournaments. Nevertheless, it<br />

is still viewed as a practical way for building stamina and perseverance,<br />

which are viewed by Japanese as the heart of true Japanese spirit.<br />

Currently, kendô is one of the most widely practiced forms of competitive<br />

martial sport. It remains part of school education, and is a popular<br />

choice of practice for Japanese policemen. Premodern forms of swordsmanship<br />

are gradually becoming a thing of the past, or a feature of enter-

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