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Martial Arts Of The World - Webs

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there were three principal actions called drey Wunder (three wonders): the<br />

thrust, the cut, and the Schnitt (a slicing or drawing cut). <strong>The</strong>y taught that<br />

the thrust naturally was used primarily at longer range, the cut at medium<br />

range, and the slice more at close range.<br />

Also, the German Fechtmeisters often divided sword combat into separate<br />

phases and distinguished opportunities for an attack, for example, indes<br />

fechten (attacking in the middle of the adversary’s attack). A fundamental<br />

tenet of their style was the nachraissen (attacking after), in which<br />

rather than taking the offensive, the swordsman invites the opponent to attack<br />

first and then counterattacks, either in the middle of a cut or just after<br />

a cut has missed. This is the familiar idea of the timed countercut.<br />

<strong>The</strong> German grand master Hans Liechtenauer called these prized<br />

techniques meisterhau (master cuts). <strong>The</strong>se were techniques in which the<br />

swordsman strikes in such a manner that his sword deflects the incoming<br />

blow while simultaneously hitting the opponent. However, the grand master<br />

Liechtenauer taught that a superior swordsman seeks the initiative by<br />

going on the offensive. According to his teaching, passively accepting attacks<br />

by merely parrying blows without responding was inferior and led to<br />

defeat. <strong>The</strong> German masters also expressed the ideal of stuck und bruch<br />

(technique and counter), the concept that every technique has a counter<br />

and every counter a technique.<br />

German fighting guilds also knew the technique of throwing the<br />

point, or making a false cut that suddenly and deceptively turns into a forward<br />

thrust. When used with armored gloves or gauntlets, the blade itself<br />

could be gripped by the hand. This allowed for a wide range of offensive<br />

and defensive actions known as halb schwert (half-sword). Italian schools<br />

might have called them false-point blows. Using the left hand to hold the<br />

blade allows the right to grip more strongly near the hilt, but some used the<br />

right hand in order to grip the pommel in the left. <strong>The</strong>se moves were suited<br />

to plate-armor fighting, when gauntlets were employed and cuts were less<br />

effective against the opponent, but the Fechtbuchs show them practiced by<br />

unarmored students.<br />

Techniques for infighting were detailed in the surviving manuals as<br />

well. Attacks made while maintaining constant pressure on the opposing<br />

blade in a sticking, binding manner were known as am schwert (on the<br />

sword). Fighting close allowed the opportunity for striking with the pommel<br />

or guard, or binding with the guard. It also allowed for throws, grappling,<br />

and grabbing actions, referred to as wrestling at the sword (Ringen<br />

am Schwert) or disarming moves known as Schwertnehmen (sword-taking).<br />

<strong>The</strong>y were sometimes known as unterhalten (holding down) in the<br />

German systems of fighting. Italian masters labeled their methods of close<br />

fighting and entering techniques gioco stretta (close playing). In the English<br />

Swordsmanship, European Medieval 577

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