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Martial Arts Of The World - Webs

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530 Silat<br />

is composed of indigenous silat, jûjutsu, aikidô, karate, boxing, Kôdôkan<br />

Jûdô, and other contemporary systems) proposed an eclectic approach to the<br />

art and launched efforts to add a sporting dimension to silat. On Bali, Perisai<br />

Diri adopted a belt ranking system modeled on those developed for the<br />

Japanese cognate arts (e.g., jûdô). In general, these attempts have met with<br />

only limited success, due largely to resistance by traditional gurus.<br />

Bersilat<br />

On the Malay peninsula the arts labeled silat in Indonesia are grouped under<br />

the label of bersilat. <strong>The</strong> name bersilat is best translated by breaking it<br />

into its two components: ber (“to do”) and silat (“fighting”). While this is<br />

the most straightforward explanation for the derivation of the name, practitioners<br />

often cite an origin legend focusing on a woman named Bersilat<br />

who learned the art through her dreams. While bersilat is regarded by some<br />

as distinct from Indonesian silat, there is a close relationship between the<br />

two systems, dating from at least the fifteenth century. Like Indonesian<br />

pentjak silat, bersilat manifests almost infinite variation, with each village<br />

or teacher passing along a variant style. Moreover, Malaysian bersilat utilizes<br />

hand and foot strikes, throws and locks, and attacks to vulnerable<br />

points in the body, as is the case with Indonesian silat. Also, a wide range<br />

of traditional Malay and Indonesian weapons are taught. Emphasis on particular<br />

techniques varies from style to style, however.<br />

Bersilat, like pentjak silat, was originally a combat art. Modern bersilat,<br />

however, exists in two forms: silat pulut, a dancelike performance that<br />

may have derived from kuntao (see Southeast Asia), and silat buah, a combat<br />

form not publicly displayed that was probably influenced by Menangkabu<br />

pentjak silat, according to the small body of scholarship devoted to<br />

the art. Oral tradition also gives the art a Sumatran origin. <strong>The</strong> latter form,<br />

according to most sources, has virtually disappeared in favor of the more<br />

performance-oriented silat pulut. Public performances of bersilat suggest<br />

that in its modern form of silat buah the system lacks combat reality.<br />

Clearly the emphasis in modern bersilat is on physical exercise, performance,<br />

and sport.<br />

Filipino Silat<br />

According to Ronald Harris, silat (in Pilipino, kidlat) means “lightning,”<br />

referring to the speed of execution of the unarmed striking and weapon use<br />

of Filipino silat. As is the case with both Indonesian and Malaysian styles,<br />

the kris is the most commonly used weapon. <strong>The</strong> Filipino type is often labeled<br />

kuntao-silat.<br />

In the Philippine Archipelago, there are competing claims as to<br />

whether silat is indigenous under Muslim influence or blended with Chi-

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