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Martial Arts Of The World - Webs

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Sambo<br />

Sambo is an acronym (in Russian) for “Self-Defense without Weapons”<br />

(Samo borona bez oruzhija or Samozashchitija bez oruzhija).<br />

Sambo is a Russian martial art that was created by Anatolij A. Kharlampiev,<br />

Viktor A. Spiridonov, and Vasilij S. Oshchepkov in the 1930s in<br />

the former Soviet Union. It is a fighting style that relies primarily on<br />

throws, grappling techniques, and arm and leg locks. In many respects, it<br />

is similar to jûdô, freestyle wrestling, and Greco-Roman wrestling. Sambo<br />

is a synthesis of traditional wrestling styles and fighting systems practiced<br />

by the peoples of the former Soviet Union, as well as Kôdôkan Jûdô. Today,<br />

sambo exists as military sambo, sport sambo, and self-defense techniques.<br />

It is practiced worldwide as a sport and combat system and is used<br />

extensively by Russian police units and armed forces.<br />

Sambo was developed to create both an unarmed combat system for<br />

the Soviet military and police units and a sport system for Soviet citizens.<br />

Following the Bolshevik revolution of 1917, the newly formed Communist<br />

government of the Soviet Union attempted to consolidate various cultural<br />

elements of the peoples of the USSR into a monolithic cultural entity. <strong>The</strong><br />

Communist dogma of the period focused on different classes of peoples,<br />

rather than nationalities, and one of the stated purposes of the Bolsheviks<br />

was the elimination of classes. This was emphasized in the Soviet government’s<br />

objective of creating a new “Soviet Man” from the more than 300<br />

diverse nationalities living in the vast country. This led to efforts to create<br />

“Soviet” music, literature, art, architecture, theater, and sport.<br />

<strong>The</strong> creation of sambo was an attempt to create a true “Soviet” fighting<br />

art consistent with the government’s objectives of creating one “Soviet”<br />

culture from the disparate native cultures of the USSR. To promote this objective,<br />

the fighting styles of various cultures were studied, observed, and<br />

categorized, sometimes in a scientific manner, sometimes in a haphazard<br />

way. Anatolij Kharlampiev, who was recognized during Soviet times as the<br />

“father of sambo,” spearheaded some of these efforts. <strong>The</strong>re is controversy<br />

S<br />

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