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Martial Arts Of The World - Webs

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a means of acquiring status. Lacking scholarly pretensions, rural martial<br />

artists emphasized mastery of technique and physical prowess, which they<br />

tested in competitive matches. In the early 1800s, when rural-trained fencers<br />

finally appeared in Edo (modern Tokyo), they easily defeated men of samurai<br />

status who had been trained in Confucian theory (or Zen), ceremonial<br />

decorum, and prearranged pattern exercises (kata). <strong>The</strong>reafter established<br />

martial art lineages that had emphasized theory or mental training became<br />

subjects of ridicule, while new lineages that taught competition (uchikomi<br />

keiko [157]) flourished. <strong>The</strong> abandonment of theory accelerated with the<br />

ever more frequent arrival of foreign ships. Suddenly practical application<br />

(jitsuyô [158]) became more important than mental training or moral development.<br />

<strong>The</strong> Tokugawa government gave its stamp of approval to this<br />

change when it decreed that competition alone would be taught at Kôbusho<br />

[159], the military training school it established in 1856.<br />

Kubota Seion [160] (1791–1866), one of the directors of the Kôbusho,<br />

amply illustrates late Tokugawa attitudes toward religious influences on<br />

martial arts. Kubota authored more than a hundred treatises on all aspects<br />

of military strategy and martial arts. He edited and wrote the preface for<br />

Bukyô zensho [161] (Complete Works on Military Education, five volumes)<br />

published by the Kôbusho in 1860. He is credited with having trained more<br />

than three thousand samurai soldiers. More than any other writer, he can<br />

be seen as representing the prevailing military views of government officials.<br />

According to Kubota, any martial art instructor who said that the founder<br />

of his lineage was initiated into religious secrets, or had learned his skills<br />

through an inspirational dream, or had been taught by mountain demons<br />

(tengu [162]), or had mastered his art through Zen training was simply a<br />

liar preying on the religious sentiments of gullible students.<br />

<strong>Of</strong> course, conventional morality and its religious framework was too<br />

much a part of martial arts (and of everyday life) to be so easily abandoned.<br />

Many martial artists persisted in religious practices and mental training. <strong>Of</strong><br />

these traditionalists, none became better known than Yamaoka Tesshû [163]<br />

(1836–1888). Yamaoka gained fame for his heroism during the brief civil war<br />

of 1868 that overthrew the Tokugawa regime and for his political role in the<br />

new Meiji government, first as a councilor and later as one of the emperor’s<br />

chamberlains. A natural athlete, in 1856 Yamaoka became an assistant fencing<br />

instructor at the Kôbusho. His approach to martial training changed completely,<br />

however, when in 1863 he lost a match to Asari Yoshiaki [164], the<br />

head of the same Nakanishi lineage of fencing mentioned above. Yamaoka<br />

became Asari’s student, and at Asari’s urging undertook an intense regimen<br />

of meditation practice under the guidance of several prominent Zen teachers.<br />

Yamaoka continued his training for the next seventeen years until, in 1880,<br />

he attained certification both in Zen and in the Nakanishi lineage. By that<br />

496 Religion and Spiritual Development: Japan

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