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Martial Arts Of The World - Webs

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Although Suzuki frequently quoted from Zen hagiographies, he argued<br />

that Zen is not the exclusive property of the Zen school, Zen temples,<br />

or Zen monks. Rather, Zen is to be found in the Japanese spirit as expressed<br />

in secular arts and in bushidô. Suzuki’s very first essay on Zen in<br />

1906 asserted: “<strong>The</strong> Lebensanschauung [outlook on life] of Bushido is no<br />

more nor less than that of Zen” (quoted in Sharf 1995, 121). In 1938<br />

Suzuki wrote an entire book on Zen, bushidô, and Japanese culture based<br />

on lectures given in the United States and England during 1936. During the<br />

intervening year, 1937, the Japanese Imperial Army invaded China and<br />

committed the atrocities known as the Rape of Nanking. Reflecting the<br />

zeitgeist of those years, Suzuki portrayed Zen in antinomian terms, as “a<br />

religion of will power” that advocates action unencumbered by ethics<br />

(Suzuki 1938, 37, 64; see also Suzuki 1959, 63, 84; Victoria 1997,<br />

106–112). This book, revised as Zen and Japanese Culture in 1959 and in<br />

print ever since, has become the classic argument for the identity of Zen<br />

and martial arts. Although Suzuki had no firsthand knowledge of martial<br />

arts, he freely interpreted passages from Tokugawa-period martial art treatises<br />

as expressions of Zen mysticism. His translations are full of fanciful<br />

embellishments. For example, he explains shuriken [55, a.k.a. 56], a term<br />

that simply means “to perceive the enemy’s technique” (tenouchi wo miru<br />

[57]), as “the secret sword” that appears when “the Unconscious dormant<br />

at the root of all existence is awakened” (Suzuki 1959, 163). This kind of<br />

mistranslation, in which a physical skill becomes a psychological experience,<br />

rendered the notion of Zen and the martial arts at once exotic and<br />

tantalizingly familiar to Western audiences.<br />

Suzuki’s interpretations were repeated by Eugen Herrigel (1884–<br />

1955), a German professor who taught philosophy in Japan from 1923 to<br />

1929. While in Japan he studied archery under the guidance of an eccentric<br />

mystic named Awa Kenzô [58] (1880–1939). Herrigel continued to<br />

practice archery after returning to Germany, and in 1936 he wrote an essay<br />

to explain its principles in which he acknowledges that he took up<br />

archery because of his interest in Zen and mysticism. Significantly, though,<br />

this first account did not equate archery with Zen. Herrigel’s views changed<br />

once he read Suzuki’s 1938 account of Zen and bushidô. In 1948 Herrigel<br />

wrote a new book (translated into English as Zen in the Art of Archery,<br />

1953) in which, in addition to extensive quotations from Suzuki, Herrigel<br />

described Awa’s teachings as a Zen practice that has remained the same for<br />

centuries. Nothing could be further from the truth. In 1920 Awa had<br />

founded a new religion called Daishakyôdô [59] (literally, “way of the<br />

great doctrine of shooting”). In his book Herrigel refers to Awa’s religion<br />

as the “Great Doctrine” and identifies it with Zen. Awa did not. Awa had<br />

no training in Zen and did not approve of Zen practice. Neither Awa nor<br />

Religion and Spiritual Development: Japan 483

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