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Martial Arts Of The World - Webs

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Sutra of Patanjali, give scant mention to the subject of this kind of yoga.<br />

However, there is no doubt that asanas have become a highly developed<br />

form of physical self development, and this development can be traced back<br />

to the medieval period of South Asian history and the structured asceticism<br />

of the Kanpatha Sect of sannyasis. Although these ascetics were concerned<br />

with the embodiment of power, it is difficult to imagine that asanas were,<br />

in and of themselves, a form of martial art, given that they do not entail<br />

movement as such. However, there is the intriguing possibility that yogic<br />

asanas, linked together through a series of connective movements, might<br />

have constituted a more active style of martial self-development along the<br />

lines of taijiquan (tai chi ch’uan) (cf. Sjoman 1996). Regardless, it is clear<br />

that in contemporary practice, asanas are conceived of as a form of physical<br />

fitness training for both the subtle and gross bodies, with primary attention<br />

given to the locus points at which these bodies tend to affect one another<br />

most directly: the internal organ/chakra nexus, the spine/sushumna<br />

axes, and, to a lesser extent, the joint/nerve/nadi/tendon complex.<br />

In essence yoga is a method for achieving siddha (perfection) in the<br />

whole body-mind complex. Although perfection is meant to lead to a state<br />

of complete nothingness, a person who comes close to perfection is able to<br />

perform supernatural feats. In the canonical literature of Hinduism, as well<br />

as in more popular folk genres, yogis often figure as characters who use<br />

their power to perform miracles or, as is often the case when they are disturbed<br />

from deep meditation, to curse and otherwise punish those who are<br />

less than perfect. Thus, in a very concrete sense, the power associated with<br />

yoga is regarded as having an outward orientation and is not only directed<br />

inward toward the self and away from others or society at large. Although<br />

the power of a yogi can often be destructive, in either a defensive or offensive<br />

mode, an adept yogi can embody near perfection, such that the aura of<br />

his personality has a positive effect on those with whom he comes in contact.<br />

Although this “personality” is not physiological per se, nor is it “martial”<br />

in any meaningful sense, the way in which a yogi’s embodied consciousness—his<br />

spirituality or the subtle aura of his religious persona—can<br />

factor into problematic social relationships should be understood as an extension<br />

of the logic behind more explicitly martial arts.<br />

Joseph S. Alter<br />

470 Religion and Spiritual Development: India<br />

See also India; Kalarippayattu; Meditation; Thang-ta; Varma Ati; Wrestling<br />

and Grappling: India; Written Texts: India<br />

References<br />

Alter, Joseph S. 1994. “Celibacy, Sexuality, and the Transformation of<br />

Gender into Nationalism in North India.” Journal of Asian Studies 53,<br />

no. 1: 45–66.<br />

———. 1993. “Hanuman and the Moral Physique of the Banarsi<br />

Wrestler.” In Living Banaras: Hindu Religion in Cultural Context.

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