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Martial Arts Of The World - Webs

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ing on boxing to try to bring it up to the standards of the famed Shaolin<br />

Staff. In any case, during the mid-Ming, the monks had built up their reputation<br />

as martial artists, and they responded to a call for volunteers to<br />

fight Japanese pirates on the coast. <strong>The</strong>ir everlasting fame as Shaolin Monk<br />

Soldiers resulted from their participation in a campaign in the vicinity of<br />

Shanghai, where a monk named Yue Kong led a group of thirty monks<br />

armed with iron staves. <strong>The</strong>y were instrumental in the ultimate victory<br />

against the pirates, but sacrificed themselves to a man in the process.<br />

Ironically, most of Shaolin Monastery and Zen Buddhism’s actual association<br />

or lack of association with the martial arts has been obscured by<br />

early nineteenth-century secret society activity and subsequent embellishments<br />

in popular novels such as Emperor Qian Long Visits the South (by an<br />

unknown author) and Liu E’s Travels of Lao-ts’an. <strong>The</strong> Heaven and Earth<br />

Society (also known as the Triads or Hong League) associated themselves<br />

with the monastery’s patriotic fame as a recruiting gimmick. Concocting a<br />

story to suit their needs, however, the society members traced their origins to<br />

a fictitious Shaolin Monastery said to have been located in Fujian province,<br />

where the society had its beginnings in the 1760s. Around 1907, Liu E, in<br />

his short but powerful critique of social conditions in late Qing China, refers<br />

to Chinese boxing originating with Bodhidharma, the legendary patriarch of<br />

Chinese Chan (Zen) Buddhism, who is said to have spent nine years meditating<br />

facing a rock in the hills above Shaolin Monastery. Finally, on the eve<br />

of the Revolution of 1911, the contents of a probable secret society<br />

hongquan (Hong fist) boxing manual, Secrets of Shaolin Boxing Methods,<br />

were published in Shanghai. This manual, more than any other single publication,<br />

became a major source for much of the misinformation concerning<br />

the association of Chinese boxing with Shaolin Monastery and Buddhism.<br />

<strong>The</strong> <strong>Martial</strong> <strong>Arts</strong> and Popular Religious Daoism<br />

While the Chinese martial arts are based on the philosophical Daoist<br />

worldview, there is little evidence to show a serious connection to popular<br />

religious Daoism, except in that some martial artists must certainly have incorporated<br />

Daoist internal cultivation or qigong-type physical regimens<br />

into their martial arts practices. However, these regimens were not the<br />

unique preserve of Daoists, or any particular religious group for that matter.<br />

<strong>The</strong> Daoist intellectual and onetime military official, Ge Hong<br />

(290–370), practiced martial arts in his younger days and concentrated on<br />

Daoist hygiene methods in his later years. He did not treat the martial arts<br />

as Daoist activities. During the Tang dynasty, one old Buddhist monk in his<br />

eighties named Yuan Jing from a monastery in the vicinity of Shaolin<br />

Monastery (but not necessarily a Shaolin monk as has often been assumed)<br />

involved himself in a rebellion.<br />

460 Religion and Spiritual Development: China

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