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Martial Arts Of The World - Webs

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taekwondo was agreed upon because of its resemblance to the more traditional<br />

art of t’aek’kyŏn, which makes the nationalistic qualities of the art<br />

obvious.<br />

Vovinam (later renamed Viet Vo Dao) is a Vietnamese martial arts system<br />

founded by Nguyen Loc (1912–1960) in the late 1930s. <strong>The</strong> system<br />

was developed with both the practical intent of providing, after a short period<br />

of study, an efficient means of self-defense, and establishing a focus for<br />

national identity for the Vietnamese people. Founder Nguyen saw martial<br />

arts as a vehicle for freeing Vietnam, under French rule from 1859 to 1954,<br />

from outside domination. Thus, the traditional history maintains that at<br />

the age of 26 he added elements of Chinese and Japanese systems to his<br />

knowledge of indigenous Vietnamese arts to create an early version of Vovinam<br />

by at least 1938. <strong>The</strong>refore, Vovinam, like taekwondo, is a modern<br />

eclectic system created, at least in part, as a nationalistic response to political<br />

conflict. At this time, the impulse to overthrow foreign domination<br />

gained impetus across Vietnam. In 1940, Nguyen and his disciples were invited<br />

to Hanoi to demonstrate Vovinam publicly, which led to an invitation<br />

to teach the art at Hanoi Ecole Normal (Hanoi University of Education).<br />

Slogans such as “Vietnamese practice Vietnamese martial arts” and “Not a<br />

Vovinam disciple, not a Vietnamese patriot” attest to the fact that the system<br />

succeeded in promoting nationalism. In 1940 and 1941, in this nationalistic<br />

climate and on the heels of a Japanese invasion, Communist-led<br />

revolts erupted in the south as Tay tribesmen rebelled in the north. At the<br />

end of this period, Ho Chi Minh founded the nationalistic Vietminh to oppose<br />

both Japanese and French colonialism. At this time, Vovinam training<br />

focused on endurance, speed, and strength with a course of study designed<br />

to last about three months; the system also maintained a political orientation<br />

beyond simple physical improvement. <strong>The</strong>refore, the art was suppressed<br />

by both the French and the Japanese. By the time an agreement was<br />

signed by France and the Vietminh that provided for the temporary partition<br />

of Vietnam at about the 17th parallel, with North Vietnam under control<br />

of the Communist Vietminh and South Vietnam under Nationalist control<br />

(1954), Nguyen Loc had immigrated to South Vietnam, opening a<br />

Vovinam school in Saigon and others subsequently. Following the fall of<br />

Saigon, teachers immigrated to Europe and the Americas. Vovinam currently<br />

exists as Vovinam-Viet Vo Dao, a contemporary martial art without<br />

overt political focus.<br />

Whether deployed as magic used to esoterically defeat an enemy or<br />

utilized as a focus for nationalism, the symbolic functions of the martial<br />

arts in political conflict seem to be a cross-cultural strategy. This facet of<br />

combatives deserves further study.<br />

Thomas A. Green<br />

Political Conflict and the <strong>Martial</strong> <strong>Arts</strong> 441

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