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Martial Arts Of The World - Webs

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432 Philippines<br />

curer (seruhana, arbolaryo) and chiropractor (manughilot), but not an<br />

FMA practitioner. She uses massage, exorcism, and incense to heal people,<br />

but her skill is “gingering.” Gingering uses prayers to transfer evil spirits<br />

into a ginger root, which is discarded with the trapped spiritual essence.<br />

<strong>The</strong> metaphysics (lubos) include anting-anting (amulet, charm), kalaki,<br />

orasyon (prayers), and palabras (words). In the metaphysics associated<br />

with Filipino martial arts in the Philippines, overt Catholic religiosity is layered<br />

onto a substratum of Huna magic. Huna (secret) is a Polynesian practice,<br />

says Max Freedom Long (1965). Kalaki, meaning “abilities,” is associated<br />

with practitioners of the native martial arts. Eskrimadores are<br />

known as mystics, faith healers, and sorcerers, using mesmerism and visualization<br />

(larawan). Thus, the potent anting-anting can be made from the<br />

kneecaps of deceased persons. Grave robbers dig up such “treasures,”<br />

which then are made into a belt or necklace. Warriors prepare themselves<br />

for victory or death before combat using orasyon, with palabras (spells)<br />

and incantations worked against sworn enemies.<br />

Otherwise, most Filipinos are resigned to fate, which is tempered only<br />

by Providence. <strong>The</strong> fatalistic attitude of Filipinos comes from their God<br />

concept. You will often hear the phrase “Bahala Na” (leave it to God). Resignation<br />

to fate or determinism is deeply ingrained in Filipino martial culture.<br />

Westerners remark with frustration when encountering Bahala Na,<br />

but it helps people survive in a difficult world. Filipino fatalism shows its<br />

most negative side when people “run amok,” killing everyone in their path<br />

in a frenzy of rage, called jurimentado. This extreme reaction is understood<br />

by a society in which repressed feelings are harbored daily.<br />

Certain concepts are central to all Filipino martial arts. <strong>The</strong> striking<br />

concept, spatial concept, and sectoring concept are a few. <strong>The</strong> strikes are<br />

angles of attack; space is the geometry of the fight zone, and sectoring is division<br />

of the problem set into a finite solution. <strong>The</strong> geometric theory of angles<br />

of attack was probably derived from Spanish fencing. Abisidario refers<br />

to the abekada, or ABCs, of learning how to fight. Usually, there are twelve<br />

basic attacking techniques and striking angles with five (i.e., cinco teros) in<br />

common among all FMA. Included are slashes, thrusts, and butts. Slashes<br />

are strikes with the side of a stick or with the edge of a blade. Thrusts use<br />

the pointed tip, while butts use the blunted end. Weapons and empty hands<br />

are used alone or in combination, depending on the range. <strong>The</strong>re are three<br />

ranges: largo (long), media (medium), and corto (short). Media is often ignored;<br />

few fighters stay in the hot spot. Slashes are delivered from long<br />

range (layaw), while butts are delivered from close range (dikit). Besides<br />

the alphabeto (the ABCs of fighting), there is numerado.<br />

Practitioners can reach the counter-for-counter stage of training after<br />

they develop basic (alphabet) techniques, using numerado—to play by the

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