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Martial Arts Of The World - Webs

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Baguazhang<br />

is closely associated<br />

with Daoist yoga or<br />

inner alchemy and<br />

other Chinese<br />

esoteric traditions.<br />

Cultivation of inner<br />

energy (qi) and<br />

breathing practices<br />

are taught along<br />

with the fighting<br />

techniques. A<br />

student of<br />

baguazhang<br />

practices these<br />

moves at the Shen<br />

Wu Academy of<br />

<strong>Martial</strong> <strong>Arts</strong> in<br />

Garden Grove,<br />

California.<br />

(Courtesy of Tim<br />

Cartmell)<br />

24 Baguazhang (Pa Kua Ch’uan)<br />

Tsun-I). <strong>The</strong> linear drills practiced in some styles of baguazhang are believed<br />

to descend from the interaction with xingyi. <strong>The</strong> style taught by<br />

Zhang Junfeng, a student of Cheng Tinghua, for example, teaches eighteen<br />

exercises that are fairly linear in nature.<br />

Baguazhang is closely associated with Daoist yoga or inner alchemy<br />

and other Chinese esoteric traditions. Cultivation of inner energy (qi) and<br />

breathing practices are taught along with the fighting techniques. It has<br />

been suggested that baguazhang is a descendant of certain Daoist schools<br />

that practice moving meditations while walking in a circle. Baguazhang is<br />

still practiced as a form of qigong (exercise that develops psychophysiological<br />

energy) and Daoist yoga as well as a fighting art.<br />

<strong>The</strong> student in baguazhang begins by learning to walk the circle. In the<br />

beginning, the circle is six to twelve feet in diameter. As mastery of the art<br />

is obtained, the circle can be as small or large as needed. Initially, the student<br />

walks the circle while concentrating on moving correctly and breathing.<br />

In the old days, this could continue for as long as three years. When the<br />

student is able to move correctly, he is introduced to the single and then<br />

double palm changes. After this foundation is learned, the student learns<br />

the eight mother palms. This is a long form that consists of eight sets of<br />

movements done to both sides, separated by periods of walking the circle<br />

in different positions. When observed, the bagua player is seen to go<br />

through patterns of fluid movement, fluidly twisting and turning in both<br />

high and low stances. Between these periods of activity, he tranquilly circles.<br />

After he attains a certain degree of proficiency, the student is introduced<br />

to two-person drills, pole training, and weighted training. Two-person training<br />

teaches him how the movements of the form conceal striking, grappling,

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