Martial Arts Of The World - Webs

Martial Arts Of The World - Webs Martial Arts Of The World - Webs

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Baguazhang (Pa Kua Ch’uan) Of the four internal martial arts of China, the most distinctive appearing is baguazhang. The name means “eight-trigram palm,” in reference to the bagua (eight-trigram) pattern used in Chinese philosophy, magic, and fortune telling. Part of the training in baguazhang is walking a circle while practicing certain moves, and this walking a circle gives the art its distinctive appearance. The bagua practitioner walks a circle of various sizes, reversing his movement, twisting and turning through eight sets of movements (called palms for the hand position used). Between the sets of movements, he walks the circle with his hands in one of the eight positions. While a few claims of baguazhang’s origins go back to the fifteenth century, most experts believe the art originated with Dong Haichuan (1789–1879), who claimed to have learned the method of divine boxing from a Daoist, who is sometimes given the name of Dong Menglin. Dong Haichuan used no name, claiming only that he learned from an old man in the mountains. He became a servant or possibly a eunuch in the Imperial Palace and, because of his graceful movements, was one day asked to demonstrate his skill at martial arts. The twisting, turning beauty of baguazhang impressed the emperor, and Dong Haichuan became a bodyguard and instructor to the court. Of his many students, five learned the art fully and formed the schools of baguazhang taught today: Cheng Tinghua, Li Cunyi (Li Tsun-I), Yin Fu, Zhang Zhaodong, and Liang Zhenpu. Many variations of baguazhang are practiced today and, depending on who is counting, there are five to fourteen substyles. The most popular today appear to be Emei, Wudang, Cheng family, Yin family, and Yin Yang. Many stories are told about Dong Haichuan. The most famous tells how Dong fought Guo Yunshen for three days, with neither being able to win. Impressed with each other’s techniques, they began cross-training their students in the two arts. More probable is the story that many masters of both systems lived in this province, and many of them became friends, especially bagua’s Cheng Tinghua and xingyiquan’s Li Cunyi (Li B 23

Baguazhang (Pa Kua Ch’uan)<br />

<strong>Of</strong> the four internal martial arts of China, the most distinctive appearing is<br />

baguazhang. <strong>The</strong> name means “eight-trigram palm,” in reference to the<br />

bagua (eight-trigram) pattern used in Chinese philosophy, magic, and fortune<br />

telling. Part of the training in baguazhang is walking a circle while<br />

practicing certain moves, and this walking a circle gives the art its distinctive<br />

appearance. <strong>The</strong> bagua practitioner walks a circle of various sizes, reversing<br />

his movement, twisting and turning through eight sets of movements<br />

(called palms for the hand position used). Between the sets of<br />

movements, he walks the circle with his hands in one of the eight positions.<br />

While a few claims of baguazhang’s origins go back to the fifteenth<br />

century, most experts believe the art originated with Dong Haichuan<br />

(1789–1879), who claimed to have learned the method of divine boxing<br />

from a Daoist, who is sometimes given the name of Dong Menglin. Dong<br />

Haichuan used no name, claiming only that he learned from an old man in<br />

the mountains. He became a servant or possibly a eunuch in the Imperial<br />

Palace and, because of his graceful movements, was one day asked to<br />

demonstrate his skill at martial arts. <strong>The</strong> twisting, turning beauty of<br />

baguazhang impressed the emperor, and Dong Haichuan became a bodyguard<br />

and instructor to the court. <strong>Of</strong> his many students, five learned the art<br />

fully and formed the schools of baguazhang taught today: Cheng Tinghua,<br />

Li Cunyi (Li Tsun-I), Yin Fu, Zhang Zhaodong, and Liang Zhenpu. Many<br />

variations of baguazhang are practiced today and, depending on who is<br />

counting, there are five to fourteen substyles. <strong>The</strong> most popular today appear<br />

to be Emei, Wudang, Cheng family, Yin family, and Yin Yang.<br />

Many stories are told about Dong Haichuan. <strong>The</strong> most famous tells<br />

how Dong fought Guo Yunshen for three days, with neither being able to<br />

win. Impressed with each other’s techniques, they began cross-training<br />

their students in the two arts. More probable is the story that many masters<br />

of both systems lived in this province, and many of them became<br />

friends, especially bagua’s Cheng Tinghua and xingyiquan’s Li Cunyi (Li<br />

B<br />

23

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