Martial Arts Of The World - Webs
Martial Arts Of The World - Webs Martial Arts Of The World - Webs
Baguazhang (Pa Kua Ch’uan) Of the four internal martial arts of China, the most distinctive appearing is baguazhang. The name means “eight-trigram palm,” in reference to the bagua (eight-trigram) pattern used in Chinese philosophy, magic, and fortune telling. Part of the training in baguazhang is walking a circle while practicing certain moves, and this walking a circle gives the art its distinctive appearance. The bagua practitioner walks a circle of various sizes, reversing his movement, twisting and turning through eight sets of movements (called palms for the hand position used). Between the sets of movements, he walks the circle with his hands in one of the eight positions. While a few claims of baguazhang’s origins go back to the fifteenth century, most experts believe the art originated with Dong Haichuan (1789–1879), who claimed to have learned the method of divine boxing from a Daoist, who is sometimes given the name of Dong Menglin. Dong Haichuan used no name, claiming only that he learned from an old man in the mountains. He became a servant or possibly a eunuch in the Imperial Palace and, because of his graceful movements, was one day asked to demonstrate his skill at martial arts. The twisting, turning beauty of baguazhang impressed the emperor, and Dong Haichuan became a bodyguard and instructor to the court. Of his many students, five learned the art fully and formed the schools of baguazhang taught today: Cheng Tinghua, Li Cunyi (Li Tsun-I), Yin Fu, Zhang Zhaodong, and Liang Zhenpu. Many variations of baguazhang are practiced today and, depending on who is counting, there are five to fourteen substyles. The most popular today appear to be Emei, Wudang, Cheng family, Yin family, and Yin Yang. Many stories are told about Dong Haichuan. The most famous tells how Dong fought Guo Yunshen for three days, with neither being able to win. Impressed with each other’s techniques, they began cross-training their students in the two arts. More probable is the story that many masters of both systems lived in this province, and many of them became friends, especially bagua’s Cheng Tinghua and xingyiquan’s Li Cunyi (Li B 23
- Page 1: Martial Arts of the World
- Page 4 and 5: Copyright © 2001 by Thomas A. Gree
- Page 6 and 7: vi Contents Japanese Martial Arts,
- Page 9 and 10: Editorial Board D’Arcy Jonathan D
- Page 11 and 12: Bill Adams Director, Bill Adams Fit
- Page 13: Kimberley Taylor University of Guel
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- Page 18 and 19: xviii Introduction References Frida
- Page 21 and 22: Africa and African America Although
- Page 23 and 24: a range of up to 80 meters. The wou
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- Page 31 and 32: as a result of similar circumstance
- Page 33 and 34: eturn strike; rather, the practitio
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- Page 37 and 38: The magic monkey Songoku from a Chi
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- Page 41: See also Kendô; Religion and Spiri
- Page 45 and 46: and throwing techniques and also ho
- Page 47 and 48: fencing, and even a form of footbal
- Page 49 and 50: on one occasion their heroic exploi
- Page 51 and 52: pects of the traditional arts, part
- Page 53 and 54: of fighting was believed to be the
- Page 55 and 56: so those skills were more deeply re
- Page 57 and 58: Grand Master Rich Mooney demonstrat
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- Page 86 and 87: 66 China the Han Chinese majority,
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Baguazhang (Pa Kua Ch’uan)<br />
<strong>Of</strong> the four internal martial arts of China, the most distinctive appearing is<br />
baguazhang. <strong>The</strong> name means “eight-trigram palm,” in reference to the<br />
bagua (eight-trigram) pattern used in Chinese philosophy, magic, and fortune<br />
telling. Part of the training in baguazhang is walking a circle while<br />
practicing certain moves, and this walking a circle gives the art its distinctive<br />
appearance. <strong>The</strong> bagua practitioner walks a circle of various sizes, reversing<br />
his movement, twisting and turning through eight sets of movements<br />
(called palms for the hand position used). Between the sets of<br />
movements, he walks the circle with his hands in one of the eight positions.<br />
While a few claims of baguazhang’s origins go back to the fifteenth<br />
century, most experts believe the art originated with Dong Haichuan<br />
(1789–1879), who claimed to have learned the method of divine boxing<br />
from a Daoist, who is sometimes given the name of Dong Menglin. Dong<br />
Haichuan used no name, claiming only that he learned from an old man in<br />
the mountains. He became a servant or possibly a eunuch in the Imperial<br />
Palace and, because of his graceful movements, was one day asked to<br />
demonstrate his skill at martial arts. <strong>The</strong> twisting, turning beauty of<br />
baguazhang impressed the emperor, and Dong Haichuan became a bodyguard<br />
and instructor to the court. <strong>Of</strong> his many students, five learned the art<br />
fully and formed the schools of baguazhang taught today: Cheng Tinghua,<br />
Li Cunyi (Li Tsun-I), Yin Fu, Zhang Zhaodong, and Liang Zhenpu. Many<br />
variations of baguazhang are practiced today and, depending on who is<br />
counting, there are five to fourteen substyles. <strong>The</strong> most popular today appear<br />
to be Emei, Wudang, Cheng family, Yin family, and Yin Yang.<br />
Many stories are told about Dong Haichuan. <strong>The</strong> most famous tells<br />
how Dong fought Guo Yunshen for three days, with neither being able to<br />
win. Impressed with each other’s techniques, they began cross-training<br />
their students in the two arts. More probable is the story that many masters<br />
of both systems lived in this province, and many of them became<br />
friends, especially bagua’s Cheng Tinghua and xingyiquan’s Li Cunyi (Li<br />
B<br />
23