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Martial Arts Of The World - Webs

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398 Orders of Knighthood, Secular<br />

tinctive color and increasingly distinctive shape made of textile and applied<br />

as a plaque to the left breast of the mantle, and later to the surcoat as well.<br />

Two other orders dedicated to St. George (the Hungarian confraternal Order<br />

of St. George and the Order of the Garter) used a textile shield of the<br />

arms of their patron as a badge, though in neither case the primary one.<br />

<strong>The</strong> other founders all adopted badges of markedly different forms<br />

and materials. Some of these badges resembled the badges common among<br />

pilgrims, confraternities, and bodies of retainers in taking the form of a<br />

jewel worn as a brooch or suspended from a simple chain about the neck,<br />

while others took the more distinctive form of a band or belt worn<br />

wrapped around some part of the body, including the neck (the Collar).<br />

Still others resembled the badge of the Collar in being worn around the<br />

neck but took the very distinct form of a linked collar with or without a<br />

pendant jewel in the fashion of most of the pseudo-orders from the 1390s.<br />

<strong>The</strong> type of insignia that ultimately prevailed was the collar made up of<br />

links in the form of distinct badges or symbols and having a pendant jewel<br />

that was either the principal badge of the order or a symbol or effigy of the<br />

order’s patron saint, or both. <strong>The</strong> latter type of insignia was finally combined<br />

with the eight-pointed cross of the Order of St. John in the badge of<br />

the Holy Spirit of France in 1578, and that served as the model for all<br />

badges from 1693.<br />

<strong>The</strong> most important models for the monarchical orders after the devotional<br />

confraternities, however, were the fictional companies of knights<br />

described in the Arthurian cycle of romances: principally the Round Table<br />

Company of King Arthur himself; the Company of the Frank Palace (Franc<br />

Palais) of his pre-Christian ancestor, Perceforest; and the company of<br />

knights established by Joseph of Arimathea to guard the Holy Grail. To<br />

these were later added (by the Valois dukes of Burgundy) the mythical company<br />

of the Argonauts who accompanied Jason on his quest for the Golden<br />

Fleece of Colchis, and (by Louis XI of France) the company of loyal angels<br />

who fought with the Archangel Michael to drive Lucifer and his rebel angels<br />

from Heaven.<br />

<strong>Of</strong> these, the company of the Round Table was surely the most important,<br />

especially as the two other Arthurian companies were merely literary<br />

doublets of it. Indeed, like Charlemagne himself and Godefroi de<br />

Bouillon, hero of the First Crusade and baron of the Holy Sepulchre, only<br />

Arthur was regarded throughout the fourteenth and fifteenth centuries as<br />

one of the three Christian members of that glorious company of preeminent<br />

heroes referred to as the Nine Worthies (Neuf Preux in French). Although<br />

only Edward III of England (who claimed to be Arthur’s heir, and identified<br />

his castle of Windsor with the legendary Camelot) explicitly evoked the<br />

Round Table when he proclaimed his intention of establishing a knightly

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