Martial Arts Of The World - Webs
Martial Arts Of The World - Webs Martial Arts Of The World - Webs
20 Archery, Japanese ical discipline. Today, kyûdô is taught as a mental, physical, and spiritual discipline under the Zen Nihon Kyûdô Renmei (All Japan Archery Federation) rather than as a competitive sport. It is now taught in the high schools and universities as well as extensively practiced in private kyûdôjo (archery halls). The Japanese bow, or yumi, is about seven feet long and constructed of laminated bamboo. The grip is placed one-third of the way up from the bottom, unlike the grip on Western and Chinese bows. This placement of the grip allows the bow to be used on horseback while retaining the advantages of a longbow. The arrows, or ya, are also longer than Western arrows, due to the Japanese method of drawing the bow to the right shoulder instead of the chin or cheek. Because the bow is drawn with the thumb as in other styles of Eastern archery, the glove, or yugake, is different, with a reinforced inner thumb. No thumb ring is used, as was the case in Korea and China. Only after the Ônin Wars, when an archer no longer had to use his sword, did the modern kind of glove with a hardened thumb and wrist develop. The uniform worn is normally the obi (sash) and hakama (split skirt) with either a kyûdô-gi (jacket) or a kimono (for the higher ranks). White tabi (socks constructed with the big toe separated from the other toes) are also worn. Training begins with learning to draw the bow and shooting blunt and unfletched (featherless) arrows into a mato (target). The beginner practices the eight stages of shooting until his teacher is satisfied that he is ready to move to regular practice. The eight stages are (1) ashibumi (positioning), (2) dôzukuri (correcting the posture), (3) yugamae (readying the bow), (4) uchiokoshi (raising the bow), (5) hikiwake (drawing the bow), (6) kai (completing and holding the draw), (7) hanare (releasing the arrow, which also includes a step called yugaeri, or the turning of the bow in the hand), and (8) yudaoshi (lowering the bow). Each step is practiced until it is as perfect as possible. In this way, the beginner learns proper technique without the distraction of an actual target. Unlike Western longbows, the bow is not drawn in a push-pull movement but in a spreading movement as the bow is lowered. Since kyûdô is practiced as a means of personal development, mere accuracy is not prized. The proper approach and a sense of zanshin (the quiet period after the release of the arrow) are more important. Three levels of skill are described: tôteki, or arrow hits target, kanteki, or arrow pierces target, and zaiteki, or arrow exists in target. The first is also called “rifle shooting” and is concerned only with hitting the center. In the second, the archer pierces the target as if it were an enemy. An intensity is seen that is absent in the first level. The final level, zaiteki, is where the archer has unified his mind, body, and bow into one, and shooting becomes natural and instinctive. This is the true goal of kyûdô. Kevin Menard
See also Kendô; Religion and Spiritual Development: Japan References Acker, William. 1998. Kyûdô: The Japanese Arts of Archery. Rutland, VT: Charles E. Tuttle. Draeger, Donn, and Robert Smith. 1981. Comprehensive Asian Fighting Arts. Tokyo: Kodansha International. Herrigel, Eugen. 1989. Zen in the Art of Archery. New York: Random House. Hurst, G. Cameron, III. 1998. Armed Martial Arts of Japan. New Haven: Yale University Press. Onuma, Hideharu. 1993. Kyûdô: The Essence and Practice of Japanese Archery. Tokyo: Kodansha International. Ratti, Oscar, and Adele Westbrook. 1973. Secrets of the Samurai: The Martial Arts of Feudal Japan. Rutland, VT: Charles E. Tuttle. Archery, Mongolian See Mongolia Arnis See Philippines Arnis 21
- Page 1: Martial Arts of the World
- Page 4 and 5: Copyright © 2001 by Thomas A. Gree
- Page 6 and 7: vi Contents Japanese Martial Arts,
- Page 9 and 10: Editorial Board D’Arcy Jonathan D
- Page 11 and 12: Bill Adams Director, Bill Adams Fit
- Page 13: Kimberley Taylor University of Guel
- Page 16 and 17: xvi Introduction the sword” in Eu
- Page 18 and 19: xviii Introduction References Frida
- Page 21 and 22: Africa and African America Although
- Page 23 and 24: a range of up to 80 meters. The wou
- Page 25 and 26: the competitors. In this respect, t
- Page 27 and 28: Beginning in 1415, after the Portug
- Page 29 and 30: Many African combat systems relied
- Page 31 and 32: as a result of similar circumstance
- Page 33 and 34: eturn strike; rather, the practitio
- Page 35 and 36: Ranking in most aikidô dôjô is b
- Page 37 and 38: The magic monkey Songoku from a Chi
- Page 39: A young woman aims at a barrel of s
- Page 44 and 45: Baguazhang is closely associated wi
- Page 46 and 47: 26 Bandô ———. 1984. The Mast
- Page 48 and 49: Chinese children in a martial arts
- Page 50 and 51: A modern picture of a Buddhist mona
- Page 52 and 53: 32 Boxing, Chinese Shaolin Styles L
- Page 54 and 55: A 74-year-old Buddhist monk practic
- Page 56 and 57: Grand Master Rich Mooney demonstrat
- Page 58 and 59: 38 Boxing, Chinese Shaolin Styles h
- Page 60 and 61: 40 Boxing, Chinese Shaolin Styles m
- Page 62 and 63: 42 Boxing, Chinese Shaolin Styles (
- Page 64 and 65: 44 Boxing, European See also Animal
- Page 66 and 67: 46 Boxing, European marked the end
- Page 68 and 69: 48 Boxing, European If there is one
- Page 70 and 71: 50 Boxing, European practicality an
- Page 72 and 73: 52 Brazilian Jiu-Jitsu Gilbey, John
- Page 74 and 75: 54 Brazilian Jiu-Jitsu papers his w
- Page 76 and 77: 56 Budô, Bujutsu, and Bugei autono
- Page 78 and 79: 58 Budô, Bujutsu, and Bugei Meiji-
- Page 81 and 82: Capoeira Capoeira is a Brazilian ma
- Page 83 and 84: quiring knowledge of capoeira and t
- Page 85 and 86: early 1990s. By the late 1990s capo
- Page 87 and 88: The entries on archery, straight sw
- Page 89 and 90: Contemporary literature provides a
20 Archery, Japanese<br />
ical discipline. Today, kyûdô is taught as a mental, physical, and spiritual<br />
discipline under the Zen Nihon Kyûdô Renmei (All Japan Archery Federation)<br />
rather than as a competitive sport. It is now taught in the high<br />
schools and universities as well as extensively practiced in private kyûdôjo<br />
(archery halls).<br />
<strong>The</strong> Japanese bow, or yumi, is about seven feet long and constructed of<br />
laminated bamboo. <strong>The</strong> grip is placed one-third of the way up from the bottom,<br />
unlike the grip on Western and Chinese bows. This placement of the<br />
grip allows the bow to be used on horseback while retaining the advantages<br />
of a longbow. <strong>The</strong> arrows, or ya, are also longer than Western arrows, due<br />
to the Japanese method of drawing the bow to the right shoulder instead of<br />
the chin or cheek. Because the bow is drawn with the thumb as in other<br />
styles of Eastern archery, the glove, or yugake, is different, with a reinforced<br />
inner thumb. No thumb ring is used, as was the case in Korea and China.<br />
Only after the Ônin Wars, when an archer no longer had to use his sword,<br />
did the modern kind of glove with a hardened thumb and wrist develop. <strong>The</strong><br />
uniform worn is normally the obi (sash) and hakama (split skirt) with either<br />
a kyûdô-gi (jacket) or a kimono (for the higher ranks). White tabi (socks<br />
constructed with the big toe separated from the other toes) are also worn.<br />
Training begins with learning to draw the bow and shooting blunt and<br />
unfletched (featherless) arrows into a mato (target). <strong>The</strong> beginner practices<br />
the eight stages of shooting until his teacher is satisfied that he is ready to<br />
move to regular practice. <strong>The</strong> eight stages are (1) ashibumi (positioning),<br />
(2) dôzukuri (correcting the posture), (3) yugamae (readying the bow), (4)<br />
uchiokoshi (raising the bow), (5) hikiwake (drawing the bow), (6) kai<br />
(completing and holding the draw), (7) hanare (releasing the arrow, which<br />
also includes a step called yugaeri, or the turning of the bow in the hand),<br />
and (8) yudaoshi (lowering the bow). Each step is practiced until it is as<br />
perfect as possible. In this way, the beginner learns proper technique without<br />
the distraction of an actual target. Unlike Western longbows, the bow<br />
is not drawn in a push-pull movement but in a spreading movement as the<br />
bow is lowered. Since kyûdô is practiced as a means of personal development,<br />
mere accuracy is not prized. <strong>The</strong> proper approach and a sense of zanshin<br />
(the quiet period after the release of the arrow) are more important.<br />
Three levels of skill are described: tôteki, or arrow hits target, kanteki, or<br />
arrow pierces target, and zaiteki, or arrow exists in target. <strong>The</strong> first is also<br />
called “rifle shooting” and is concerned only with hitting the center. In the<br />
second, the archer pierces the target as if it were an enemy. An intensity is<br />
seen that is absent in the first level. <strong>The</strong> final level, zaiteki, is where the<br />
archer has unified his mind, body, and bow into one, and shooting becomes<br />
natural and instinctive. This is the true goal of kyûdô.<br />
Kevin Menard