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Martial Arts Of The World - Webs

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274 Knights<br />

acquire dominions and fiefs had been made hereditary within the nobility—though<br />

knighthood itself could not be inherited. Indeed, as the expense<br />

of arms and armor increased steadily, knighthood was increasingly<br />

restricted to men who had inherited or been granted sufficient amounts of<br />

manorial land that they could afford to serve with the equipment, mounts,<br />

and military assistants deemed necessary for that increasingly exalted military<br />

status. Youths of knightly birth who could not afford these necessities<br />

were obliged to postpone dubbing until they had adequate income.<br />

In the meantime, the landed ignoble knights who could afford to do<br />

so for themselves and their eldest sons had sought to elevate themselves<br />

fully into the nobility—whose poorest members were by this time poorer<br />

than the former. From about 1100, ignoble knights who were lords of<br />

manors adopted the attitudes and lifestyle of lesser nobles. Central to these<br />

were a disdain both for manual labor and trade and for those who gained<br />

their living from them; a high respect for distinguished ancestry, wealth,<br />

and honor; and a belief that honorableness should be claimed at all times<br />

by a conspicuous display of superior taste and wealth in housing, furnishings,<br />

clothing, and servants, paid for with sums up to or even beyond the<br />

limits of one’s income.<br />

From about 1180, landed knights had further assumed, to the extent<br />

feasible for them, the formal attributes of the classic lordly nobility—many<br />

of which were crystallizing in the same period. Since noble knights had long<br />

been in the habit of assuming after dubbing the title “knight” or its local<br />

equivalent, the formal assimilation of the landed ignoble knights to the nobility<br />

was complete, and “knight” was thereafter treated in social contexts<br />

as a grade of the noble hierarchy below that of baron, castellan, or the<br />

equivalent. At the same time, most noble and self-ennobling knights<br />

adopted (though more slowly and less thoroughly) the ideology and mythology<br />

that had come in the same period to be attached to nobility and more<br />

particularly to noble knighthood. <strong>The</strong> romances of the Arthurian cycle—<br />

created by the Champenois cleric Chrétien de Troyes between 1165 and<br />

1190 from (1) Robert Wace’s pseudohistorical material (including such details<br />

as the royal society of the Round Table), (2) the marvels of the Welsh<br />

and Breton myths, (3) the form of the classical romance or adventure/love<br />

story, and (4) the amorous ideology of fin’ amors (courtly love) of the<br />

Provençal songs—laid out the complex new ideology for noble knights and<br />

provided models for knightly behavior in various situations. In addition, the<br />

romances of Arthur presented a new quasi-historical mythology whose<br />

characters and stories would by 1225 join the legends of the Old Testament;<br />

of Greek, Roman, and Germanic antiquity; and of the time of Charlemagne.<br />

Although there was never complete agreement about the full set of attributes<br />

of the chivalrous lay knight, the following were highly desirable.

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