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Martial Arts Of The World - Webs

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ity to adapt themselves to any rules of engagement in the arena. For example,<br />

Kajukenbo practitioners compete in sport jûjutsu in their annual tournament,<br />

following the increased popularity of grappling arts during the<br />

1990s.<br />

Kajukenbo utilizes a dual rank system, blended from Japanese/Korean<br />

and Chinese grading systems. First, there is a belt ranking system proceeding<br />

from the lowest rank of white, progressing through purple, brown,<br />

black, and finally red. Some schools add an orange belt after the white belt<br />

and a green belt after the blue belt. Traditionally, five years are required to<br />

progress from white belt to black belt. Black belts are ranked from first<br />

through fifth degrees. At sixth through tenth degrees, red belts are worn.<br />

<strong>The</strong> founders hold tenth degree ranking and wear red and gold belts. <strong>The</strong><br />

second set of categories is based on the Chinese model of ranking by means<br />

of kinship titles. <strong>The</strong> Cantonese term sifu (pinyin shifu; teacher, literally father)<br />

is the title awarded to holders of the fifth degree black belt, but this<br />

term traditionally refers to any instructor, regardless of rank, among Chinese<br />

systems. Sigung (pinyin shigong; teacher’s teacher, literally grandfather)<br />

is the title awarded to the sixth and seventh degree ranks. <strong>The</strong>y usually<br />

wear red and white belts in Japanese tradition. In the 1990s, the title<br />

of professor was awarded to certain eighth and ninth degrees. Only the five<br />

founders retain the title sijo (pinyin shizu). Sibak (pinyin shibo) is the title<br />

for a student, usually a black belt, who studies directly with a founder. Unlike<br />

many Chinese martial arts, Kajukenbo does not use the term for student,<br />

toedai (pinyin tudi), nor does it use the familial term for co-students,<br />

sihing (pinyin shixiong).<br />

During the Korean War (1950–1953), four cofounders, Choo, Ordonez,<br />

Holck, and Chang, left Hawaii for military duty, leaving Emperado<br />

to teach Kajukenbo with his younger brother Joe and his sister DeChi. In<br />

1965, the Emperado family incorporated as the Kajukenbo Self-Defense Institute<br />

(KSDI) in Honolulu. This organization became the vehicle for<br />

spreading Kajukenbo to the mainland. Kajukenbo was taught to military<br />

men in Hawaii, who afterward spread this uniquely American martial art<br />

all over the world.<br />

Although kenpô continues to represent the trunk of the system, Kajukenbo<br />

ultimately produced three branches: Tum Pai, ch’uan’fa, and<br />

Wun Hop Kuen Do. Adriano D. Emperado developed Tum Pai in 1959 by<br />

adding taijiquan (tai chi ch’uan). Incidentally, there is an Emperado “Tai<br />

Chi,” which is a formal exercise that implements the “alphabet” of selfdefense<br />

patterns for Kajukenbo. Jon A. Loren now heads up Tum Pai.<br />

Emperado also developed ch’uan’fa in 1965. This so-called soft style, because<br />

it relies on parries rather than blocks, blended Northern and Southern<br />

Shaolin Boxing. Ch’uan’fa (pinyin quanfa) means “Fist Way” in Chi-<br />

Kajukenbo 221

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