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Martial Arts Of The World - Webs

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Naturally, it was immediately compared and contrasted with the unarmed<br />

combative sports most common in the West, boxing and wrestling,<br />

and early jûdô manuals in English devote much space to instructions on<br />

countering these methods. “Challenge matches” were not uncommon in<br />

the early days of Western jûdô, and since these matches were not overwhelmingly<br />

decided for or against any of the sports, speculation (informed<br />

or otherwise) on the relative merits of the methods was even more common.<br />

Matters were complicated further by a certain confusion about the<br />

distinction between jûdô and jûjutsu, with practitioners of either using<br />

both terms freely.<br />

Yoshiaka Yamashita, still Kanô’s senior student at the turn of the century,<br />

was one of jûdô’s pioneers in the West. No less a personage than the<br />

American president <strong>The</strong>odore Roosevelt (a lifelong enthusiast of combative<br />

sports) requested a jûdô instructor in 1904, and this prestigious duty<br />

fell to Yamashita, who was already touring the United States. Roosevelt<br />

was a good student and an influential voice in support of the new sport,<br />

and his studies (coinciding with much American and British sympathy for<br />

Japan in the Russo-Japanese War) helped ignite the first Oriental martial<br />

arts boom in the English-speaking world. For many years jûdô remained<br />

the dominant Oriental martial art outside the East and was in fact often incorrectly<br />

used as a catchall term for unfamiliar forms of Asian fighting.<br />

Jûdô was uniquely suited to dissemination across cultures, and in<br />

Japan Kanô was pioneering the dissemination of jûdô in another direction<br />

as well. Joshi jûdô (women’s jûdô) began with his acceptance of his first<br />

female student in 1883. Over the following years, a Women’s Section of the<br />

Kôdôkan, with its own separate syllabus and eventually with women’s<br />

sport competitions, developed. Kanô is said to have commented that the<br />

Women’s Section preserved more of his intentions for jûdô, with its lesser<br />

emphasis on competition.<br />

<strong>The</strong> growing emphasis on sport jûdô probably occasioned this comment.<br />

<strong>The</strong> evolution of mainstream jûdô has progressed steadily in the direction<br />

of competitive sport in the manner of Western wrestling, much to<br />

the chagrin of many instructors. An Olympic event since 1964, jûdô is often<br />

coached today simply as an athletic activity, without regard to Kanô’s<br />

principles of strategy or character development or to martial arts applications<br />

outside the set of techniques useful in competition.<br />

However, Kôdôkan Jûdô retains its traditional elements, including all<br />

seven divisions of technique. <strong>The</strong>se include, of course, the throws, immobilizations,<br />

and chokes (nage-waza, osae-waza, and shime-waza), but also<br />

dislocations and strikes (kansetsu-waza and ate-waza), formal exercises<br />

(kata), and resuscitation methods (kappô). Jûdô ranking (indicated by the<br />

color of belt worn with the traditional dôgi [training uniform]) is depen-<br />

Jûdô 213

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