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Martial Arts Of The World - Webs

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178 Internal Chinese <strong>Martial</strong> <strong>Arts</strong><br />

References<br />

Alter, Joseph S. 1992. <strong>The</strong> Wrestler’s Body: Identity and Ideology in North<br />

India. Berkeley: University of California Press.<br />

Balakrishnan, P. 1995. Kalarippayattu: <strong>The</strong> Ancient <strong>Martial</strong> Art of Kerala.<br />

Trivandrum, India: Shri C. V. Govindankutty Nair Gu-rukkal, C. V. N.<br />

Kalari, Fort.<br />

Dasgupta, Guatam, trans. 1966. Unpublished translation for the author of<br />

Agnipurana of Haharsi Vedavyasa. Chokhambra Sanskrit Series.<br />

Freeman, J. Richardson. 1991. “Purity and Violence: Sacred Power in<br />

the Teyyam Worship of Malabar.” Ph.D. dissertation, University of<br />

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Sanskrit Counterparts. Berkeley: University of California Press.<br />

———. 1979. Poets of the Tamil Anthologies: Ancient Poems of Love and<br />

War. Princeton, NJ: Princeton University Press.<br />

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Raj, J. David Manuel. 1977. “<strong>The</strong> Origin and Historical Development of<br />

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dissertation, University of Oregon.<br />

———. 1975. Silambam Fencing from India. Karaikudi, India.<br />

———. 1971. Silambam Technique and Evaluation. Karaikudi, India.<br />

Staal, Frits. 1993. “Indian Bodies.” In Self as Body in Asian <strong>The</strong>ory and<br />

Practice. Edited by Thomas P. Kasulis et al. Albany: State University of<br />

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Subramanian, N. 1966. Sangam Polity. Bombay: Asian Publishing House.<br />

Zarrilli, Phillip B. 1994. “Actualizing Power(s)and Crafting a Self in<br />

Kalarippayattu, a South Indian <strong>Martial</strong> Art and the Yoga and Ayurvedic<br />

Paradigms.” Journal of Asian <strong>Martial</strong> <strong>Arts</strong> 3, no. 3: 10–51.<br />

———. 1986. “From <strong>Martial</strong> Art to Performance: Kalarippayattu and<br />

Performance in Kerala.” Sangeet Natak 81–82: 5–41; 83: 14–45.<br />

———. 1995. “<strong>The</strong> Kalarippayattu <strong>Martial</strong> Master as Healer: Traditional<br />

Kerala Massage <strong>The</strong>rapies.” Journal of Asian <strong>Martial</strong> <strong>Arts</strong> 4, no. 1:<br />

66–83.<br />

———. 1989. “Three Bodies of Practice in a Traditional South Indian<br />

<strong>Martial</strong> Art.” Social Science and Medicine 28: 1289–1309.<br />

———. 1992. “To Heal and/or to Harm: <strong>The</strong> Vital Spots in Two South<br />

Indian <strong>Martial</strong> <strong>Arts</strong>.” Journal of Asian <strong>Martial</strong> <strong>Arts</strong> 1, no. 1: 36–67; 1,<br />

no. 2: 1–15.<br />

———. 1998. “When the Body Becomes All Eyes”: Paradigms and Discourses<br />

of Practice and Power in Kalarippayattu, a South Indian <strong>Martial</strong><br />

Art. New Delhi: Oxford University Press.<br />

Internal Chinese <strong>Martial</strong> <strong>Arts</strong><br />

See External vs. Internal Chinese <strong>Martial</strong> <strong>Arts</strong>

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