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Martial Arts Of The World - Webs

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named after dynamic animals such as the horse, peacock, serpent, lion, and<br />

the like. Students eventually take up weapons, beginning with the long staff<br />

(kettukari) and then advancing to the short stick (ceruvadi), curved elephant<br />

tusk–like otta (which introduces empty-hand combat), dagger, sword and<br />

shield, flexible sword, mace, and spear.<br />

Closely related to kalarippayattu in the southern Kerala region known<br />

as Travancore, which borders the present-day Tamil Nadu State, is the<br />

martial art known variously as adi murai (the law of hitting), varma ati<br />

(hitting the vital spots), or chinna adi (Chinese hitting). Some general features<br />

of the Tamil martial arts clearly distinguish them from kalarippayattu—they<br />

were traditionally practiced in the open air or in unroofed enclosures<br />

by Nadars, Kallars, and <strong>The</strong>vars. <strong>The</strong>se are three relatively<br />

“low-ranking” castes of Travancore District. Nadar was used as a title<br />

granted to some families by the ancient Travancore kings. During the last<br />

few centuries, a number of Nadars in the southern part of Travancore converted<br />

to Christianity, and, given their historical practice of fighting arts,<br />

some claim to be from the traditional princely class (Kshatriya). <strong>The</strong>se<br />

forms begin with empty-hand combat rather than preliminary exercises.<br />

Students learn five main methods of self-defense, including kuttacuvat and<br />

ottacuvat (sequences of offensive and defensive moves in combinations),<br />

kaipor (empty-hand combat), kuruvatippayattu (stickfighting), netuvatippayattu<br />

(short-staff combat), and kattivela (knife against empty hand).<br />

Beginning in 1958 with the founding of the Kerala Kalarippayattu Association<br />

as part of the Kerala State Sports Council, the Tamil forms become<br />

known as “southern-style kalarippayattu” in contrast to kalarippayattu<br />

per se, which became known as “northern” kalarippayattu, since it<br />

was extant primarily in the central and northern Kerala regions. <strong>The</strong> association<br />

began with seventeen kalari, as the groups that practice the art are<br />

called, with the goals of “encouraging, promoting, controlling, and popularizing”<br />

kalarippayattu, holding annual district and state championships,<br />

setting standards for practice and construction of kalari, accreditation and<br />

affiliation of member kalari, and the like. Today well over 200 kalari are<br />

either officially affiliated with the association or remain unaffiliated.<br />

Students of northern and southern kalarippayattu practice a variety of<br />

form training, either solo or in pairs (with weapons), at the yearly district<br />

and statewide competitions and are judged by a panel of masters. <strong>The</strong><br />

panel awards certificates and trophies in individual aspects of the art, as<br />

well as choosing overall champions in each of the two styles.<br />

Phillip B. Zarrilli<br />

See also Kalarippayattu; Religion and Spiritual Development: India;<br />

Thang-Ta; Varma Ati; Wrestling and Grappling: India; Written Texts:<br />

India<br />

India 177

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