24.03.2013 Views

Martial Arts Of The World - Webs

Martial Arts Of The World - Webs

Martial Arts Of The World - Webs

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

Watanabe, Tadashige. 1993. Shinkage-ryû Sword Techniques, Traditional<br />

Japanese <strong>Martial</strong> <strong>Arts</strong>. Trans. by Ronald Balsom. 2 vols. Tokyo:<br />

Sugawara <strong>Martial</strong> <strong>Arts</strong> Institute.<br />

Yukawa, Yoshi. 1990. Japanska Svard. Stockholm: Berghs.<br />

Zen Nippon Kendô Renmei. 1990. Zen Nippon Kendô Renmei Iai. Tokyo:<br />

Kendô Nihon.<br />

India<br />

<strong>Martial</strong> arts have existed on the South Asian subcontinent since antiquity.<br />

Two traditions have shaped the history, development, culture, and practice<br />

of extant South Asian martial arts—the Tamil (Dravidian) tradition and the<br />

Sanskrit Dhanur Veda tradition. <strong>The</strong> early Tamil Sangam “heroic” poetry<br />

informs us that between the fourth century B.C. and A.D. 600 a warlike, martial<br />

spirit predominated across southern India. Each warrior received “regular<br />

military training” in target practice and horse riding, and specialized in<br />

use of one or more weapons, such as lance or spear (vel), sword (val) and<br />

shield (kedaham), and bow (vil) and arrow (Subramanian 1966, 143–144).<br />

<strong>The</strong> heroic warriors assumed that power (ananku) was not transcendent,<br />

but immanent, capricious, and potentially malevolent (Hart 1975, 26, 81).<br />

War was considered a sacrifice of honor, and memorial stones were erected<br />

to fallen heroic kings and warriors whose manifest power could be permanently<br />

worshipped by their community and ancestors (Hart 1975, 137;<br />

Kailasapathy 1968, 235)—a tradition witnessed today in the propitiation of<br />

local medieval martial heroes in the popular teyyam cult of northern Kerala.<br />

<strong>The</strong> Sanskrit Dhanur Vedic tradition was one of eighteen traditional<br />

branches of knowledge. Although the name “Dhanur Veda” (science/<br />

knowledge of archery) reflects the fact that the bow and arrow were considered<br />

the supreme weapons, the tradition included all fighting arts from<br />

empty-hand grappling techniques to use of many weapons. Knowledge of<br />

the Dhanur Vedic tradition is recorded in the two great Indian epics, the<br />

Mahabharata and the Ramayana, whose vivid scenes describe how princely<br />

heroes obtain and use their humanly or divinely acquired skills and powers<br />

to defeat their enemies. <strong>The</strong>y train in martial techniques under the tutelage<br />

of great gurus like the Brahman master Drona, practice austerities and<br />

meditation giving one access to subtle powers, and may receive a gift or a<br />

boon of magical powers from a god. A variety of paradigms of martial<br />

practice and power are reflected in the epics, from the strong, brutish<br />

Bhima who depends on his physical strength to crush his foes with grappling<br />

techniques or his mighty mace, to the “unsurpassable” Arjuna who<br />

uses his subtle accomplishments in meditation to achieve superior powers<br />

to conquer his enemies with his bow and arrow.<br />

<strong>The</strong> only extant Dhanur Vedic text—chapters 249 through 252 of the<br />

India 173

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!