Martial Arts Of The World - Webs

In any event, one should probably not make too much of the quarrels
surrounding pattern practice, for the disagreements are largely disputes of
degree, not essence. For all the controversy, pattern practice remains a key
component of traditional East Asian martial art. It is still seen as the core
of transmission in the traditional schools, the fundamental means for
teaching and learning that body of knowledge that constitutes the art.
Karl Friday
References
Armstrong, Hunter B. 1995. “The Koryû Bujutsu Experience.” In Koryû
Bujutsu: Classical Warrior Traditions of Japan. Edited by Diane Skoss.
Berkeley Heights, NJ: Koryû Books.
Eno, Robert. 1990. The Confucian Creation of Heaven: Philosophy and
the Defense of Ritual Mastery. Albany: State University of New York
Press.
Friday, Karl. 1997. Legacies of the Sword: The Kashima-Shinryû and
Samurai Martial Culture. Honolulu: University of Hawai’i Press.
Herrigel, Eugen. 1953. Zen in the Art of Archery. New York: Pantheon.
Hurst, G. Cameron, III. 1998. The Armed Martial Arts of Japan: Swordsmanship
and Archery. New Haven: Yale University Press.
Keenan, John P. 1990. “The Mystique of Martial Arts: A Response to
Professor McFarlane.” Japanese Journal of Religious Studies 17, no. 4:
421–432.
———. 1989. “Spontaneity in Western Martial Arts: A Yogâcâra Critique
of Mushin (No-Mind).” Japanese Journal of Religious Studies 16, no. 4:
285–298.
McFarlane, Stewart. 1990. “Mushin, Morals, and Martial Arts: A
Discussion of Keenan’s Yogâcâra Critique.” Japanese Journal of
Religious Studies 17, no. 4: 397–420.
Nishioka Tsuneo. 1995. “Uchidachi and Shidachi.” In Sword and Spirit:
Classical Warrior Traditions of Japan. Edited by Diane Skoss. Berkeley
Heights, NJ: Koryû Books.
Slawson, David. 1987. Secret Teachings in the Art of Japanese Gardens:
Design Principles and Aesthetic Values. New York: Kodansha
International.
List of Ideograms
140 Form/Xing/Kata/Pattern Practice