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THE ROLE OF TURKISH PERCUSSION IN THE HISTORY AND ...

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CHAPTER 1<br />

DESCRIPTION <strong>AND</strong> <strong>IN</strong>TRODUCTION <strong>OF</strong> <strong>THE</strong> STUDY<br />

Importance of the Study<br />

Of all the musical instruments in the standard symphony orchestra, it is<br />

those of the percussion section which, by comparison with the others, have<br />

been constantly neglected and mistreated by composers and arrangers alike. 1<br />

This study is intended to assist the symphonic percussionist and the conductor in<br />

understanding the history and use of percussion instruments, which led to their entry into the<br />

late eighteenth-century and early nineteenth-century orchestra. The result offers a concise<br />

source of information concerning not only a description of Turkish percussion instruments<br />

and their performance, but also the rise and development of these instruments in the orchestra<br />

which provided the foundation for the modern expanded orchestral percussion section.<br />

Objectives of the Study<br />

There are three fundamental objectives of this monograph:<br />

1. To investigate the manner through which composers first utilized Turkish percussion<br />

(excluding kettledrums) in the orchestra.<br />

2. To examine the subsequent history of these instruments and the manner in which<br />

composers utilized them, leading to their recognition as musical instruments in their<br />

own right.<br />

3. To provide a resource for both performers and conductors who seek to recreate<br />

authentic performances of music from that era.<br />

These objectives were realized through the following chapter outline:<br />

Chapter I. Description and Introduction of the Study<br />

1<br />

Edgar B. Gangware, The History and Use of Percussion Instruments in Orchestration, diss. (Evanston:<br />

Northwestern University, 1962), ii.<br />

1

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