( Hand to Hand: Martial Arts ) Aikido ( revised )
( Hand to Hand: Martial Arts ) Aikido ( revised )
( Hand to Hand: Martial Arts ) Aikido ( revised )
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Capoiera<br />
(kap-oh-er-a )<br />
The actual his<strong>to</strong>ry of this interesting style is unknown, but this is the basic, accepted theory:<br />
Capoiera was developed by the African slaves brought <strong>to</strong> Brazil by Portugese merchants.<br />
The slaves were from various tribes, some were even from enemy tribes. Realizing that<br />
their condition would not change on it's own, they decided <strong>to</strong> revolt. Bu they had <strong>to</strong> be<br />
able ot fight, and they were obviously not allowed <strong>to</strong> have weapons, so they <strong>to</strong>ok lessons<br />
from their tribal dances, and began <strong>to</strong> develop a way of fighting based on these dances.<br />
This was act- ually very clever, as they were able <strong>to</strong> convince their masters that they<br />
were only practicing their ancient traditional dances while they were, in fact learning <strong>to</strong><br />
fight. The practiced their secret art <strong>to</strong> the rhythms of drums and a stringed, wooden<br />
instrument called the berimbau. Eventually, they did gain their freedom. The "dance" of<br />
capoiera and the capoeiristas ( practicioners of the art ) became so feared that Capoiera<br />
was actually made illegal in Brazil until the 1930's, when government restrictions were<br />
relaxed and students were once again allowed <strong>to</strong> practice.<br />
Today, Capoiera is popular around the world. The dancing and music initially used <strong>to</strong> disguise the<br />
style have been fully integrated in<strong>to</strong> the style. It is even a type of game for those who practice it.<br />
Capoeira is usually done inside a circle of people called a "roda", pronouced HO-DUH. The people in<br />
the circle are usually other capoeiristas waiting <strong>to</strong> "play", and observers. Player or not you are<br />
expected <strong>to</strong> give energy <strong>to</strong> the roda by clapping and singing in response <strong>to</strong> the person "in charge" of<br />
the roda. There are several instruments used <strong>to</strong> make the music in the capoeira roda. The agogô<br />
(double cowbell), pandeiro (tambourine), Atabaque (conga type drum), and the Berimbau which is the<br />
most important. Each instrument, when played correctly, contributes <strong>to</strong> the energy in the roda, but the<br />
Berimbau is the commanding instrument. It tells the players inside the roda how <strong>to</strong> play, fast or<br />
slowly, agressively or pretty with lots of acrobatics. The berimbau starts and s<strong>to</strong>ps the roda, and all<br />
the other instruments follow it's rhythm and tempo.<br />
Many people ask if Capoiera is a dance, or a fighting art. Mestre Joao Grande, considered <strong>to</strong> be one<br />
of the greatest Capoiera teachers, answered this question once with this, " In the hour of fighting, it is<br />
a fight. And in the hour of dance, it is a dance".<br />
Capoiera is a very interseting form <strong>to</strong> observe. It appeals <strong>to</strong> both the body and the mind. The driving<br />
rhythms reach in<strong>to</strong> the body and stir one <strong>to</strong> movement, while the wild dancing and acrobatics<br />
entertain the eye and mind. It is a constantly moving style, and this can be very confusing <strong>to</strong> someone<br />
who has never faced a capoeirista before.<br />
Entrance Requirements: P.S. 13, P.P. 14, Spd. 15<br />
Costume: None in particular, but students dress in all white.<br />
Stance: A low crouching position, with circular motion.<br />
CHARACTER BONUSES<br />
Add +2 <strong>to</strong> P.P.<br />
Add +1 <strong>to</strong> P.E.<br />
Add +5 <strong>to</strong> Spd.<br />
Add +15 <strong>to</strong> S.D.C.