Are Patents and Copyrights Morally Justified? - Tom G. Palmer

Are Patents and Copyrights Morally Justified? - Tom G. Palmer Are Patents and Copyrights Morally Justified? - Tom G. Palmer

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No. 3] Are Patents and Copyrights Morally Juct~fied? 827 to the production process offactors ofproduction or from entrepreneurial activity. Following what he calls the “finderskeepers” rule, he argues that “a producer is entitled to what he has produced not because he has contributed anything to its physical fabrication, but because he perceived and grasped the opportunity for its fabrication by utilizing the resources available in the market.” 39 He contrasts “ownership-by-creation” with “ownership-by-just-acquisition-from-nature” and argues that the former better justifies entrepreneurial profit because “until a resource has been discovered, it has not, in the sense relevant to the rights of access and common use, existed at all. By this view it seems plausible to consider the discoverer ofthe hitherto ‘nonexistent’ resource as, in the relevant sense, the creator ofwhat he has found.” 4 °Clearly, if one were to substitute such an “ownership by creation” theory (or “finders-keepers”) for “ownership-by-just-acquisition-from-nature,” then the case for intellectual property rights would become much more plausible. All of these lines of argument strongly emphasize the moral desert ofthe creator, inventor, or author. 4 ’ They are consistent with the argument ofJohn Locke in his Second Treatise that no one, so long as there was “as good left for his Improvement,” should “meddle with what was already improved by another’s Labour; If he did, ‘tis plain he desired the benefit of another’s Pains, which he had no right to . . ,“~ When one has improved what was before unimproved (or created what before did not exist), one is entitled to the result ofone’s labor. One deserves it. Objections to Labor-Based Moral Desert Theories Arguments such as Spooner’s and Rand’s encounter a fundamental problem. While they pay homage to the right of selfownership, they restrict others’ uses oftheirown bodies in conjunction with resources to which they have full moral and legal rights. Enforcement ofa property right in a dance, for example, 39. Id. at 196. 40. Id. at 212-13. 41. Moral desert plays a powerful role in many theories of property. According to Lawrence C. Becker, “the concept of desert is constitutive of the concept of morality per se L.C. BECKER, PROPERTY RIGHTS: PHILOSOPHIC FOUNDATIONS 51 (1977). 42. J. LOCKE, Two TREATISES OP GOVERNMENT, 309 (P. Laslett ed. 1970) (3d ed. 1698). * ‘a

harvard Journal of Law ~sYPubiw Policy [Vol. US means that force can be used against another to stop him from taking certain steps with his body; enforcement of a property right in an invention means that force can be used against another to stop him from using his hands in certain ways, In each case, an intellectual property right is a claim ofa right over how another person uses her body. As the pro-liberty journalist William Leggett, a leader of the Jacksonian Loco-Foco party and editor of the New York Evening Post, wrote, We do not wish to deny to British authors a right; but we do desire that a legal privilege, which we contend has no foundation in na~turalright, and is prejudicial to ‘the greatest good of the greatest number,’ should be wholly annulled, in relation to all authors, ofevery name and country. Our position is, that authors have no natural right ofproperty in their published works, and that laws to create and guard such a right are adverse to the true interests of society. 43 Leggett opposed copyright and patent rights for two reasons: First, he argued that intellectual property rights stifled the free spread of ideas and damaged the public interest. 44 Second, he argued that such rights were in reality statutory monopolies that infringed upon the rights of others to the ownership of their own bodies: Our position that an author has an exclusive natural right of property in his manuscript, was meant to be understood only in the same sense that a mechanic has an exclusive natural right of property in the results of his labour. The mental process by which he contrived those results are not, and cannot properly be rendered, exclusive property; Since the right of a free exercise of our thinking faculties is given by nature to all mankind, and the merefact that a given mode ofdoing 43. W. LEOGETF, supra note 2, at 397.98. Interestingly, Leggett and Spooner not only agreed on the abolition of slavery, but also agreed that, if intellectual property rights are indeed natural rights, then they should not be limited in duration. Accord. ing to Lessett, An authoreither has anaturalandjust right ofproperty in his production, or he has not. Ifhe has, it is one not to be bounded by space, or limited in duration, but, like that oftheIndian to thebow andarrowhe hasshaped from the sapling and reeds of the unappropriated wilderness, his own exclusively and forever. Id. at 398. 44. Iftheprinciple of copyright were wholly done away, the business of authorship, we are inclined to think, would readilyaccommodate itselfto the change ofcircumstances, and would be more extensivelypursued, and with more advantage to all concerned than is the case at present. Id. at 394.

No. 3] <strong>Are</strong> <strong>Patents</strong> <strong>and</strong> <strong>Copyrights</strong> <strong>Morally</strong> Juct~fied? 827<br />

to the production process offactors ofproduction or from entrepreneurial<br />

activity. Following what he calls the “finderskeepers”<br />

rule, he argues that “a producer is entitled to what he<br />

has produced not because he has contributed anything to its<br />

physical fabrication, but because he perceived <strong>and</strong> grasped the<br />

opportunity for its fabrication by utilizing the resources available<br />

in the market.” 39 He contrasts “ownership-by-creation”<br />

with “ownership-by-just-acquisition-from-nature” <strong>and</strong> argues<br />

that the former better justifies entrepreneurial profit because<br />

“until a resource has been discovered, it has not, in the sense<br />

relevant to the rights of access <strong>and</strong> common use, existed at all.<br />

By this view it seems plausible to consider the discoverer ofthe<br />

hitherto ‘nonexistent’ resource as, in the relevant sense, the<br />

creator ofwhat he has found.” 4 °Clearly, if one were to substitute<br />

such an “ownership by creation” theory (or “finders-keepers”)<br />

for “ownership-by-just-acquisition-from-nature,” then<br />

the case for intellectual property rights would become much<br />

more plausible.<br />

All of these lines of argument strongly emphasize the moral<br />

desert ofthe creator, inventor, or author. 4 ’ They are consistent<br />

with the argument ofJohn Locke in his Second Treatise that no<br />

one, so long as there was “as good left for his Improvement,”<br />

should “meddle with what was already improved by another’s<br />

Labour; If he did, ‘tis plain he desired the benefit of another’s<br />

Pains, which he had no right to . . ,“~ When one has improved<br />

what was before unimproved (or created what before<br />

did not exist), one is entitled to the result ofone’s labor. One<br />

deserves it.<br />

Objections to Labor-Based Moral Desert Theories<br />

Arguments such as Spooner’s <strong>and</strong> R<strong>and</strong>’s encounter a fundamental<br />

problem. While they pay homage to the right of selfownership,<br />

they restrict others’ uses oftheirown bodies in conjunction<br />

with resources to which they have full moral <strong>and</strong> legal<br />

rights. Enforcement ofa property right in a dance, for example,<br />

39. Id. at 196.<br />

40. Id. at 212-13.<br />

41. Moral desert plays a powerful role in many theories of property. According to<br />

Lawrence C. Becker, “the concept of desert is constitutive of the concept of morality<br />

per se L.C. BECKER, PROPERTY RIGHTS: PHILOSOPHIC FOUNDATIONS 51 (1977).<br />

42. J. LOCKE, Two TREATISES OP GOVERNMENT, 309 (P. Laslett ed. 1970) (3d ed.<br />

1698). *<br />

‘a

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