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An interesting phenomenon which is evidenced in DB's contribution<br />

line 18 is one seen in much <strong>of</strong> this type <strong>of</strong> collective re-invocation in English<br />

sociable conversation, namely, the temporary 'freezing out' <strong>of</strong> a participant<br />

from moments <strong>of</strong> heightened positive alignment. Here, D13<br />

signals here<br />

inability to mobilise and align positively with her co-participants in talk. By<br />

asking 'Was that before I met you Dave', D13<br />

clearly signals here inability to<br />

positively align. In effect, at least for the duration <strong>of</strong> this particular phase <strong>of</strong> the<br />

episode, DB is somewhat forced to negatively align, by adopting more <strong>of</strong> an<br />

audiential footing, evident in her contributions in line 101 ('BROKE the what'),<br />

and arguably in line 77 where she attempts to mobilise a more humorous<br />

based self, effectively negatively altercasting the others temporarily in an<br />

audiential role.<br />

Overall though, aside from DB's temporary alienation (see also JL's<br />

temporary alienation in Excerpt 6.3'More Often'), as players, similar sociable<br />

selves are mobilised and mutually aligned.<br />

To consider the selves as images mobilised in the talk, as I noted<br />

above, the general nature <strong>of</strong> selves invoked here is party-goers. One striking<br />

feature <strong>of</strong> these selves mobilised by participants in this episode is their<br />

abased nature. For instance, in lines 6-11, and again in lines 51-54, LM<br />

invokes a figure 'falling downstairs' and having a can <strong>of</strong> 'gold label' (an<br />

extremely potent English beer at around 9% alcohol content) in her hand. This<br />

type <strong>of</strong> abased inebriated self is similar to that drawn upon by AL in his<br />

account <strong>of</strong> getting drunk in Stockton (see Excerpt 7.6 'Up a Hill') and as I<br />

noted earlier, one <strong>of</strong>ten drawn upon for both negative and positive alignment<br />

in English German sociable conversation (see Chapter 7). In positive<br />

alignment, DB similarly invokes an abased aspect <strong>of</strong> past selfhood, manifest<br />

in his claims to remember nothing about 'that night' apart from Cookie's<br />

bathroom being wrecked (lines 14-16). What is implied by this conversational<br />

claim - and what DB himself is implying - is not that DB has a faulty memory,<br />

or that the event was too insignificant to be remembered (indeed the converse<br />

seems to be the case as all that DB can recall is the shower being ripped <strong>of</strong>f<br />

247

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