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SAGA-BOOK - Viking Society Web Publications

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Saga-Book of the <strong>Viking</strong> <strong>Society</strong><br />

The real problem here is, perhaps, an underlying feeling that to<br />

talk of fate and honour - let alone of kinship and blood - is<br />

inextricably bound up with National Socialist attitudes, and that<br />

they are therefore topics to be eschewed. The ancient Germanic<br />

peoples were not Nazis, but the importance of the blood link (blood<br />

thought of not in terms of race but of kin) along with the<br />

associated idea of honour upheld by vengeance must surely have<br />

played a vital role in the "aristocratic" life and poetry of the<br />

times, to judge by much that has come down to us. And the<br />

"ethic of the blood" is essentially negative and (self-)destruetivethe<br />

author himself speaks of the hero faced with decisions who, in<br />

an intoxication of self-assertion, gives himself over to death (p. 22).<br />

The fact that much of the early poetry must have been composed<br />

by and for (nominal) Christians does not necessarily affect the<br />

issue - the impact of the new faith on an ancient ethos hardly<br />

resulted in massive conversions akin to that of Saul.<br />

Professor von See devotes a chapter to Christian elements in<br />

heroic legend and argues forcibly against the idea of a deliberate<br />

suppression of heroic legend by the Church and incidentally also<br />

against the commonly held view that the lost collection of lays<br />

made, according to Einhard, by Charlemagne had anything to do<br />

with ancient Germanic days: they would have dealt, the author<br />

thinks, with Charlemagne's own ancestors and predecessors<br />

in office, He also rejects the theory that the Waltharius story,<br />

despite its Christian elements, is simply a creation of the monastic<br />

mind and was unknown to genuine Germanic tradition. He sees<br />

Beowulfas conveying an essentially Christian message, and points<br />

to certain Christian traits in the Poetic Edda. In the various<br />

pictorial representations of heroic themes (to which a whole<br />

chapter, with illustrations, is devoted) he sees, on the whole, more<br />

of Christianity than of paganism, and so necessarily rejects the<br />

theories of Karl Hauck.<br />

Here and there we also find passing references to classical<br />

influence on heroic legend, e.g. the clear parallel between the<br />

Weiand story and Daedalus, though possible classical parallels<br />

to the grisly banquet served up to Atli by Guorun are not<br />

mentioned (e.g. Ovid's tale of Tereus and Procne). Julius<br />

Schwietering's conjecture that the Goths might have learnt something<br />

of Greek heroic lays through contact with Greek traders in<br />

the Black Sea area is not thrown completely out of court.<br />

Professor von See considers that the Nibelungenlied and other<br />

later German heroic poems do not come within the scope of his<br />

book because they are not strictly speaking Germanic in that the<br />

material is no longer seen "with Germanic eyes" Some,<br />

depending on the precise definition of "Germanic", could take

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