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SAGA-BOOK - Viking Society Web Publications

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Saga-Book of the <strong>Viking</strong> <strong>Society</strong><br />

Friedrich Panzer is the most doughty protagonist of the<br />

fairytale theory, and he is mentioned together with such names as<br />

Kaarle Krohn and Aatti on the one hand, and Axel Olrik on the<br />

other, not forgetting the important work of Max Luthi,<br />

all of whom mark milestones in the investigation of the<br />

fairytale. A chapter is devoted to links between heroic legend<br />

and fairytale, and any genetic connection is rightly discounted.<br />

A clear distinction is made between the fairytale hero and the hero<br />

of heroic legend, and between the difference in time-perspectives<br />

of the two genres, and between the types of audience for whom<br />

each was intended. At the same time, contamination of heroic<br />

legend by the fairytale is shown in examples extending from the<br />

world of Hellas down to that of the Nibelungenlied and of the<br />

Poetic Edda, while an example of influence in the opposite direction<br />

is demonstrated by the Russian fairytale on the theme of the<br />

amazon-like bride won unfairly for her husband by his friend on<br />

both of whom she is later revenged: this is derived from the heroic<br />

Brunhild-Siegfried-Gunther constellation as found in the Nibelungenlied<br />

(not the other way round, as Panzer contended).<br />

F. R. Schroder is certainly the greatest name connected with the<br />

idea of a provenance in myth. A lengthy chapter is devoted to<br />

links between heroic legend and myth, and, in addition to a consideration<br />

of F. R. Schroder's ideas, due attention is also paid to<br />

those of Jan de Vries, Otto Hofler and Karl Hauck. The reader<br />

learns of the theory that a religious rite might be secularised, lose<br />

its timeless significance and be reduced to the level of a single<br />

historical heroic event, with psychologically motivated characters,<br />

or else that an historical event might be felt to reflect in its essence<br />

an archetypal myth and be made in the telling to conform more<br />

closely to the pattern of that myth. Neither Otto Hofler's<br />

application of this latter possibility to Siegfried's slaying of the<br />

dragon and to certain aspects of the legends centering on<br />

Theoderich, nor Karl Hauck's different but in the last analysis not<br />

dissimilar attitude towards the Theoderich material are found<br />

acceptable. The first of the two possibilities is found to be<br />

equally at fault, and attempts to account for e.g. the Eddaic Helgi<br />

lays, the Hildebrandslied and Siegfried's death in this way are<br />

dismissed as vain. The author does however believe that the<br />

story told in Beowulf about Ha-ocyn and Herebeald is in fact<br />

dependent on the myth of the Baldr-Hoor story, although he<br />

refuses (perhaps too readily) to draw any general conclusions from<br />

this undoubted fact.<br />

The upshot of these various considerations is that heroic legend<br />

gradually became infused with mythical elements in Scandinavia<br />

and with fairytale elements on the Continent. Stripped of these

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